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AI art "こちらへどうぞ" featuring #Skirt, #Jacket and #Shirt
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こちらへどうぞ

#Skirt#Jacket#Shirt
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character: lumina. A photorealistic knee-up editorial shot of a 20-year-old Japanese woman named Lumina, captured from a 3/4 view at eye level in a bright office lobby. She has a soft oval face, warm dark-brown almond-shaped eyes, and medium-to-long warm brown hair with wispy bangs. She wears a greige tailored open jacket over a precisely fitted white cotton poplin blouse that emphasizes her rounded bust and narrow waist, paired with a matching greige pencil skirt and low-heel pumps. Lumina stands with her torso turned 45 degrees to the right, her head turned back toward the camera with a gentle, closed-lip smile, while her right hand is raised in a small, open welcoming gesture. The background features a polished stone lobby floor and a pale stone reception counter, with a tall glass facade flooding the scene with soft, cloudy morning daylight and pale bokeh office towers. The lighting is diffused and natural, creating soft reflections on the floor and a subtle rim light on her hair, with highly detailed skin textures and cinematic depth of field.
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Original Prompt
OBJECTIVE Knee-up editorial shot, 50mm lens look, vertical 4:5. Photorealistic fashion editorial photograph of one adult Japanese woman, Lumina (Mochizuki Lumina), solo. Lumina is a fictional Japanese idol, 20 years old and an adult. A cloudy morning in the entrance lobby of a Tokyo office building: the rush has settled, soft daylight pours through the glass facade, and she stands a moment before welcoming an arriving guest — not the solitary boss at a rainy night window, but a gracious, composed presence in the bright lobby. The scene, fashion, camera and story may change; she does not. Never substitute a generic AI beauty face. IDENTITY — LUMINA Use the attached Lumina01.png as her exclusive identity anchor (the face visual sheet supports angles/expressions; the primary governs frontal structure). Preserve: a soft oval face with a gently tapered contour and balanced forehead, cheeks, jaw and chin; warm dark-brown, softly almond-shaped eyes, attentive and naturally expressive; natural medium-thin brows with a gentle arch and relaxed placement; a straight, delicate nose bridge with a softly rounded tip; softly defined lips in a natural pink tone with subtle upward corners; light, clean skin with natural texture; medium-to-long warm brown hair with a soft center-to-off-center part, airy face-framing strands and wispy bangs. No facial redesign, no generic AI beauty-face substitution, and no trait borrowed from Yuno. Mitigations: keep her hair's warm medium-brown tone — do not darken it toward black; restrain her smile explicitly — a gentle, small closed-lip smile, do not widen her mouth or lift her cheeks beyond her reference. BODY LINE — LUMINA (§5A + §5B + SOFT FULLNESS + PROPORTION TARGET + §5C tailored suit / fitted blouse) Preserve her established body proportions and silhouette: balanced, realistic proportions throughout; soft, smooth skin with natural texture and subtle tonal variation; a graceful, continuous curve from her waist to her hips, maintained across outfits, poses, angles and scenes, with natural variation from pose and lighting only, and no artificial exaggeration. Give her the shared approved body-line setting: a beautifully full, softly rounded bustline — a rich, attractive, feminine fullness with a smooth, generously rounded silhouette, shaped and supported elegantly by the garment's fitted bodice, with realistic fabric tension and draping that follow the curve without distorting surface detail; the fuller rounded bodice set against a clearly defined, narrower waist. Carry the chest simply: one plain, continuous garment surface over the bust, no seam panels across the bust and no ruching or gathering sculpting the chest. SOFT FULLNESS: her silhouette is softly fuller in both its upper and lower lines, her waist staying clearly defined and narrower between them — defined by the garment's fit and the smooth fall of its silhouette, never by a tense or athletic line; her whole figure reads soft and supple, with smooth, pliant curves and fabric that settles over the curves with calm, even tension; this softness belongs to her body's silhouette only and never changes her face. PROPORTION TARGET: a generously rounded, richly full upper line whose fullness is distributed broadly across the horizontal width of the bodice, and a lower line that eases out fuller by a matching amount, the two balanced around a waist that stays distinctly and clearly narrower than either — at roughly two-thirds of their read — the contrast strong and unmistakable, carried only by the garment's fitted silhouette, its smooth drape and its calm, even fabric tension. Garment interaction (tailored suit / fitted blouse): her greige tailored jacket is worn OPEN over the precisely fitted white blouse named in her wardrobe below, so the body line is carried by the blouse at the open front — its smooth surface continuous over the bust, its line running unbroken to the tucked waistline at her natural waist; the pencil skirt then carries the waist-to-hip curve by its close, smooth fall from that waist. CAST, POSITION AND ACTION (frame terms) Solo frame, knee-up. Lumina stands on the lobby floor a few metres in front of the reception counter, her torso turned roughly forty-five degrees toward frame-right so her bodice silhouette, inward waist line and waist-to-hip line read as one continuous side-aware line, her head turned back so her face stays near-frontal and readable. She is caught one breath before welcoming a guest: