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Slytherin Racing Queen - Draconia#3
Special race queen set for Draconia. Curves, speed, and pure Slytherin attitude on the pit lane. 🏁✨
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Racing Circuit Festival#Racing Circuit
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レースクイーン 車
音色さん
べに＿セクシークイーン
赤毛のムック
✨JEFF.T12✨
An ultra-detailed 2.5D semi-realistic masterpiece illustration of Evelyn Chevalier from Zenless Zone Zero seated on the front edge of her race car's hood, her glossy black over-knee boots crossed at the knee and hanging free, in her high-cut race queen leotard, against a plain flat grey backdrop. character: evelyn_chevalier taihou_(enraptured_companion)_(azur_lane)
Evelyn Chevalier has her golden blonde hair gathered up into her signature single braided bun, a small butterfly ornament tucked into it, her parted bangs swept up and clear of her face so both of her cool violet eyes are fully visible, a single small mole beneath her right eye — the only one on her face. She is a mature woman with a poised, quietly athletic bearing, her fair skin smooth with a fine glossy sheen and a soft rosy warmth glowing beneath it.
Her race queen outfit is a glossy black high-cut leotard trimmed in deep crimson and fine gold: a black choker collar rings her throat, the halter line dropping from it to a bodice whose front panel stays whole and closed over her full bust, leaving her shoulders and arms completely bare. The leotard's sides are cut wide open at her waist, its front and back panels joined only by slim straps, baring the whole span of her flanks from beneath her ribs down to her hip bones. Its leg openings are cut daringly high, riding up over her hip bones as she sits and baring the full crease of each hip. Her legs are sheathed in glossy black over-knee boots with slim high heels, the boot tops gripping her mid-thighs, and a slim communication headset hugs one ear.
She sits on the front edge of the hood with her weight settled on one hip, her torso turned a little toward the camera, her back held straight and easy. Her legs are crossed at the knee, the upper boot laid across the lower thigh, both glossy boot heels hanging free in the air with their toes pointing off to one side, the two legs never touching below the knee. Both of her hands rest flat on the metal beside her hips, all five fingers of each hand spread and relaxed on the surface, exactly five on each hand. She looks into the lens with a small composed smirk, her chin slightly lowered — a professional off duty, perfectly calm in a uniform far bolder than her own.
The only object in the scene is the low matte black wedge of the car's hood beneath her; everything beyond and around it is a single perfectly uniform flat light-grey tone from edge to edge, featureless and seamless, with no other scenery and no other objects.
The camera sits at the height of the hood, a little below her face, looking slightly up at her, framing her from the dangling boot heels to the crown of her head in a vertical 3:5 composition. Soft neutral light falls from above and slightly in front of her, laying a bright glossy sheen across her fair shoulders, the bared span of her waist and the crossed line of her thighs, her fair skin rendered with a soft rosy warmth glowing beneath its polished sheen, the glossy black leotard and her over-knee boots mirroring the light in long liquid highlights, the crimson and gold trim catching thin bright edges, highly detailed fabric texture, the whole image in rich vibrant color, sharp focus on her face and the crossing line of her boots.
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