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1girl, solo, blonde hair, long hair, single braid, thick braid over one shoulder, blue eyes, dignified refined face, high-collared white cotton blouse, ruffled cuffs, pleated light blue midi skirt, modest refreshing outfit, tall graceful figure, slender waist, broad shoulders, long legs, standing, looking to the side, light smile, calm expression, head tilt, hand at collar, from below, cowboy shot, three-quarter view, sunlit stone terrace, wing-light, no other people, empty background, no text, The camera sits low and to her right, looking up in a three-quarter view at a tall woman who stands on a sunlit stone terrace, so that her whole figure reads as composed even when she is only adjusting herself. She is a former knight, and the poise is still in her: shoulders settled back and down, spine long, weight carried on her left leg with her right knee loosely bent and her right hip dropped a little, so the pleated light blue skirt hangs at an angle instead of swinging level. Her right hand comes up to the high white collar of her blouse, two fingers hooked just inside the band at the side of her throat, easing it; her left arm hangs with the back of the wrist resting against the pleats at her hip, thumb hooked into the waistband. The ruffled cuffs of the blouse stand out crisply at both wrists. Her blonde hair is gathered into one thick braid that crosses her left shoulder and falls forward over the blouse, the plait thick as a rope and woven tight at the crown where the sections are drawn back from her temples; a few fine loose strands lift at her cheek and catch the light. Her chin is turned a quarter away from the lens and her blue eyes look off to the lower left of the frame, past the terrace, lids level and calm, the corner of her mouth barely lifted -- a warm, self-possessed still face rather than a display of a smile, and the warmth reads in the settled shoulders and the easy hand at her hip. The blouse is white cotton with a faint woven tooth, buttoned high, the fabric pulling in one soft diagonal fold from her right shoulder across the chest as she lifts her arm; the skirt is pale blue wool crepe with knife pleats that hold their edges and break into shadow between each fold. Light comes from the upper right, low and warm: it strikes the right side of her jaw, the ridge of her collar and the near pleats, the braid throws a crisp shadow line across the white blouse, and the whole left side of her body falls into a cool open shade with no hard edge. Behind her the terrace's pale stone and a soft out-of-focus wall of dry vines fill the frame with low-contrast ochre and sage, leaving the bottom third of the composition to the lit stone and the shadow she casts, elongated to the lower left. The palette is restrained: warm blonde and white, the single pale blue of the skirt, the ochre stone, and green-grey shade, nothing louder. Detail concentrates on the braid's weave, the collar and cuffs, and the crease lines of the pleats; the background stays simple. Serene, quietly radiant.
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Original Prompt
金髪ロング三つ編みに碧眼、凛とした顔立ちの元女騎士。 清楚で爽やかな衣装を纏う。 彼女の肉体は美しく、目を見張るものがある。 性格は情に熱く優美、基本穏やか。
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
ゆ
1girl, solo, blonde hair, long hair, single braid, thick braid over one shoulder, blue eyes, dignified refined face, high-collared white cotton blouse, ruffled cuffs, pleated light blue midi skirt, modest refreshing outfit, tall graceful figure, slender waist, broad shoulders, long legs, standing, looking to the side, light smile, calm expression, head tilt, hand at collar, from below, cowboy shot, three-quarter view, sunlit stone terrace, wing-light, no other people, empty background, no text, The camera sits low and to her right, looking up in a three-quarter view at a tall woman who stands on a sunlit stone terrace, so that her whole figure reads as composed even when she is only adjusting herself. She is a former knight, and the poise is still in her: shoulders settled back and down, spine long, weight carried on her left leg with her right knee loosely bent and her right hip dropped a little, so the pleated light blue skirt hangs at an angle instead of swinging level. Her right hand comes up to the high white collar of her blouse, two fingers hooked just inside the band at the side of her throat, easing it; her left arm hangs with the back of the wrist resting against the pleats at her hip, thumb hooked into the waistband. The ruffled cuffs of the blouse stand out crisply at both wrists. Her blonde hair is gathered into one thick braid that crosses her left shoulder and falls forward over the blouse, the plait thick as a rope and woven tight at the crown where the sections are drawn back from her temples; a few fine loose strands lift at her cheek and catch the light. Her chin is turned a quarter away from the lens and her blue eyes look off to the lower left of the frame, past the terrace, lids level and calm, the corner of her mouth barely lifted -- a warm, self-possessed still face rather than a display of a smile, and the warmth reads in the settled shoulders and the easy hand at her hip. The blouse is white cotton with a faint woven tooth, buttoned high, the fabric pulling in one soft diagonal fold from her right shoulder across the chest as she lifts her arm; the skirt is pale blue wool crepe with knife pleats that hold their edges and break into shadow between each fold. Light comes from the upper right, low and warm: it strikes the right side of her jaw, the ridge of her collar and the near pleats, the braid throws a crisp shadow line across the white blouse, and the whole left side of her body falls into a cool open shade with no hard edge. Behind her the terrace's pale stone and a soft out-of-focus wall of dry vines fill the frame with low-contrast ochre and sage, leaving the bottom third of the composition to the lit stone and the shadow she casts, elongated to the lower left. The palette is restrained: warm blonde and white, the single pale blue of the skirt, the ochre stone, and green-grey shade, nothing louder. Detail concentrates on the braid's weave, the collar and cuffs, and the crease lines of the pleats; the background stays simple. Serene, quietly radiant.
