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oppaiippaisippai

AI art by oppaiippaisippai on PixAI. Made with Tsubaki.3 Flash.

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oppaiippaisippai

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copyright: golden_kamuy 1girl, solo, female soviet soldier, world war 2, red army, about 20 years old, young woman, brown hair, medium brown hair, clear blue eyes, blue eyes, olive-drab wool greatcoat, high collar, ushanka, brownish-grey fur hat, earflaps tied up on top of the cap, thick brown leather boots, sitting, seated in snow, kneeling-seated, low crouch seat, holding rifle, mosin-nagant, no scope, plain iron sights, bolt-action rifle, wooden stock, rifle barrel resting on her left forearm, left arm braced across her left knee, right hand on the small of the stock, index finger along the trigger guard, cheek on the stock, aiming, looking through the sights, sight picture, one eye open one eye squinted, from side, profile, from above, three-quarter view, snow-covered forest, snowy pine forest, winter, birch trunks, snowfall, breath vapor, cold, fur, wool texture, muted palette, monochrome, dull olive drab, ash grey, umber, desaturated The view is a high three-quarter profile from her right side, the camera slightly above her, so the top of the ushanka, the slope of her back and the length of the rifle all read in one line. She is seated low in the snow at the foot of a snow-laden pine, dropped into a deep field seat: her right knee drawn up under the greatcoat, her left leg folded flat and angled forward, weight settled back onto her right hip and the heel of her left boot, the coat's skirt crushed and pooled around her thighs where they press a hollow into the snow. Her right elbow is planted on the raised right knee; her left forearm lies across her left knee, palm under the rifle's fore-end, and the barrel rests directly along that forearm, the wood pressing a flat line into the wool sleeve just above the wrist, the muzzle projecting past her fingertips. Her right hand grips the small of the stock, thumb along the tang, index finger lying on the trigger guard; her cheek is pressed to the comb of the stock, the wooden edge flattening the skin of her jaw. Her right eye is open behind the rear notch, her left eye squeezed shut, brow drawn down, lips slightly parted on a slow breath, a strand of brown hair fallen loose from under the earflap onto her cheek. The muzzle points out toward the lower left of the frame, between two birch trunks; she looks along the iron sights, not at the camera, and the whole line from her right eye through the rear notch to the front post is unbroken. The forest fills the frame: four pale birch trunks in the near and middle ground, dark spruces behind them, a wall of snow-burdened branches dissolving into overcast haze at the far distance. Light comes from a flat white winter sky overhead, diffuse and shadowless except where the pine's boughs break it — a soft dapple across her shoulder and the snow at her knee. The palette is deliberately narrow: ash-grey and blue-white snow, the dull olive of the greatcoat, the grey-brown fur of the cap, umber leather, and one saturated blue in her open eye. Snow has built up on the upward-facing surface of the rifle's bolt and along the top edge of the wooden handguard, while the sides of the barrel and the underside of her forearm stay clean and dry — the one thing in the picture that shows how long she has been sitting still. Cold, tensile stillness.
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Original Prompt
第二次世界大戦当時のソ連軍の女性兵士のイラスト。20歳くらい。 茶髪で、碧い澄んだ目。 スコープのついていないモシン・ナガンを構えている。雪の中で座り、自分の左腕に銃身を載せるスタイルでモシン・ナガンの照準を覗いている。ゴールデンカムイの尾形百之助の座射と同じ狙い方。 雪の積もった森の中。
Mode
flash
Size
768 x 1280

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.15k

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1girl, solo, soviet female soldier, wwii era, about 20 years old, brown hair, clear blue eyes, winter cold-weather gear, heavy olive-drab wool greatcoat, high fur collar, thick ushanka hat with ear flaps tied up, snow dusting on shoulders and hat and coat, sitting in a shallow dug-out hollow in the snow, left knee raised, left arm resting on the raised knee, holding rifle, mosin-nagant, no scope, plain iron sights, right hand gripping own wrist, left hand holding right wrist, rifle barrel resting on left elbow, aiming through the rifle sights, iron sight aligned, snowy forest, sitting, leaning forward slightly, focused expression, half-closed eyes, looking at sights, breath visible, winter, from side, cowboy shot, cold light, muted palette A three-quarter side view from slightly below her eye level, the camera set low in the snow so the far treeline sits behind her shoulder and the hollow's lip cuts across the bottom of the frame. She sits deep in a shallow scooped-out hollow, her weight settled back on her right hip with both thighs inside the pit and the snow banked up to her waist behind her; her left foot is planted flat at the near edge of the hollow, thick felt-and-leather boots packed with snow at the laces, and her left knee stands high and forward as a solid shelf. Her left forearm lies along the top of that raised knee, elbow projecting forward, wrist slack; her right arm crosses beneath it, the right hand closed around the small of the stock, and her left hand closes over the right wrist, thumb pressed to the tendons, the two hands stacked in front of the knee. The Mosin-Nagant's long barrel passes over the crook of her left elbow, the wood of the fore-end resting directly on the sleeve there, and the rifle canters up toward her face: her cheek is pressed to the comb of the stock, her right eye behind the rear notch, the front post inside it, both iron sights standing bare on the barrel with the receiver's top flat and empty, no scope, no mount, no rings. Her left eye is squeezed shut, her right lid narrowed to a slit, her brows drawn level with concentration, lips slightly parted with a thread of breath that the cold turns to vapour and carries off to the right. She does not look at the viewer; her whole gaze is down the barrel and out into the trees. Her brown hair shows in a flattened fringe and a few strands escaping beneath the ushanka's band, the ear flaps tied up at the crown with their cords hanging behind her jaw. Snow has settled on every upward-facing surface and nowhere else: a thin white cap on the crown of the hat, a line of it along both shoulders of the greatcoat, a dusting in the folds of the fur collar and a finer scatter on the top of her left sleeve and across the top of the rifle's stock and barrel, the undersides clean. Her coat is heavy olive-drab wool with a darker fur collar turned up to her ears and a belt pulled tight at the waist; a canvas strap crosses her chest. The forest is a midground of snow-laden spruce, trunks dark and vertical, the branches loaded white and sagging under the weight, thinning into a pale blurred background of mist and more trees. The hollow is a distinct trench in the snow around her, its walls rough and shadowed, her bootprints and the scuffed marks of the rifle butt printed in the bottom, fresh snow drifted against the lip of the pit. Light is flat, cold, and comes from high and behind-left: the top of her hat and the far edges of the drifts catch a weak white glow, the front of her face and the near side of the coat fall into cool blue-grey shadow, and her shadow spills short and soft to the right across the snow. The palette stays narrow and wintery, olive-drab and fur brown against blue-shadowed white, with her eyes and the sky's reflection the only clear colour. Quiet, intent, breath-held stillness.
oppaiippaisippai

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