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AI art "杯中尚未落下的雪" featuring #The Snow in the Glass, Yet to Fall
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杯中尚未落下的雪

#The Snow in the Glass, Yet to Fall
Avatar image of 自由的咸鱼

自由的咸鱼

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1girl, solo, sitting, sitting by window, window, glass, reflection, transparent glass, double exposure effect, window reflection, reflection clearer than subject, blurred foreground figure, lower body out of focus, holding teacup, both hands on cup, ceramic teacup, warm-colored cup, steam, rising steam, condensation on glass, snowing, falling snow, snowflakes, outdoors, courtyard, winter, dark background, cool white palette, light gray palette, desaturated, character on left, negative space on right, from side, profile, looking outside, glass layers, depth of field, from interior toward window, long straight hair, ash-brown hair, hair over shoulders, oversized sweater, cream cable-knit sweater, high neckline, wool texture, calm, half-closed eyes, light smile absent, quiet expression, The camera stands inside a dim room and looks toward a tall window pane, framed vertically; the girl is a real figure seated at the lower-left, seen in three-quarter profile facing the glass, and the glass is the picture's main subject. Her body is deliberately soft in focus and low in the frame — shoulders and the crest of her cream cable-knit collar at the lower third, her knees and lap cropped away by the bottom edge — while her image on the glass is sharp: the same long ash-brown hair falling straight over the shoulders, the same high neckline, rendered crisp and clean-edged as a formed reflection. Both hands are closed around a ceramic teacup, curled and lifted at chest height; her right palm cups the belly of the cup, fingertips overlapping the left hand's knuckles, the cup tilted slightly toward her lips but not touching them. Steam rises from the tea in a thin, continuous column that climbs the pane, thickens into a soft bloom where it meets the cold glass, and is the middle spatial layer, smeared between the sharp reflection and the distant snowfall. Her eyes are lowered and steady, aimed out past her own mirrored face into the white courtyard beyond — not at the lens. The glass stacks three planes in strict order: nearest is the crisp reflection of her face and hands, then in front of it the curling steam lit faintly warm from below, then the snow — small hard flakes against the dark branches and darker far wall of the courtyard, each flake distinct where it crosses a near-black background and softening into the pale sky above. Real flakes fall beyond the glass while mirrored flakes drift across her reflected cheek, and where the two overlap, a flake reads sharp on her skin and faint on the far side of the pane: her face appears to be inside the snowfall. Everything outside is cool white and light gray — snow on the sill, a white sky, gray branches, silver-gray shadowed room behind the camera. The teacup is the only warm note anywhere in the frame, a muted amber-clay fired glaze with a warm beige tea surface, and the one thin streak of warm light glints along the steam where it crosses in front of the pane. The right half of the frame holds almost nothing but window glass, falling snow, and a sliver of pale courtyard wall, deliberately emptied into negative space. Light comes only from the overcast snowfall outside, cold and directionless, flattening the room behind the viewer to shadow and leaving no interior lamp; the glass catches a faint silver rim along the girl's mirrored hair and jaw, and her actual lower body dissolves into low-contrast gray. Her shoulders are drawn slightly forward, weight settled on her left hip against the sill, her breath faintly fogging a small circle on the glass above the cup. Still, restrained, cold-blue quietude with a thread of warmth — patient waiting.
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Original Prompt
1girl, window reflection shot, camera angled from the interior toward the window, the frame simultaneously shows the girl's reflection on the glass and the falling snow outside, the girl sits by the window, her actual figure slightly blurred in the lower frame, the reflection on the glass is clearer — both hands holding the teacup, steam rising in front of the glass, her eyes quietly watching outside, the courtyard beyond has just begun to snow, snowflakes clearly visible against the dark background, the reflection and the real snowflakes overlapping on the same plane as if her face were also in the snow, overall tone cool white and light gray, the cup's warm color is the only warm tone in the frame, the composition uses the glass's transparent layers to stack the character, steam, and snowflakes in three spatial layers, quiet ethereal waiting atmosphere, the character on the left, the right side left blank for the snow
Mode
pro
Size
1888 x 1056
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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(chiascuro, harsh shadow:1.3), (slat light, blinds shadow, window shadow:1.2), (strong dramatic lighting, high contrast:1.1), specular highlights, complementary colors, warm and cool tone contrast, semi-realiastic anime, kotohira_nagi, long hair, brown hair, hair between eyes, blunt bangs, brown eyes, jewelry, choker, hair over shoulders, wavy hair, hair pulled back, visible lashes, dark eyebrows, character: kotohira_nagi, sitting curled up on a bay window sill with knees drawn up, holding a warm mug of cocoa with both hands as steam rises, wearing an oversized cream-white turtleneck knit sweater and loose white trousers, layered silver choker with a thin chain, low gentle smile with downcast eyes and trembling lashes, warm white indoor lighting, snowy winter scenery softly blurred outside the window, a cream knitted blanket draped beside her, cozy hygge mood, eye-level medium shot, soft bokeh, delicate painterly anime illustration, pale warm white palette
yams
AI artwork
Avatar image of 化學室的藥物姬
