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AI art "你的影子，比你先告别"
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你的影子，比你先告别

Avatar image of 自由的咸鱼

自由的咸鱼

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wide shot, from behind, 1girl, solo, walking away, walking toward sea, back to viewer, no looking back, small figure, upper middle frame, navy sailor coat, wide sailor collar, long heavy navy skirt, skirt blowing sideways, wind, long hair, hair blown sideways, wind-swept hair, concrete breakwater, rocky shore, diagonal composition, leading lines, vanishing point, lighthouse, low sun, sunset, horizon, gilded waves, choppy sea, white foam, seagulls, pale sky, distant fishing boats, salt spray, mist, atmospheric haze, wet concrete, reflection, long shadow, shadow facing viewer, shadow with arms slightly open, embracing gesture, surreal, melancholic, cold blue palette, warm gold palette A wide-angle shot from behind: the girl is a small dark figure in the upper middle of the frame, seen only from the back, her navy sailor coat's wide collar and long heavy skirt blown hard sideways to the right by a steady onshore wind, her long hair streaming and whipping to the right in ragged strands, wind-swept hair texture legible in the backlit rim. She walks away from the camera up a concrete breakwater that runs from the bottom foreground as a broad wedge and converges to the lighthouse at the vanishing point, strong diagonal leading lines pulling the eye from the wet foreground to the horizon. Her boots strike the wet concrete — each footfall meets the surface with a dark compressed patch and a thin sheen of standing water — and she does not turn her head; her back stays to the viewer, her shoulders squared on the walk. The light is a low sun sitting on the horizon directly ahead of her, one source only, warm gold raking toward the camera: it gilds the crests of the choppy sea into bright broken lines, rims the edge of her coat and the flying strands of her hair, and throws her long shadow straight back down the breakwater toward the viewer. That shadow is the piece's revealer: it lies large in the wet foreground, stretched and slightly distorted by the standing water, and it has stopped walking — its feet planted, its silhouette turned to face back toward land and toward the viewer, both arms slightly open in a final embracing gesture, while the girl's own walking body continues forward at the far end of the line. The shadow's reflection doubles it darker and softer beneath the surface film, and the real girl casts no corresponding shape at her own feet. Cold ocean blue fills the sea, the mist and the pale hazy sky, holding the whole lower and outer frame; warm sunset gold is admitted only along the horizon, the gilded wave crests, the sun's path on the water, and the rim on her coat, hair and the shadow's edges. White foam breaks in scattered patches across the choppy water, a few seagulls hang as small pale marks in the upper sky, distant fishing boats sit as low dark silhouettes on the horizon line, and salt-spray mist softens the lighthouse into a faint pale tower at the point where the breakwater's lines meet. A dark rocky shore breaks the water on the right, wet and glossy at its tide line. Soft atmospheric haze veils the far distance; the sharpest detail sits on the flying hair, the coat's edge, the wet concrete sheen and the embracing shadow. Melancholic, surreal.
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Original Prompt
1girl, anime illustration, wide angle shot from behind on a rocky shore, a girl in a navy sailor coat walking toward the sea along a concrete breakwater, her hair and long skirt blown sideways by the wind, the low sun on the horizon gilds the waves, casting her shadow long across the wet concrete — the shadow on the ground has stopped walking, turned to face back toward the land, arms slightly open in a final embracing gesture, while the girl herself keeps walking forward toward the waves without looking back, the sea is choppy with white foam, seagulls scattered in the pale sky, distant fishing boats on the horizon, salt spray mist in the air, the breakwater stretches from the bottom foreground to the vanishing point at the lighthouse, composition uses strong diagonal leading lines, the girl small in the upper middle frame, her farewell shadow large in the wet foreground reflection, color palette cold ocean blue contrasted with warm sunset gold, melancholic surreal atmosphere of a final walk toward the horizon where the shadow remains behind, wind-swept hair texture, soft atmospheric haze
Mode
pro
Size
1888 x 1056
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

