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Dutch Angle, standing

青いコートと黒いスカート、膝丈のハイヒールを着用した女性キャラクターを描いています。背景には石造りの建物の一部が広がり、幻想的な雰囲気を演出しています。

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#Dutch Angle#standing#Skirt#Dress#Boots#High Heels#Short Hair#solo#Knee boots#Black hair#Hand on own hip#Coat#Long sleeves#Looking at viewer#Pillar#Girl#full body#High-heel boots#Closed mouth
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1girl, solo, short hair, black hair, blue coat, jacket, black skirt, black boots, knee boots, high heels, standing, tiled floor, fantasy ruins interior, full body, from below, dutch angle, looking down at viewer, confident, hand on hip, 3d, cg render, depth of field The camera sits low and tilted, looking up at one girl from a dutch angle so the ruined hall rears behind her and the floor grid shears diagonally across the bottom of the frame. She stands full-body in the center-left, weight carried on her left leg with the right knee slightly bent and the right toe of her heeled boot resting a half-step forward on the tiles; her left hand presses flat against her hip bone, jacket hem pushed back by the wrist, while her right arm hangs loose with the fingers relaxed at her side. Her chin is level but her eyes drop to the lens from under level brows, one lip corner lifted in a small closed smirk, shoulders squared back so the blue coat falls open over the black skirt. She has short black hair cropped close at the nape, the front strands swept across her forehead and lifting slightly at their tips from the air moving through the hall; the collar of the blue coat stands against her jaw with the jacket's front panel open down the chest, and the black skirt hangs in vertical pleats from the waist. Both legs disappear into knee-high black boots whose shafts grip the calf and whose high stiletto heels touch the floor at small, precise points -- weight visibly driven through the heel, the boot leather creasing once above the ankle. The floor is a wide grid of square tiles in drifting sand-dusted greys and dull teal, some lifted, some cracked, a few missing so the shadowed bedding under them goes black; her cast shadow stretches long and soft to the lower right, and the sand lies only in the seams between tiles where nothing has swept it. The ruins rise around her in layered depth: broken stone columns in the midground, a collapsed arch and crumbling frieze of worn carving in the background, all out of focus and rendered in the same 3d material as her, dust motes hanging in the air as soft bright specks. Light enters from a shattered opening high at frame left, cool and slightly green, striking the left side of her coat, the left cheek and the tops of the boot shafts, leaving her right side and the depth of the hall in soft deep shadow; the only warm note in the palette is a faint gold bounce off the tile she stands on and into the underside of her skirt and chin. A single stone chip lying at the edge of her tile throws a crisp hard-edged shadow while the boot beside it throws only a blurred one, because the chip is small and close to the floor. Rendered as a smooth 3d character animation still -- clean linework, gentle colors, glossy smooth skin tones, expressive eyes -- effortlessly cool.
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Original Prompt
ファンタジーな遺跡の内部、The image shows an animated girl in a blue coat and black skirt standing on a tiled floor. She is wearing high heels, giving her a stylish and confident look. 1girl, solo, short hair, skirt, black hair, jacket, boots, black boots, knee boots, 3d
Mode
flash
Style
Classic Anime
Size
992 x 1504
Style: Classic Anime
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.78k

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AI artwork
Avatar image of ........................
