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Neira Vel: wine of truth
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Neira Vel
Pier Doon
1girl, solo, sci-fi fantasy battle armor, fusion of technology and magic, red eyes, long hair, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (detailed background), perfect anatomy, intricate details, ultra-detailed, beautiful, (ultra-detailed), (illustration), (beautiful detailed eyes), amazing, detailed eyes, (masterpiece), (realistic:0.5), (best quality), (hyper detailed), (correct anatomy), MLP, humanized, personified, big eyes, flat color, pop art, clean lineart, MMMinamiP, ihasa39, asikumin, looking at viewer, gentle smile, affable, reassuring smile, action pose, dynamic pose, rapscallion_artist, milf, sharp lines, vivid colors, high contrast, Channel, channelcaststation style, channelcastation style lineart, sharp lineart, beautiful light, best shadow, color blink, (Cartoon stylization, cartoon style, grain finished, stylized body, soft shading, cel shading, candycore, soft lineart, colored outline, clean vector look, sparkly accents, flat textures)
Melavash
n0
artist: ratatatat74
1girl, 1man, 2girls? no — 1girl 1man only, vampire, vampire countess, biting, neck bite, blood drain, drinking blood, elongated fangs, fangs, crimson hair, very long hair, voluminous hair, intricate hair coils, hair framing face, crimson eyes, glowing eyes, glassy eyes, swirling eyes, hypnotic gaze, deathly pale skin, alabaster skin, white skin, deep red lips, red lips, stained lips, predatory beauty, beautiful face, malevolent expression, regal, commanding presence, graceful, opulent gown, structured gown, velvet dress, silk dress, high collar gown, heavy jewelry, gold necklace, ruby necklace, gold earrings, ruby earrings, gold bracelets, ornate rings, large cleavage, normal human man, human male, not a vampire, black wool waistcoat, white high-collared dress shirt, head tilted back, neck exposed, head back, eyes closed, pained expression, blood on neck, blood on lips, blood drip, dark gothic manor, gothic architecture, grand hall, candlelight, volumetric lighting, ominous lighting, backlighting, rim lighting, depth of field, blurry background, sharp cel-shading, high contrast, vibrant accent colors, cinematic perspective, wide angle lens, cowboy shot, from side, profile, dutch angle, white outline, masterpiece, best quality, absurdres, very absurdres, highres, extremely detailed, detailed shading, perfect anatomy, very aesthetic
The image is a side-on view of a tall dark gothic manor hall, camera canted slightly off level on a dutch angle, framed as a cowboy shot that cuts both figures at mid-thigh; on the right of frame the vampire countess leans her weight onto her back leg and drives her shoulders forward, her gown's boned velvet bodice crushing silk panels into deep folds as her right hand fists the man's collar and pushes it down off his shoulder, her left bracelet stacked wrist braced flat on his chest. Her long crimson hair is built in heavy intricate coils that sit in glossy spirals around her face and fall behind her shoulders, catching a hard rim of candlelight. Her face is close to his throat in near-profile: lashes low, glassy crimson eyes half-lidded and turned down onto the wound with a slow swirl of brighter red inside the iris, one corner of her deep red stained mouth pulled up, her elongated fangs sunk into the side of his neck with the upper lip pressed flat against the skin, a thin dark line of blood running from the bite corner down over his collarbone and a single drop hanging at her chin, blood smeared along her lower lip. Her skin is deathly alabaster, unbrokenly pale, and the light polishes it. The man is a plain human with a neutral build, knees slightly buckling, weight dropped back onto his heels, both hands gripping the back of her forearm without pushing her away; his head is tilted back and away from her so his throat arches long and taut, his eyes squeezed shut, jaw slack, brows drawn up, the white high-collared cotton dress shirt pulled open at the throat with two buttons torn away and his black wool waistcoat creased across the chest. Between them, a dense spherical candle chandelier sits behind and to the left, its flames the only light source: it flares against the edge of her hair, her cheekbone and the back of his neck and leaves the depth of the hall falling away into near-black with heavy falling-off of focus, tall lancet windows and carved stone vaulting dissolving into soft bokeh beyond them. Her gold and ruby jewelry is the only warm spark in the dark — a thick gold and ruby collar at her throat, ruby earrings, wide gold cuffs and corded gold bracelets — each stone lighting up with a hard pinpoint glint where the chandelier catches it. A pale cool-white outline traces both silhouettes, a fine contour separation of figure from the murk that stays crisp even where the background goes soft. Palette: crimson, gold, alabaster and the black-brown of the hall, nothing else admitted. His shadow and hers fall together, stretched long and merged across the stone floor behind them. Ominous, lavishly cruel.
nyx09-
lf
1girl, solo, light brown skin, dark skin, multicolored hair, black hair with light brown streaks, long hair, long wavy shag haircut, wavy hair, layered hair, red eyes, smile, closed-mouth smile, standing, large breasts, thick thighs, gothic manor interior, black and red vampire attire, black high-collared velvet coat, red satin lining, red lace corset, black stockings, from below, cowboy shot, low angle, head tilt, looking at viewer, hand on own chest, volumetric light, dust motes, candlelight, deep red and black palette, crayon-like texture, line-free soft color blocks, atmospheric lighting
Seen from below in a cowboy shot cut at mid-thigh, a single woman stands in the middle of a gothic manor hall, her weight settled onto her left leg while her right hip pushes out and the right knee bends slightly forward so one thick thigh crosses in front of the other; her right hand rests flat on her own corseted chest just under the collarbone, fingers spread over the red lace, and her left arm hangs loose with the fingers lightly curled. Her chin is tipped down toward the lens and a small closed-mouth smile lifts one corner of her lips a little higher than the other, red eyes looking straight into the camera with a calm, pleased confidence. Her long black hair carries light brown streaks through the waves and falls in a wavy shag — choppy layered lengths at the jaw and cheekbones, longer waves spilling over both shoulders and past her chest, swinging slightly to her left where she shifted her weight. The black velvet coat is open, its tall collar standing up around her neck, the red satin lining catching the candlelight along the inner edge as it falls past her hips; beneath it the red lace corset is laced tight and the black stockings disappear into the dark at the crop line. Around her, the manor interior recedes in deep shadow: a stone pointed-arch doorway to one side, a carved dark wood balustrade behind her, tall narrow windows high on the wall, and a row of lit candles in an iron stand at the left edge of frame.
The candles are the only light source. Their warm orange light comes from the left and slightly below, striking the left side of her face, the front of the corset and the red lining of the coat, and it leaves the right side of her jaw, the back of her hair and the far end of the hall in absolute darkness beyond the small pool of light; a long soft shadow of her body falls backward and to the right across the stone floor. A single detail proves the air is still and close: smoke from the candle flames drifts straight up until it bends under the arch. The palette is black, deep crimson, warm candle orange and the light brown of her skin and hair streaks, with no other colour admitted. Rendered in line-free soft colour blocks with a visible crayon-like grain across the velvet, the lace and the stone, under the atmospheric low candlelight — quiet, opulent, self-assured.
Lotus Flame
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