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AI artwork featuring #Iowa, #Gangut and #PixAI Halloween 2026
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Iowa, Gangut

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Gangut
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character: iowa_(kancolle), gangut_(kancolle), copyright: kantai_collection Illustration of Iowa from Kantai Collection. Wearing a hanten, inside a kotatsu, face resting on the table, eyes closed, sleeping comfortably. Mouth is half-open with drool dripping onto the table. Gangut is opening a sliding door and taking a photo of Iowa's sleeping face from the side with a small camera. Gangut has a kiseru pipe in her mouth. On top of the kotatsu, there are peeled mandarin orange peels. Gangut is in the foreground, and Iowa is sleeping in the kotatsu behind the opened sliding door. Gangut is seen from behind, with an angle where Iowa's sleeping face is visible.
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Original Prompt
艦隊これくしょんのアイオワのイラスト。 半纏を着て、こたつに入り、机に顔を乗せ、目を閉じて心地よさそうに寝ている。口は半開きでよだれが机に垂れている。 ガングートが、襖をあけ、小さなカメラで、アイオワの寝顔の写真を横からとっている。ガングートはキセルを咥えている。 こたつのうえには剥かれたミカンの皮がある。 手前にガングート、開けられた襖の奥にこたつに入って寝ているアイオワがいる。 ガングートは後ろ姿であり、アイオワの寝顔が見えるアングル。
Mode
flash
Size
992 x 992

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ak
character: iowa_(kancolle), gangut_(kancolle), copyright: kantai_collection 2girls, iowa_(kancolle), gangut_(kancolle), long hair, blonde hair, hair between eyes, blue eyes, star-shaped pupils, hanten, thick padded hanten coat, sitting in kotatsu, kotatsu, blanket, face resting on table, sleeping, sleeping comfortably, closed eyes, mouth half open, drool, drool on table, table, peeled mikan, mikan peel on kotatsu, gangut seen from behind, from behind, back view, long hair, kiseru, smoking pipe in mouth, holding camera, small camera, compact camera, taking photo, photographing sleeping face, camera flash, fusuma, sliding door open, seiza, leaning forward, dutch angle, from above, cowboy shot, indoors, warm room, winter night, two subjects, sweet mood. The camera looks down and across the low kotatsu table from a point above Iowa's left shoulder, at a slight dutch angle, so that the whole frame is built on one axis: in the near-right foreground the kotatsu and the sleeping girl, and in the left middle distance the open fusuma doorway. Iowa's upper body is folded forward over the kotatsu tabletop, her cheek and jaw pressed flat against the wooden surface and her face turned three-quarters toward the right edge of frame, where the camera is; her long blonde hair spills across the table and hangs over the near edge of the kotatsu blanket in loose strands, her hair-between-eyes lock flattened sideways against her brow. Her eyes are shut, the lids relaxed and slightly creased, her brows loose, one corner of her half-open mouth pressed flatter than the other so the lips part unevenly. A thin thread of drool runs from the lower lip down over her chin and pools on the wood in a small glossy puddle with a stretched string still connecting lip to puddle; the wet patch on the table is darker than the dry wood around it and reflects a small hard highlight. Both her arms are buried under the kotatsu blanket up to the elbows, her shoulders slack, her whole weight given over to the table. She wears a thick padded hanten over her shoulders, the collar riding up against her cheek, the fabric creased where her shoulder pushes into it; below the table only the patterned kotatsu blanket is visible, drawn over her lap. On the same tabletop, in the right foreground, sits a peeled mikan: the fruit split into segments, the rind curled in one long spiralling strip with the pith side out, one segment half-eaten, a few scattered droplets of juice on the wood. In the left middle distance Gangut kneels in seiza on the tatami just outside the open fusuma, her back squarely to the viewer: the long shape of her back, the slope of her shoulders, the fall of her long hair down between her shoulder blades, the hem of her long military coat spread around her knees, one boot's toe visible at the edge of the tatami. Her head is turned only far enough that the side of her face and the long stem of the kiseru gripped between her teeth show past her cheek; a thin curl of smoke rises and bends toward the doorway. Both her hands are raised in front of her chest, elbows tucked to her ribs, cradling a small compact camera at the level of her collarbone, its lens pointed diagonally right toward Iowa's face. Her right index finger is pressed on the shutter. The camera's small square screen glows faintly, and the framing of Iowa's cheek and closed lashes is just visible on it, smaller and softer than the real thing. The fusuma is slid open about a third of the way, its paper panel showing from the back with the wooden frame and the round finger-pull, the groove of the rail running off past the door's edge. Beyond the opening the next room is dark and empty. A single low warm lamp inside the kotatsu room is the only light source: it rims the top of Iowa's hair, the curve of her cheek, the edge of her hanten collar and the puddle of drool, while Gangut's turned back falls into a soft darker shape against it and the corridor behind her is nearly black. Palette: warm amber lamplight, the cream and indigo of the kotatsu blanket, the deep blue of the hanten, the orange of the mikan peel, and cool grey-blue shadow in the doorway. Quiet, tender, hushed.
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