ゆらら
AI artwork
ゆ
1girl, solo, blonde hair, long hair, single braid, thick braid over one shoulder, blue eyes, dignified refined face, high-collared white cotton blouse, ruffled cuffs, pleated light blue midi skirt, modest refreshing outfit, tall graceful figure, slender waist, broad shoulders, long legs, standing, looking to the side, light smile, calm expression, head tilt, hand at collar, from below, cowboy shot, three-quarter view, sunlit stone terrace, wing-light, no other people, empty background, no text, The camera sits low and to her right, looking up in a three-quarter view at a tall woman who stands on a sunlit stone terrace, so that her whole figure reads as composed even when she is only adjusting herself. She is a former knight, and the poise is still in her: shoulders settled back and down, spine long, weight carried on her left leg with her right knee loosely bent and her right hip dropped a little, so the pleated light blue skirt hangs at an angle instead of swinging level. Her right hand comes up to the high white collar of her blouse, two fingers hooked just inside the band at the side of her throat, easing it; her left arm hangs with the back of the wrist resting against the pleats at her hip, thumb hooked into the waistband. The ruffled cuffs of the blouse stand out crisply at both wrists. Her blonde hair is gathered into one thick braid that crosses her left shoulder and falls forward over the blouse, the plait thick as a rope and woven tight at the crown where the sections are drawn back from her temples; a few fine loose strands lift at her cheek and catch the light. Her chin is turned a quarter away from the lens and her blue eyes look off to the lower left of the frame, past the terrace, lids level and calm, the corner of her mouth barely lifted -- a warm, self-possessed still face rather than a display of a smile, and the warmth reads in the settled shoulders and the easy hand at her hip. The blouse is white cotton with a faint woven tooth, buttoned high, the fabric pulling in one soft diagonal fold from her right shoulder across the chest as she lifts her arm; the skirt is pale blue wool crepe with knife pleats that hold their edges and break into shadow between each fold. Light comes from the upper right, low and warm: it strikes the right side of her jaw, the ridge of her collar and the near pleats, the braid throws a crisp shadow line across the white blouse, and the whole left side of her body falls into a cool open shade with no hard edge. Behind her the terrace's pale stone and a soft out-of-focus wall of dry vines fill the frame with low-contrast ochre and sage, leaving the bottom third of the composition to the lit stone and the shadow she casts, elongated to the lower left. The palette is restrained: warm blonde and white, the single pale blue of the skirt, the ochre stone, and green-grey shade, nothing louder. Detail concentrates on the braid's weave, the collar and cuffs, and the crease lines of the pleats; the background stays simple. Serene, quietly radiant.
ゆらら
AI artwork
ゆ
1girl, solo, blonde hair, long hair, single braid, thick braid over one shoulder, blue eyes, dignified refined face, high-collared white cotton blouse, ruffled cuffs, pleated light blue midi skirt, modest refreshing outfit, tall graceful figure, slender waist, broad shoulders, long legs, standing, looking to the side, light smile, calm expression, head tilt, hand at collar, from below, cowboy shot, three-quarter view, sunlit stone terrace, wing-light, no other people, empty background, no text, The camera sits low and to her right, looking up in a three-quarter view at a tall woman who stands on a sunlit stone terrace, so that her whole figure reads as composed even when she is only adjusting herself. She is a former knight, and the poise is still in her: shoulders settled back and down, spine long, weight carried on her left leg with her right knee loosely bent and her right hip dropped a little, so the pleated light blue skirt hangs at an angle instead of swinging level. Her right hand comes up to the high white collar of her blouse, two fingers hooked just inside the band at the side of her throat, easing it; her left arm hangs with the back of the wrist resting against the pleats at her hip, thumb hooked into the waistband. The ruffled cuffs of the blouse stand out crisply at both wrists. Her blonde hair is gathered into one thick braid that crosses her left shoulder and falls forward over the blouse, the plait thick as a rope and woven tight at the crown where the sections are drawn back from her temples; a few fine loose strands lift at her cheek and catch the light. Her chin is turned a quarter away from the lens and her blue eyes look off to the lower left of the frame, past the terrace, lids level and calm, the corner of her mouth barely lifted -- a warm, self-possessed still face rather than a display of a smile, and the warmth reads in the settled shoulders and the easy hand at her hip. The blouse is white cotton with a faint woven tooth, buttoned high, the fabric pulling in one soft diagonal fold from her right shoulder across the chest as she lifts her arm; the skirt is pale blue wool crepe with knife pleats that hold their edges and break into shadow between each fold. Light comes from the upper right, low and warm: it strikes the right side of her jaw, the ridge of her collar and the near pleats, the braid throws a crisp shadow line across the white blouse, and the whole left side of her body falls into a cool open shade with no hard edge. Behind her the terrace's pale stone and a soft out-of-focus wall of dry vines fill the frame with low-contrast ochre and sage, leaving the bottom third of the composition to the lit stone and the shadow she casts, elongated to the lower left. The palette is restrained: warm blonde and white, the single pale blue of the skirt, the ochre stone, and green-grey shade, nothing louder. Detail concentrates on the braid's weave, the collar and cuffs, and the crease lines of the pleats; the background stays simple. Serene, quietly radiant.
ゆらら

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