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- Original Prompt
- lusamine_(pokemon), artist:kure_masahiro, naked legs, chinese clothes, masterpiece, detailed, 中華風背景、cowboy_shot,
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- flash
- Size
- 1104 x 1824
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character: lusamine_(pokemon), artist: kure_masahiro
1girl, lusamine (pokemon), long hair, very long blonde hair, hair over one eye, green eyes, chinese clothes, china dress, qipao, sleeveless, bare shoulders, bare arms, bare legs, no legwear, cowboy shot, chinese-style background, standing, from side, looking to the side, hand on own hip, other arm raised, head tilt, light smile, half-closed eyes, sideboob hint at the dress opening, softly lit interior, coherent, solo, elegant, refined
A cowboy shot of a single tall woman framed from mid-thigh up, seen from her right side in a three-quarter turn, her body angled away while her chin lifts and her green eyes travel past the frame edge rather than to the lens. Her very long blonde hair falls in a heavy sheet past her hips, one long lock sweeping forward across the left half of her face so that a single green eye shows through it; the hair lifts slightly at the ends as though a draft moved through the room. She wears a sleeveless chinese dress in deep plum silk worked with a dense gold-and-jade cloud-and-peony brocade, mandarin collar closed at the throat, frog-button closures running down her right shoulder line, the loose side slit falling open along her right hip; the fabric catches light along the ridge of each shoulder and falls into a soft matte shadow down her side. Both shoulders and both arms are bare and bare legs show beneath the hem with no stocking, sock or legwear of any kind on either leg. Her right hand rests flat and confident on her hip, thumb hooked into the dress seam and the fabric drawn tight over it, while her left arm is raised and slightly out, fingers loosely curled and near-touching the edge of the frame as if she is drawing a curtain aside. Her weight sits on her straight back leg, the front leg slightly bent and turned out, giving a long S curve from the lifted chin down the hip. A faint closed-lip smile pulls at one corner of her mouth, one brow slightly arched, composure without warmth.
Behind her a chinese-style room opens in layers: at the immediate midground a carved rosewood lattice screen with brass fittings stands diagonally to her left, its closer edge overlapping her raised arm, and behind it a wide archway framed in dark lacquered timber. Through the archway a courtyard of pale stone rises to a tiled curved eave and a pair of vermilion columns, and far back a hanging red silk lantern glows warm, its lower rim furred with fringe; the lantern light and the soft cool daylight from the archway are the only two sources, and the lantern throws a warm pool across the floor and the lower hem of her dress while a thin cold rim runs down the left of the screen. The floor is polished stone and its dark surface carries her blurred, dimmer reflection and the lantern's stretched glow, the only things given in the lower third of the frame; no readable lettering anywhere, the lattice and the column carvings stay decorative and illegible. Palette limited to deep plum and gold silk, rosewood brown, warm lantern ochre and cool grey daylight. Clean, semi-realistic digital paint style with smooth gradients and polished surfaces, the silk rendered with fine sharp highlights and the hair as glossy graduated masses, high detail concentrated on her face, hands and the brocade of the dress, the courtyard behind simplified in broader shapes. Composed, quietly regal.
大
大
character: lusamine_(pokemon), artist: kure_masahiro
1girl, lusamine (pokemon), long hair, very long blonde hair, hair over one eye, green eyes, chinese clothes, china dress, qipao, sleeveless, bare shoulders, bare arms, bare legs, no legwear, cowboy shot, chinese-style background, standing, from side, looking to the side, hand on own hip, other arm raised, head tilt, light smile, half-closed eyes, sideboob hint at the dress opening, softly lit interior, coherent, solo, elegant, refined
A cowboy shot of a single tall woman framed from mid-thigh up, seen from her right side in a three-quarter turn, her body angled away while her chin lifts and her green eyes travel past the frame edge rather than to the lens. Her very long blonde hair falls in a heavy sheet past her hips, one long lock sweeping forward across the left half of her face so that a single green eye shows through it; the hair lifts slightly at the ends as though a draft moved through the room. She wears a sleeveless chinese dress in deep plum silk worked with a dense gold-and-jade cloud-and-peony brocade, mandarin collar closed at the throat, frog-button closures running down her right shoulder line, the loose side slit falling open along her right hip; the fabric catches light along the ridge of each shoulder and falls into a soft matte shadow down her side. Both shoulders and both arms are bare and bare legs show beneath the hem with no stocking, sock or legwear of any kind on either leg. Her right hand rests flat and confident on her hip, thumb hooked into the dress seam and the fabric drawn tight over it, while her left arm is raised and slightly out, fingers loosely curled and near-touching the edge of the frame as if she is drawing a curtain aside. Her weight sits on her straight back leg, the front leg slightly bent and turned out, giving a long S curve from the lifted chin down the hip. A faint closed-lip smile pulls at one corner of her mouth, one brow slightly arched, composure without warmth.