her weight settled, one foot just forward as if she has taken a half-step toward the entrance. Her gaze is directed slightly toward frame-right, toward the arriving guest, with her gentle small closed-lip smile held. Her frame-right hand is raised a little at waist height in a small, open welcoming gesture, held away from her body so it never crosses the bodice or waist lines; her frame-left hand rests empty and relaxed at her side. She holds no documents, no files and no props. WARDROBE — LUMINA (Design → Construction → Material → Behavior) Design: a greige tailored set-up — jacket worn open over a white fitted blouse, with a greige knee-length pencil skirt and low-heel pumps. Construction: the jacket has a clean open front with no fastening worn closed, soft structured shoulders and straight sleeves; under it, the precisely fitted blouse presents one plain, continuous surface from its round neckline to its tucked waistline at her natural waist — no seam panels across the bust, no gathering sculpting the chest; the skirt falls close and smooth from the waistband to the knee; small pearl stud earrings only. Material: matte wool-blend suiting for the jacket and skirt, smooth matte cotton poplin for the blouse, smooth leather for the pumps. Behavior: the jacket's open front edges hang straight by their own weight on either side of the blouse's waistline, never crossing or covering it; the blouse follows her contours with calm, even tension; the skirt's smooth fall stays unbroken as she stands. ENVIRONMENT (as space — a beautiful background) Foreground: the polished stone floor of the lobby, softly reflecting the daylight and her figure's lower folds. Midground: Lumina, and behind her about three metres back the long, unstaffed reception counter in pale stone and warm wood, its surface clear and blank. Background: the tall glass facade of the atrium rising behind the counter, soft cloudy daylight flooding in, office towers outside the glass melted into pale, out-of-focus shapes. No other people, no signs, no readable lettering or logos anywhere. LIGHTING (by role, one named scheme: soft cloudy daylight through glass, with warm lobby accents) Key: the diffused daylight from the glass facade at frame-left models her face and the open jacket front, revealing the blouse's smooth surface at the waistline. Fill: warm lobby downlights keep the skirt's fall and the jacket's suiting texture readable without flattening them. Rim: the bright atrium glow behind her separates her hair and shoulders from the pale background. Reflected: the polished floor returns a soft upward bounce into the skirt's lower line. She casts one soft, physically consistent shadow onto the lobby floor, lit by the same light as the space. FINISH — PHOTOREAL TEXTURE & OPTICS Skin: photorealistic skin texture with fine pore detail and a natural subsurface warmth where the light passes at her ears and fingertips; subtle natural imperfections only where her own reference shows them; never plastic, never airbrushed, never waxy. Eyes: highly detailed irises with natural catchlights from the glass daylight key; gaze as specified in CAST. Hair: individually rendered strands, with fine wisps catching the light at the edges; no helmet-like hair mass. Optics: cinematic depth of field — the towers outside the glass softened into pale bokeh while she stays tack-sharp; clear morning air; she is lit by the same light as her environment. Lighting: soft cloudy daylight through glass with warm lobby accents, physically consistent across the whole frame. CAMERA AND INTEGRATION Knee-up framing at eye level, 50mm lens look, vertical 4:5; her head in the upper third with the bright lobby depth behind her. Integration: one photographic environment — consistent perspective, scale, light direction, reflections and shadows across her, her wardrobe and the lobby; nothing pasted-on. NEGATIVES No second person and no background people; no documents, files or folders in her hands; no rainy window and no night scene — a bright cloudy morning only; no trait borrowed from Yuno and no generic AI beauty face; no readable text, signs, logos or lettering anywhere; no plastic skin, no airbrushed skin, no waxy skin, no 3D-render look, no oversaturated colour; no costume or stage styling — tailored daywear only.
Mode
standard
Size
768 x 1280

Model & LoRA used

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ks
1girl, office lady, tall stature, brown hair, neat straight bangs, low chignon, hair slicked tight, very large breasts, very large hips, wide hips, hourglass figure, white dress shirt, blue necktie, grey skirt suit, midi skirt, below the knee, smiling, from below, cowboy shot, leaning forward, looking at viewer, office background A low-angle cowboy shot looking up at a tall woman. She leans forward slightly toward the lens, shifting her weight onto her left leg while her right knee bends, causing her grey midi skirt to pull taut across her wide hips and thighs. Her brown hair is styled with perfectly straight, neat bangs across her forehead, while the rest is pulled back into a severe, tight low chignon at the nape of her neck. She wears a crisp white dress shirt tucked into the skirt, with a blue necktie knotted tightly at the collar. The fabric of the shirt is strained across her very large chest. She gazes directly at the viewer with a bright, cheerful smile and a playful glint in her eyes. The scene is a brightly lit corporate office with a blurred background of white desks and glass partitions; the overhead fluorescent lights cast soft highlights on her forehead and the smooth fabric of her grey suit. The palette is dominated by corporate greys, sterile whites, and the sharp accent of the blue tie. Professional and effortlessly glamorous.
kazuki sugiyama

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