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AI art "尚未落下的雪" featuring #Tsubaki.3 and #The Snow in the Glass, Yet to Fall
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尚未落下的雪

窗台上一杯热茶,初雪将至未至,第一片雪花悬停在杯口正上方。她的指尖停在杯沿外,像在小心翼翼地保存这一刻——热气与雪花相触的瞬间,变化尚在途中。安静,而带着一点期待。

#Tsubaki.3#The Snow in the Glass, Yet to Fall
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close-up, macro, shallow depth of field, extreme close-up on cup rim, no humans visible except one hand, girl's hand entering from frame right, fingertips hovering above cup rim, not touching, steam, hot tea, teacup, wooden windowsill, window, grey-blue sky, first snow, single snowflake, snowflake suspended above cup, falling snow, cold window light, warm tea reflection, negative space, delicate anime illustration, muted grey-blue palette, warm amber accent, anticipation, quiet, no text, no logo, clean surfaces, profile view of cup, side lighting A macro close-up, the camera almost level with the cup's rim and pushed in so close that the windowsill's grain runs oversized across the lower third; the view is a near-profile of a white ceramic cup with a thin rolled lip, sitting slightly left of centre on a worn wooden windowsill, its paint long gone and the wood pale, dry and silvered, every surface wiped clean. Beyond the glass the sky is a flat grey-blue with no sun in it, and the first snow of the year has just started: a scatter of tiny flakes drifting down at shallow angles, most of them smeared into soft bokeh because the focus plane sits on the near rim of the cup. One flake alone is sharp, a six-armed crystal suspended in the air directly above the cup's rim, a hair's breadth from landing, its lower points already softened by the rising steam. The tea inside is a deep warm amber, its surface catching the cold window light as a curved sliver of near-white along the far inner wall, while the near side of the liquid holds the darker reflection of the window frame; faint ripple rings spread from the centre where something has just disturbed the surface. Steam lifts in two thin, twisted ribbons that bend towards the cold glass, and where the nearest ribbon meets the hovering snowflake the vapour thins and parts around it, the crystal's edges glazed with a whisper of condensation. From the right edge of the frame a girl's hand enters at an angle, slender, pale-skinned, wrist cropped away by the frame edge, the index finger extended and the other fingers loosely curled, the fingertip stopped a few millimetres above the rim and clearly not touching the ceramic; a soft warm reflection from the tea tints the underside of that fingertip. The light comes only from the window — cool, diffuse, slightly blue — laying a pale sheen on the cup's left shoulder and the girl's knuckles while the right side of the cup and the wood behind it fall into soft grey shadow; the tea itself is the only warm source, glowing from within the cup and throwing a small amber pool onto the sill. Everything off the focus plane melts — the window mullion, the far sill edge, the falling flakes — into creamy grey-blue bokeh, and the upper right of the frame is left almost empty, only sky and one distant flake. Palette strictly grey-blue with the tea's amber as the single warm accent. Quiet, expectant.
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Original Prompt
特写构图:木窗台上一杯冒热气的茶,窗外天色灰蓝,初雪刚开始飘落,第一片雪花悬停在杯口正上方、将落未落。少女的手从画面一侧伸入,指尖悬停在杯沿上方、没有碰到杯壁,热气与雪花相触的瞬间。冷色的窗外光与杯中暖色茶水的反光形成对比,微距浅景深,留白克制。细腻的动漫插画,安静而带有期待感的氛围。整体配色以灰蓝为主、暖茶为辅。画面中不要出现任何文字和logo。
Mode
flash
Size
1232 x 1632
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AI artwork
cy
first-person view, pov, looking down, from own eyes, 1girl, solo, own hands, pov hands, sleeves past wrists, oversized sweater, cream knit sweater, holding cup, ceramic mug, steaming drink, wooden table, open notebook, pencil, window, morning sunlight, sunbeams, light rays, dust motes, bangs in eyes, blurry foreground, shallow depth of field, indoor From a strict first-person perspective positioned directly behind her eyes, the frame captures an intimate subjective field of vision angled slightly downward toward a sunlit wooden desk. At the very top periphery of the frame, translucent and softly blurred strands of dark brown bangs dip into the field of view, naturally framing the upper edge of sight. Extending upward from the bottom edge of the frame, her own two slender hands enter the composition, her wrists engulfed in the long, ribbed cuffs of an ivory oversized knit sweater that extend past her palms. Her gaze is fixed directly upon a white ceramic mug held in her right hand, where her fingertips press against the warm curved surface and her index finger threads through the handle. Her left hand rests open and flat against the pages of an open lined notebook on the desk, anchoring the paper to the table surface beside fine, illegible pencil notes. A sharpened wooden pencil rests nestled in the center gutter of the notebook, its graphite tip pointing away from her. A delicate plume of steam curls upward from the dark tea in the mug, drifting softly to the right under a gentle indoor thermal current and casting a faint, wavering shadow across the polished oak. In the immediate midground, the table extends to a large multi-pane window where morning sunlight streams through, illuminating floating dust motes in distinct diagonal shafts. The low morning sun from the upper left serves as the dominant light source, striking the left edges of her wool sleeves and the rim of the mug, while casting soft, elongated shadows to the lower right across the wood grain. The palette is built on rich honey-colored wood, soft cream yarn, gentle leaf greens visible through the glass, and luminous golden light. Quietly peaceful.
Chi Yiu Mak
AI artwork
cy
first-person view, pov, looking down, from own eyes, 1girl, solo, own hands, pov hands, sleeves past wrists, oversized sweater, cream knit sweater, holding cup, ceramic mug, steaming drink, wooden table, open notebook, pencil, window, morning sunlight, sunbeams, light rays, dust motes, bangs in eyes, blurry foreground, shallow depth of field, indoor From a strict first-person perspective positioned directly behind her eyes, the frame captures an intimate subjective field of vision angled slightly downward toward a sunlit wooden desk. At the very top periphery of the frame, translucent and softly blurred strands of dark brown bangs dip into the field of view, naturally framing the upper edge of sight. Extending upward from the bottom edge of the frame, her own two slender hands enter the composition, her wrists engulfed in the long, ribbed cuffs of an ivory oversized knit sweater that extend past her palms. Her gaze is fixed directly upon a white ceramic mug held in her right hand, where her fingertips press against the warm curved surface and her index finger threads through the handle. Her left hand rests open and flat against the pages of an open lined notebook on the desk, anchoring the paper to the table surface beside fine, illegible pencil notes. A sharpened wooden pencil rests nestled in the center gutter of the notebook, its graphite tip pointing away from her. A delicate plume of steam curls upward from the dark tea in the mug, drifting softly to the right under a gentle indoor thermal current and casting a faint, wavering shadow across the polished oak. In the immediate midground, the table extends to a large multi-pane window where morning sunlight streams through, illuminating floating dust motes in distinct diagonal shafts. The low morning sun from the upper left serves as the dominant light source, striking the left edges of her wool sleeves and the rim of the mug, while casting soft, elongated shadows to the lower right across the wood grain. The palette is built on rich honey-colored wood, soft cream yarn, gentle leaf greens visible through the glass, and luminous golden light. Quietly peaceful.
Chi Yiu Mak

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