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- Original Prompt
- He has long gray hair, his left eye is a compound eye and completely white, and his right eye is black. His left hand is discolored reddish-brown. He is wearing an earth-colored military chest bag. He has black sunglasses tucked into his head.,
- Mode
- flash
- Size
- 1104 x 1824
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1boy, solo, long gray hair, hair past shoulders, asymmetrical heterochromia, left eye compound eye, left eye completely white, faceted insect-like left eye, right eye black, black sclera right eye, discolored left hand, reddish-brown left hand, discolored skin on left hand, earth-colored military chest bag, olive-brown chest rig, black sunglasses tucked in hair, sunglasses on head, sunglasses in hair, from below, close-up, cowboy shot, head tilt, looking at viewer, light smile, open collar, dark high-collar jacket, hand raised, left hand raised, palm forward, fingers slightly spread, three-quarter view, dutch angle
The camera looks up at him from just below chest height, tilted a few degrees off level, so his long gray hair falls back away from his face and the underside of his jaw catches the light. He is turned three-quarters toward the lens, weight settled on his right leg with his left hip dropped and his shoulder line slanted opposite it, head tipped down a touch so he regards the viewer from under his brow. His right arm hangs loose at his side. His left hand is raised to chest height, palm turned toward the camera, fingers slightly spread and relaxed: the entire left hand reads reddish-brown, a raw discolored tone that reaches up past the wrist and stops unevenly at the cuff, while the right hand keeps ordinary skin. His left eye is a compound eye, a whole white faceted dome of small hexagonal lenses with no pupil or iris, catching the light as a bright cluster of highlights; the right eye is solid black with a faint gloss in it and no visible white. The black sunglasses are pushed up into his hair above the left temple, one lens half swallowed by the gray strands, the arm of the frame hooked behind his ear, hair falling over and around them. The military chest bag sits high and flat across his chest on a wide strap that crosses one shoulder and presses a slight crease into the fabric beneath it; the bag is earth-colored olive-brown canvas with a worn flap, a small buckle and a faint dust bloom at the stitched edges. He wears a dark high-collar jacket open at the throat over a plain shirt, the collar pushed a little crooked by the bag strap. Light comes from a single hard source low and to the right of the frame, rimming his hair and the strap top and dropping the left side of his face toward shadow; the white compound eye picks up a cold sharp glint and the black eye stays flat, and his shadow climbs the wall behind him. Palette limited to gray, black, olive-brown and the raw red-brown of the left hand, with no other color admitted. Close, wry, a little off-putting.
いぬがめ
1boy, solo, long gray hair, hair past shoulders, asymmetrical heterochromia, left eye compound eye, left eye completely white, faceted insect-like left eye, right eye black, black sclera right eye, discolored left hand, reddish-brown left hand, discolored skin on left hand, earth-colored military chest bag, olive-brown chest rig, black sunglasses tucked in hair, sunglasses on head, sunglasses in hair, from below, close-up, cowboy shot, head tilt, looking at viewer, light smile, open collar, dark high-collar jacket, hand raised, left hand raised, palm forward, fingers slightly spread, three-quarter view, dutch angle
The camera looks up at him from just below chest height, tilted a few degrees off level, so his long gray hair falls back away from his face and the underside of his jaw catches the light. He is turned three-quarters toward the lens, weight settled on his right leg with his left hip dropped and his shoulder line slanted opposite it, head tipped down a touch so he regards the viewer from under his brow. His right arm hangs loose at his side. His left hand is raised to chest height, palm turned toward the camera, fingers slightly spread and relaxed: the entire left hand reads reddish-brown, a raw discolored tone that reaches up past the wrist and stops unevenly at the cuff, while the right hand keeps ordinary skin. His left eye is a compound eye, a whole white faceted dome of small hexagonal lenses with no pupil or iris, catching the light as a bright cluster of highlights; the right eye is solid black with a faint gloss in it and no visible white. The black sunglasses are pushed up into his hair above the left temple, one lens half swallowed by the gray strands, the arm of the frame hooked behind his ear, hair falling over and around them. The military chest bag sits high and flat across his chest on a wide strap that crosses one shoulder and presses a slight crease into the fabric beneath it; the bag is earth-colored olive-brown canvas with a worn flap, a small buckle and a faint dust bloom at the stitched edges. He wears a dark high-collar jacket open at the throat over a plain shirt, the collar pushed a little crooked by the bag strap. Light comes from a single hard source low and to the right of the frame, rimming his hair and the strap top and dropping the left side of his face toward shadow; the white compound eye picks up a cold sharp glint and the black eye stays flat, and his shadow climbs the wall behind him. Palette limited to gray, black, olive-brown and the raw red-brown of the left hand, with no other color admitted. Close, wry, a little off-putting.