1girl, solo, short hair, black hair, blue coat, jacket, black skirt, black boots, knee boots, high heels, standing, tiled floor, fantasy ruins interior, full body, from below, dutch angle, looking down at viewer, confident, hand on hip, 3d, cg render, depth of field The camera sits low and tilted, looking up at one girl from a dutch angle so the ruined hall rears behind her and the floor grid shears diagonally across the bottom of the frame. She stands full-body in the center-left, weight carried on her left leg with the right knee slightly bent and the right toe of her heeled boot resting a half-step forward on the tiles; her left hand presses flat against her hip bone, jacket hem pushed back by the wrist, while her right arm hangs loose with the fingers relaxed at her side. Her chin is level but her eyes drop to the lens from under level brows, one lip corner lifted in a small closed smirk, shoulders squared back so the blue coat falls open over the black skirt. She has short black hair cropped close at the nape, the front strands swept across her forehead and lifting slightly at their tips from the air moving through the hall; the collar of the blue coat stands against her jaw with the jacket's front panel open down the chest, and the black skirt hangs in vertical pleats from the waist. Both legs disappear into knee-high black boots whose shafts grip the calf and whose high stiletto heels touch the floor at small, precise points -- weight visibly driven through the heel, the boot leather creasing once above the ankle. The floor is a wide grid of square tiles in drifting sand-dusted greys and dull teal, some lifted, some cracked, a few missing so the shadowed bedding under them goes black; her cast shadow stretches long and soft to the lower right, and the sand lies only in the seams between tiles where nothing has swept it. The ruins rise around her in layered depth: broken stone columns in the midground, a collapsed arch and crumbling frieze of worn carving in the background, all out of focus and rendered in the same 3d material as her, dust motes hanging in the air as soft bright specks. Light enters from a shattered opening high at frame left, cool and slightly green, striking the left side of her coat, the left cheek and the tops of the boot shafts, leaving her right side and the depth of the hall in soft deep shadow; the only warm note in the palette is a faint gold bounce off the tile she stands on and into the underside of her skirt and chin. A single stone chip lying at the edge of her tile throws a crisp hard-edged shadow while the boot beside it throws only a blurred one, because the chip is small and close to the floor. Rendered as a smooth 3d character animation still -- clean linework, gentle colors, glossy smooth skin tones, expressive eyes -- effortlessly cool.
........................
#Dutch Angle#standing#Skirt
AI artwork
Avatar image of ........................
1girl, solo, short hair, black hair, blue coat, jacket, black skirt, black boots, knee boots, high heels, standing, tiled floor, fantasy ruins interior, full body, from below, dutch angle, looking down at viewer, confident, hand on hip, 3d, cg render, depth of field The camera sits low and tilted, looking up at one girl from a dutch angle so the ruined hall rears behind her and the floor grid shears diagonally across the bottom of the frame. She stands full-body in the center-left, weight carried on her left leg with the right knee slightly bent and the right toe of her heeled boot resting a half-step forward on the tiles; her left hand presses flat against her hip bone, jacket hem pushed back by the wrist, while her right arm hangs loose with the fingers relaxed at her side. Her chin is level but her eyes drop to the lens from under level brows, one lip corner lifted in a small closed smirk, shoulders squared back so the blue coat falls open over the black skirt. She has short black hair cropped close at the nape, the front strands swept across her forehead and lifting slightly at their tips from the air moving through the hall; the collar of the blue coat stands against her jaw with the jacket's front panel open down the chest, and the black skirt hangs in vertical pleats from the waist. Both legs disappear into knee-high black boots whose shafts grip the calf and whose high stiletto heels touch the floor at small, precise points -- weight visibly driven through the heel, the boot leather creasing once above the ankle. The floor is a wide grid of square tiles in drifting sand-dusted greys and dull teal, some lifted, some cracked, a few missing so the shadowed bedding under them goes black; her cast shadow stretches long and soft to the lower right, and the sand lies only in the seams between tiles where nothing has swept it. The ruins rise around her in layered depth: broken stone columns in the midground, a collapsed arch and crumbling frieze of worn carving in the background, all out of focus and rendered in the same 3d material as her, dust motes hanging in the air as soft bright specks. Light enters from a shattered opening high at frame left, cool and slightly green, striking the left side of her coat, the left cheek and the tops of the boot shafts, leaving her right side and the depth of the hall in soft deep shadow; the only warm note in the palette is a faint gold bounce off the tile she stands on and into the underside of her skirt and chin. A single stone chip lying at the edge of her tile throws a crisp hard-edged shadow while the boot beside it throws only a blurred one, because the chip is small and close to the floor. Rendered as a smooth 3d character animation still -- clean linework, gentle colors, glossy smooth skin tones, expressive eyes -- effortlessly cool.