Behind her a chinese-style room opens in layers: at the immediate midground a carved rosewood lattice screen with brass fittings stands diagonally to her left, its closer edge overlapping her raised arm, and behind it a wide archway framed in dark lacquered timber. Through the archway a courtyard of pale stone rises to a tiled curved eave and a pair of vermilion columns, and far back a hanging red silk lantern glows warm, its lower rim furred with fringe; the lantern light and the soft cool daylight from the archway are the only two sources, and the lantern throws a warm pool across the floor and the lower hem of her dress while a thin cold rim runs down the left of the screen. The floor is polished stone and its dark surface carries her blurred, dimmer reflection and the lantern's stretched glow, the only things given in the lower third of the frame; no readable lettering anywhere, the lattice and the column carvings stay decorative and illegible. Palette limited to deep plum and gold silk, rosewood brown, warm lantern ochre and cool grey daylight. Clean, semi-realistic digital paint style with smooth gradients and polished surfaces, the silk rendered with fine sharp highlights and the hair as glossy graduated masses, high detail concentrated on her face, hands and the brocade of the dress, the courtyard behind simplified in broader shapes. Composed, quietly regal.
大
大
character: lusamine_(pokemon), artist: kure_masahiro
1girl, lusamine (pokemon), long hair, very long blonde hair, hair over one eye, green eyes, chinese clothes, china dress, qipao, sleeveless, bare shoulders, bare arms, bare legs, no legwear, cowboy shot, chinese-style background, standing, from side, looking to the side, hand on own hip, other arm raised, head tilt, light smile, half-closed eyes, sideboob hint at the dress opening, softly lit interior, coherent, solo, elegant, refined
A cowboy shot of a single tall woman framed from mid-thigh up, seen from her right side in a three-quarter turn, her body angled away while her chin lifts and her green eyes travel past the frame edge rather than to the lens. Her very long blonde hair falls in a heavy sheet past her hips, one long lock sweeping forward across the left half of her face so that a single green eye shows through it; the hair lifts slightly at the ends as though a draft moved through the room. She wears a sleeveless chinese dress in deep plum silk worked with a dense gold-and-jade cloud-and-peony brocade, mandarin collar closed at the throat, frog-button closures running down her right shoulder line, the loose side slit falling open along her right hip; the fabric catches light along the ridge of each shoulder and falls into a soft matte shadow down her side. Both shoulders and both arms are bare and bare legs show beneath the hem with no stocking, sock or legwear of any kind on either leg. Her right hand rests flat and confident on her hip, thumb hooked into the dress seam and the fabric drawn tight over it, while her left arm is raised and slightly out, fingers loosely curled and near-touching the edge of the frame as if she is drawing a curtain aside. Her weight sits on her straight back leg, the front leg slightly bent and turned out, giving a long S curve from the lifted chin down the hip. A faint closed-lip smile pulls at one corner of her mouth, one brow slightly arched, composure without warmth.