いぬがめ
1boy, solo, long gray hair, hair past shoulders, asymmetrical heterochromia, left eye compound eye, left eye completely white, faceted insect-like left eye, right eye black, black sclera right eye, discolored left hand, reddish-brown left hand, discolored skin on left hand, earth-colored military chest bag, olive-brown chest rig, black sunglasses tucked in hair, sunglasses on head, sunglasses in hair, from below, close-up, cowboy shot, head tilt, looking at viewer, light smile, open collar, dark high-collar jacket, hand raised, left hand raised, palm forward, fingers slightly spread, three-quarter view, dutch angle
The camera looks up at him from just below chest height, tilted a few degrees off level, so his long gray hair falls back away from his face and the underside of his jaw catches the light. He is turned three-quarters toward the lens, weight settled on his right leg with his left hip dropped and his shoulder line slanted opposite it, head tipped down a touch so he regards the viewer from under his brow. His right arm hangs loose at his side. His left hand is raised to chest height, palm turned toward the camera, fingers slightly spread and relaxed: the entire left hand reads reddish-brown, a raw discolored tone that reaches up past the wrist and stops unevenly at the cuff, while the right hand keeps ordinary skin. His left eye is a compound eye, a whole white faceted dome of small hexagonal lenses with no pupil or iris, catching the light as a bright cluster of highlights; the right eye is solid black with a faint gloss in it and no visible white. The black sunglasses are pushed up into his hair above the left temple, one lens half swallowed by the gray strands, the arm of the frame hooked behind his ear, hair falling over and around them. The military chest bag sits high and flat across his chest on a wide strap that crosses one shoulder and presses a slight crease into the fabric beneath it; the bag is earth-colored olive-brown canvas with a worn flap, a small buckle and a faint dust bloom at the stitched edges. He wears a dark high-collar jacket open at the throat over a plain shirt, the collar pushed a little crooked by the bag strap. Light comes from a single hard source low and to the right of the frame, rimming his hair and the strap top and dropping the left side of his face toward shadow; the white compound eye picks up a cold sharp glint and the black eye stays flat, and his shadow climbs the wall behind him. Palette limited to gray, black, olive-brown and the raw red-brown of the left hand, with no other color admitted. Close, wry, a little off-putting.
いぬがめ
1boy, solo, long gray hair, very long hair, hair past shoulders, gray hair, black sclera, solid black right eye, white compound eye, left compound eye, faceted insect-like eye, black sunglasses tucked in hair, sunglasses on head, red-brown left hand, discolored left hand, earth-colored military chest bag, chest bag, satchel strap across chest, military jacket, from below, cowboy shot, dutch angle, head tilted down, looking down, reaching toward viewer, foreshortening, outstretched left arm, one eye closed, lopsided smirk,
A low dutch angle looks up at one man, the camera tilted so the horizon runs at a slant and the ground plane drops away behind his shoulder. He leans far forward toward the lens, boots planted wide, weight carried on his right foot with the left leg trailing half a step back; his long gray hair slides forward off his shoulder into the space between him and the camera, its longest strands hanging well past his collar with the tips caught against the strap of the chest bag. That earth-colored military chest bag rides diagonally across his torso, the flat khaki-brown canvas hugging his chest, one buckled flap sun-faded a shade paler where it faces the light, the strap biting a shallow crease into the fabric of his military jacket at the shoulder. The black sunglasses sit pushed up into the front of his hair, temples buried in the gray strands, a few hairs lifted over the frame's upper edge and one lens catching a small flat highlight. His left eye is a compound eye, completely white and faceted, a pale mound of many small lenses that scatter the light instead of focusing it; his right eye is a flat, depthless black, a dark slit in the face with no readable pupil. Under the slant, the right eye closes to a smiling crease, and the left compound eye stays open and catches the key light as a cluster of tiny bright facets. One brow rides higher than the other and the smirk pulls up on the right side of his mouth. His left arm is thrust out toward the lens so the hand reads oversized through foreshortening, the skin of that left hand a mottled, discolored reddish-brown, deeper along the knuckles and the back of the hand, paling only at the fingertips, the fingers splayed and curling inward as though he means to close them on something just outside the frame. His right hand hangs loose and half-curled at his hip, knuckles resting against the bag's corner. The single key light comes from high and to his right, cold and hard, throwing his cast shadow down and away across bare cracked concrete; the open left compound eye throws no shadow at all, and its facets glitter while the black eye stays a matte void. Palette held to gray, khaki-brown, oxidised reddish-brown and cold concrete gray, nothing else admitted. Dry, punchy, faintly confrontational.
いぬがめ
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