Nov 3, 2026

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AI art "centaura fan art" featuring #Genshin Impact and #Lumine

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centaura fan art

#Genshin Impact #Lumine

Published on Nov 3, 2026

cmk0303

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character: lumine_(genshin_impact), copyright: genshin_impact 1girl, 1other, no humans, high contrast silhouette, two-tone image, red and black only, monochrome red, dramatic poster composition, asymmetrical split composition, text-heavy poster, title in upper left, quote in upper right, upper body, shoulder crop, cropped at shoulders, front view, facing forward, straight-on, looking straight ahead, blank stare, expressionless, deadpan face, despair, tears of blood, bloody tears, streaming tears, blood running down cheeks, blonde hair, short hair, long locks, hair between eyes, sidelocks, hair flower, hair ornament, yellow eyes, white dress, bare shoulders, black silhouette, WWII Korean Liberation Army soldiers, imperial japanese army opponents, urban street fighting, rifle fire, muzzle flash, squad of soldiers, crouching behind rubble, ruined street, war-torn city, high contrast silhouette, full-body silhouette, banner, in-image text, English text, "CENTAURA", "another", "ONLY THE DEAD HAVE SEEN THE END OF WAR" A strict two-colour poster: intense red and pure black, nothing else admitted. The frame splits down the middle. On the left, at the centre-left of the composition, a girl is rendered as a black high-contrast silhouette from the shoulders up, cropped flat at the shoulder line so only her head, neck and the tops of her bare shoulders exist in frame, and she faces forward, looking straight ahead, her gaze aimed directly out of the picture at the viewer with no focus in it — a despairing face held completely expressionless, lids flat, brows level, mouth a straight closed line, and from under both eyes two unbroken streams of blood-red tears run straight down her black cheeks to her jaw, the only red on her body. Her short blonde hair reads as black with a few red edge-lights: locks falling between her eyes, sidelocks framing the jaw, a flower tucked in her hair catching one sliver of red at the rim. Only the outermost contour of her head and shoulders is lit, a hairline red rim along the left side of her face and her shoulder's edge; everything inside is solid black. On the right, a World War II-era Korean Liberation Army street battle is staged as a full-body high-contrast silhouette mass: five soldiers in field caps and loose uniforms, black shapes against the red field, one kneeling behind a shattered wall with a rifle levelled, one rising mid-stride with a rifle at his shoulder and a muzzle flash blooming as a small hard red star, another pressed against a doorway with his back flat to the wall, one dragging a wounded comrade by the arm, one at the rear with an arm raised forward; behind them the broken ridgelines of ruined buildings and a leaning telegraph pole, all black cut-outs against red, with red gaps standing in for sky between the debris. The red ground behind the soldiers is the brightest area of the image and the black masses sit hard against it, so silhouettes stay crisp. Lettering lies on top of the poster as a separate layer: in the upper-left corner the word "CENTAURA" is set very large in a heavy condensed black display face, its baseline flat and its left edge flush to the margin; directly beneath it, much smaller, the word "another" is set in the same face, tracking open, in red on black; in the upper-right corner at roughly a quarter the size of the main title, the line "ONLY THE DEAD HAVE SEEN THE END OF WAR" is stacked in three short lines of small red capitals, aligned to the right margin, held clear of the soldiers' silhouettes. Flat poster printing throughout: hard cel edges, no gradients, no halftone, thin red edge-light picking out only the outer contours. Deathly still, hopeless.

centaura fan art

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