Behind her a chinese-style room opens in layers: at the immediate midground a carved rosewood lattice screen with brass fittings stands diagonally to her left, its closer edge overlapping her raised arm, and behind it a wide archway framed in dark lacquered timber. Through the archway a courtyard of pale stone rises to a tiled curved eave and a pair of vermilion columns, and far back a hanging red silk lantern glows warm, its lower rim furred with fringe; the lantern light and the soft cool daylight from the archway are the only two sources, and the lantern throws a warm pool across the floor and the lower hem of her dress while a thin cold rim runs down the left of the screen. The floor is polished stone and its dark surface carries her blurred, dimmer reflection and the lantern's stretched glow, the only things given in the lower third of the frame; no readable lettering anywhere, the lattice and the column carvings stay decorative and illegible. Palette limited to deep plum and gold silk, rosewood brown, warm lantern ochre and cool grey daylight. Clean, semi-realistic digital paint style with smooth gradients and polished surfaces, the silk rendered with fine sharp highlights and the hair as glossy graduated masses, high detail concentrated on her face, hands and the brocade of the dress, the courtyard behind simplified in broader shapes. Composed, quietly regal.
大
e
character: pacifica_northwest
1girl, solo, pacifica northwest, blonde hair, long hair, very long hair, wavy blonde hair, hairclip, hair ornament, blue eyes, purple eyes, qipao, chinese clothes, cheongsam, large breasts, thick thighs, wide hips, hourglass figure, from below, dutch angle, cowboy shot, standing, weight on one leg, crossed legs at the ankle, one hand on hip, other hand adjusting collar, head tilt, raised eyebrow, smug, lopsided grin, one eye half-closed, looking at viewer, hoop earrings, earrings, jewelry, empty background, seamless studio backdrop, dramatic lighting, full-body
A low dutch-angle cowboy shot looking up at a single figure from knee height, so the camera tilts the verticals of the studio backdrop and makes her tall — the slight off-axis roll puts her weight on her left hip while her right foot crosses lazily in front of the left ankle, calf pressing against calf so the thick line of both thighs reads as one tapered mass above the knees. She is the only figure, centered but not squared to the lens: her torso turns about thirty degrees to her right while her head tilts back toward the camera and her chin lifts, one shoulder dropped lower than the other. She has long, very long wavy blonde hair in a cool ash-gold, falling past her hips, its front locks swept back off her face; a single hairclip pins the hair above her left ear, and a hoop earring swings clear of that ear on each side. Her eyes are a cold pale blue-violet, the left lid dropped halfway in a smug half-lidded glance straight at the viewer, the right brow arched high over the open eye, and her mouth is pulled into a lopsided closed-lip smirk, one corner lifted.
She wears a cheongsam: deep wine-red silk with a faint sheen, high mandarin collar closed to the throat with a knotted frog closure at its notch, asymmetric diagonal front opening sweeping from the collar down under her right arm, short cap sleeves hugging the upper arms, and gold piping tracing the collar, the diagonal placket and the side slit. The bodice is cut close and strained across a full, large bust, the silk pulled taut over the bust points with fine radiating tension creases running from each seam, and the frog buttons sitting slightly apart under the strain. Below the waist the silk skims wide hips and thick, heavy thighs, the side slit opening along her left leg to mid-thigh and showing the pale inner line of the thigh. She is bare-armed and bare-legged from the slit down, with low black heels; both hands are busy — her left hand is planted flat on her hip bone, fingers spread and pressing a crease into the silk, while her right hand, raised, pinches the mandarin collar at her throat and tugs it a half-centimeter looser, thumb hooked under the piping.
Nothing else is in the frame: a seamless studio sweep behind her, a smooth gradient from deep charcoal at the top to a cool dusty mauve at the floor, with a soft caustic pool of light on the floor beneath her. A single hard key light from high camera-left rakes down across her, hard-edged shadow falling across the right half of her face and down the right side of the cheongsam, while a cool violet rim light from behind camera-right draws a thin bright line along the edge of her hair, her shoulder and the swell of her hip; the reflected sheen travels along the silk only where the fabric bulges toward the key. Her hair lifts slightly away from her shoulders as if from a draft, and the earring on the shadowed side hangs still. Palette held to wine-red, gold, ash-blonde, cool violet and charcoal, nothing else. Glossy, high-contrast cel rendering with crisp linework and clean two-tone shadow shapes. Effortlessly smug, quietly glamorous.
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