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Tsubaki.3
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1girl, solo, long shot, wide shot, full body, small figure, solitary, feeling alone, melancholic, looking down, downcast eyes, hands in pockets, dark hair, shoulder-length hair, oversized dark coat, scarf, boots, standing, vast landscape, empty scenery, concrete sea wall, calm ocean, distant horizon, expansive overcast sky, twilight, muted colors, negative space, cinematic lighting A distant long shot from a slightly low angle, capturing an overwhelming expanse of open sky and sea with a solitary figure dwarfed by the environment. A lone young girl stands along the edge of a massive, weathered concrete sea wall that stretches diagonally across the frame toward a distant vanishing point. Her figure occupies only a small fraction of the composition, isolated against the vast horizon. Her boots rest firmly on the pale, salt-streaked pavement, while her hands remain buried deep inside the pockets of an unadorned, oversized dark navy wool coat. Her shoulders are drawn inward against the damp chill, her head tilted slightly downward with downcast eyes fixed upon the subtle fractures in the concrete beneath her. A persistent coastal wind sweeps in from the calm, steel-grey water, tugging thin strands of her dark hair across her quiet face and fluttering the back hem of her coat in a steady lateral ripple. The sky above is an immense gradient of dull lavender and overcast slate, diffusing a cool, shadowless ambient light across the empty scene. The palette remains strictly restrained to muted charcoals, desaturated navies, concrete greys, and pale twilight tones, emphasizing the vast negative space. Quiet melancholy.
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1girl, solo, long shot, wide shot, full body, small figure, solitary, feeling alone, melancholic, looking down, downcast eyes, hands in pockets, dark hair, shoulder-length hair, oversized dark coat, scarf, boots, standing, vast landscape, empty scenery, concrete sea wall, calm ocean, distant horizon, expansive overcast sky, twilight, muted colors, negative space, cinematic lighting A distant long shot from a slightly low angle, capturing an overwhelming expanse of open sky and sea with a solitary figure dwarfed by the environment. A lone young girl stands along the edge of a massive, weathered concrete sea wall that stretches diagonally across the frame toward a distant vanishing point. Her figure occupies only a small fraction of the composition, isolated against the vast horizon. Her boots rest firmly on the pale, salt-streaked pavement, while her hands remain buried deep inside the pockets of an unadorned, oversized dark navy wool coat. Her shoulders are drawn inward against the damp chill, her head tilted slightly downward with downcast eyes fixed upon the subtle fractures in the concrete beneath her. A persistent coastal wind sweeps in from the calm, steel-grey water, tugging thin strands of her dark hair across her quiet face and fluttering the back hem of her coat in a steady lateral ripple. The sky above is an immense gradient of dull lavender and overcast slate, diffusing a cool, shadowless ambient light across the empty scene. The palette remains strictly restrained to muted charcoals, desaturated navies, concrete greys, and pale twilight tones, emphasizing the vast negative space. Quiet melancholy.
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1girl, solo, long shot, wide shot, full body, small figure, solitary, feeling alone, melancholic, looking down, downcast eyes, hands in pockets, dark hair, shoulder-length hair, oversized dark coat, scarf, boots, standing, vast landscape, empty scenery, concrete sea wall, calm ocean, distant horizon, expansive overcast sky, twilight, muted colors, negative space, cinematic lighting A distant long shot from a slightly low angle, capturing an overwhelming expanse of open sky and sea with a solitary figure dwarfed by the environment. A lone young girl stands along the edge of a massive, weathered concrete sea wall that stretches diagonally across the frame toward a distant vanishing point. Her figure occupies only a small fraction of the composition, isolated against the vast horizon. Her boots rest firmly on the pale, salt-streaked pavement, while her hands remain buried deep inside the pockets of an unadorned, oversized dark navy wool coat. Her shoulders are drawn inward against the damp chill, her head tilted slightly downward with downcast eyes fixed upon the subtle fractures in the concrete beneath her. A persistent coastal wind sweeps in from the calm, steel-grey water, tugging thin strands of her dark hair across her quiet face and fluttering the back hem of her coat in a steady lateral ripple. The sky above is an immense gradient of dull lavender and overcast slate, diffusing a cool, shadowless ambient light across the empty scene. The palette remains strictly restrained to muted charcoals, desaturated navies, concrete greys, and pale twilight tones, emphasizing the vast negative space. Quiet melancholy.
kykykykykykykyky

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