1girl, solo, sitting, at table, looking out window, snow, winter, holding cup, holding coffee, steaming cup, both hands, blush, cold, red cheeks, breath vapor, white breath, open mouth, long brown hair, low ponytail, loose ponytail, oversized sweater, cream sweater, cable-knit sweater, long sleeves, from side, profile, cowboy shot, window frame, indoors, warm interior, cold light, looking at scenery, contemplative, light smile, A girl seen in three-quarter profile from the side, seated at a wooden table that runs from the lower-left foreground toward the window, her body angled toward the glass and her head turned so that only the near side of her face is given to the camera; her long brown hair is gathered in a loose low ponytail that slips forward over her far shoulder, a few strands loose at her temple. She sits with her weight settled onto her right hip, left leg crossed over the right knee under the table, and leans the last few degrees forward so her forearms rest on the tabletop, the near sleeve of her chunky oversized cream cable-knit sweater pooling in thick folds over her wrist and swallowing her hand to the knuckles. Both hands wrap the ceramic mug of hot coffee, fingers interlaced around its belly, the near thumb hooked through the handle; the mug stands on the table directly in front of her, its rim just below her chin, and a thin curl of steam rises from it and bends toward the cold glass. Her lips are parted, caught at the end of a slow exhale, and a soft white plume of breath vapor drifts from her mouth and thins as it rises, briefly fogging the lower corner of the windowpane into a small grey bloom. Her cheeks carry a faint red flush that sits high on the cheekbones and fades toward her jaw, and the cold has brought a wet shine to the tip of her nose. Her eyes are open and level, looking out through the window at the falling snow, not at the camera; her shoulders are drawn slightly up and in against the chill. Beyond the glass the snowy scenery fills the window as a soft, dim field of white: a branch heavy with snow at the upper left of the pane, undisturbed snow on an unseen ledge, the far shapes of snow-laden trees blurred into a pale grey band by the frosted glass. The window frame is a dark wooden cross that divides the view and sits in front of the falling snow; small flakes settle on the outer sill. The room around her is dim and warm-toned, the wooden table and the pale wall behind her falling away into shadow, and the window itself is the light source: cold, slightly blue daylight spills through the glass and strikes the near side of her face, her cheek and the ridge of her nose, rimming the loose hair at her temple and the top of the mug, while the far side of her face, the back of her sweater and the underside of the table stay in soft brown darkness. Her cast shadow falls across the tabletop toward the camera, and the mug throws a small warm highlight onto her fingers. The palette is held to cold blue-white at the window, warm brown in the room and cream in the sweater, with the only saturated note the red flush across her cheeks and the reddened tip of her ear. Rough wool texture on the sweater's cables, smooth glaze on the mug, and the soft grain of the frosted pane. Quiet, chilled, and tender.
化學室的藥物姬
AI artwork
Avatar image of Dar'ya
1girl, solo, chestnut hair, braided ponytail, brown eyes, sitting, sitting on sofa, wrapped in blanket, cream wool blanket, leaning forward, drinking, tea, holding cup with both hands, ceramic teacup, room, window, autumn leaves falling outside window, indoors, from side, profile, close-up, cowboy shot, head tilted down, steam, cozy, warm palette A three-quarter profile view from her left side, camera low and close, so the window fills the left of the frame and the girl occupies the right two-thirds. The girl sits low on the sofa with her knees drawn up under her, her weight settled onto her right hip and her left leg tucked beneath her; the sofa's cushion compresses into a soft dent under her seat and the blanket drapes from her shoulders in a heavy cream mass that pools and folds on the cushion beside her thigh. She leans forward from the waist, spine curved, chin dipped so her face tips toward the cup. Her chestnut hair is gathered into a single braid that hangs forward over her right shoulder and swings a little away from her cheek, its tip resting on the blanket fold; a few loose strands escape at the temple and fall toward her jaw. Her brown eyes are half-lidded, looking down into the cup, the lashes casting a small shadow on her cheekbones. Both hands are wrapped fully around the ceramic cup, fingers meeting on its far side, thumbs resting near the rim, the cup held just below her lips; the blanket slips back from her forearms where they emerge from the wool, and her wrists are visible, bare, no jewelry. Her breath stirs the steam that curls up from the tea and drifts toward her face, bending slightly in the draft from the window. The cup is a plain glazed ceramic with a faint warm rim. The room is small and lived-in: a wooden floor with a woven rug's edge showing at the bottom left corner, the sofa's fabric worn smooth on the armrest behind her shoulder, a plain wall in the background falling into shadow. The window is a tall frame at the left with its edge crossing the composition vertically; beyond its glass the autumn leaves fall — small ochre and rust shapes tumbling past the pane at different depths, some blurred in the foreground of the glass, some sharp further out, a few caught against the sill. Outside the light is overcast and cool, and the window casts a soft, cool grey-white wash across the left side of her face and the blanket's near shoulder; the room's interior is lit by a warm low lamp behind her to the right, out of frame, so the right side of her braid and the back of the blanket carry a honeyed amber edge and the background falls away into deep brown shadow. Palette: chestnut and honey in her hair, brown eyes, cream and ivory wool, glazed off-white ceramic, ochre and rust in the falling leaves, cool grey-blue window light against warm amber interior. The steam is the one thing in the image that moves. Quiet and warm.
Dar'ya

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