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YoRHa No.2 Type B in ruins

Contest Entry

Pixel Wonderland

Published on Nov 3, 2026

sensei-54

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character: 2b_(nier:automata) 1girl, solo, 2b, female android, pale skin, short hair, silver-white hair, bob cut, black blindfold, covered eyes, black gothic combat dress, short skirt, puffed sleeves, juliet sleeves, high collar, black gloves, thighhighs, black thigh-high stockings, heeled boots, black boots, katana, holding sword, one hand, dynamic pose, action pose, mid-motion, one leg extended forward, twisting body, floating skirt, flowing sleeves, full body, from below, dutch angle, foreshortening, ruined city, collapsing skyscrapers, crumbling buildings, broken road, debris, overgrown street, vines, wild vegetation, desolate, pixel art, 16-bit, 32-bit, visible square pixels, low resolution, large pixel clusters, crisp pixel edges, dithering, limited palette, pixel shading, hard-edged shading, character focus, The camera looks up from a low angle through a cracked and shattered roadway, tilted slightly off axis, so the ruined city's broken skyscrapers lean inward and tower over the single pale android as she cuts across the frame, full body from the crown of her head to the soles of her heeled boots. She is caught mid-lunge: her left leg extended forward, boot planted on a slab of broken asphalt, knee flexed to carry the weight; her right leg swept back behind her, balancing on the toe of the other heeled boot, its point digging into a rubble chunk. Her torso twists at the waist, shoulders rotated away from the engaged hip, spine curved into an elegant S, so that her chest turns three-quarters to the camera and her head follows the twist, chin lifted slightly. In one gloved hand she grips the wrapped hilt of her katana; the sword runs forward and down, its tip breaking the edge of the frame at the lower left, the blade catching a hard diagonal band of white light that steps from silver-white to grey to black without a single blended pixel. Her other gloved arm is flung out behind her for balance, the juliet sleeve ballooning in a crisp stepped arc. Short silver-white bob swings forward past the blindfold, several large clean pixel clusters breaking free at the tips; the black blindfold's edge cuts a flat dark line across her pale cheeks, the pale skin rendered in three flat flesh tones separated by checkerboard dither bands. Her skirt flares outward in rigid pleats of pure black, each fold a single column of stepped pixels with a soft grey highlight line along the leading edge; the high collar stands sharp against her throat; the thigh-high stockings and boots hold crisp black-to-dark-grey separation up the forward leg. Around her the street is reclaimed: wild green vines climb a collapsed facade at the left, a fallen streetlamp juts across the foreground in dark diagonal pixels, leaves and rubble scatter in flat clusters across the broken road, and a line of crumbling towers recedes to a distant gray-teal silhouette with a single line of dithering haze between the layers. The light comes from high behind and to the right, throwing long hard-edged shadows forward-left across the asphalt, each shadow's edge made of clean stepped pixels; the palette is restricted to cold desaturated teals, slate blues, ash grays, one deep vegetal green, flat black, bone white and the silver-white of the hair. Frosting of green on the sunward faces of rubble, shadow dark on the reverse. The scene is desolate and imposing, rendered entirely in deliberately low-resolution pixel-art, no anti-aliasing, every surface simplified into clusters of discrete square pixels, quiet ruin and cold momentum.

YoRHa No.2 Type B in ruins

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