........................
#Dutch Angle#standing#Skirt
AI artwork
Avatar image of ........................
1girl, solo, short hair, black hair, blue coat, jacket, black skirt, black boots, knee boots, high heels, standing, tiled floor, fantasy ruins interior, full body, from below, dutch angle, looking down at viewer, confident, hand on hip, 3d, cg render, depth of field The camera sits low and tilted, looking up at one girl from a dutch angle so the ruined hall rears behind her and the floor grid shears diagonally across the bottom of the frame. She stands full-body in the center-left, weight carried on her left leg with the right knee slightly bent and the right toe of her heeled boot resting a half-step forward on the tiles; her left hand presses flat against her hip bone, jacket hem pushed back by the wrist, while her right arm hangs loose with the fingers relaxed at her side. Her chin is level but her eyes drop to the lens from under level brows, one lip corner lifted in a small closed smirk, shoulders squared back so the blue coat falls open over the black skirt. She has short black hair cropped close at the nape, the front strands swept across her forehead and lifting slightly at their tips from the air moving through the hall; the collar of the blue coat stands against her jaw with the jacket's front panel open down the chest, and the black skirt hangs in vertical pleats from the waist. Both legs disappear into knee-high black boots whose shafts grip the calf and whose high stiletto heels touch the floor at small, precise points -- weight visibly driven through the heel, the boot leather creasing once above the ankle. The floor is a wide grid of square tiles in drifting sand-dusted greys and dull teal, some lifted, some cracked, a few missing so the shadowed bedding under them goes black; her cast shadow stretches long and soft to the lower right, and the sand lies only in the seams between tiles where nothing has swept it. The ruins rise around her in layered depth: broken stone columns in the midground, a collapsed arch and crumbling frieze of worn carving in the background, all out of focus and rendered in the same 3d material as her, dust motes hanging in the air as soft bright specks. Light enters from a shattered opening high at frame left, cool and slightly green, striking the left side of her coat, the left cheek and the tops of the boot shafts, leaving her right side and the depth of the hall in soft deep shadow; the only warm note in the palette is a faint gold bounce off the tile she stands on and into the underside of her skirt and chin. A single stone chip lying at the edge of her tile throws a crisp hard-edged shadow while the boot beside it throws only a blurred one, because the chip is small and close to the floor. Rendered as a smooth 3d character animation still -- clean linework, gentle colors, glossy smooth skin tones, expressive eyes -- effortlessly cool.
........................
#Dutch Angle#standing#Skirt
AI artwork
jn
copyright: solo_leveling 1girl, solo, park heejin, short black hair, chin-length bob with side-parted bangs, dark brown eyes, slender athletic build, sharp eyeliner, calm confident expression, faint closed-lip smile, looking at viewer, standing, arms crossed under chest, weight on one hip, from below, cowboy shot, three-quarter view, head tilted slightly down toward the lens, Korean hunter, dark navy high-collared hunter jacket cropped at the waist, black fitted undershirt, black trousers tucked into knee-high boots, black leather gloves, no jewelry, bare ears, no hair ornaments, unadorned hair, no weapons drawn, dim stone corridor, empty industrial hallway, moody low-key lighting, cool desaturated palette, subtle reliable detail The camera sits low, looking up at her at chest height, the corridor's perspective lines converging behind her raised shoulder so she reads tall and immovable against the ceiling. She stands three-quarter to the lens, weight carried on her back leg, front hip dropped, both arms folded high under her chest with the right forearm crossed over the left, black-gloved fingers resting flat on the opposite sleeve; her chin lowers just enough that she is looking straight down the lens, one eyebrow level and the other barely lifted, the faint closed-lip smile pulling more on her left side, as if she has already decided the outcome. Her chin-length black bob is parted at the side with the bangs swept across her forehead, the shorter strands at her jaw falling forward of her shoulders, the tips of a few locks lifted by cold air moving down the corridor. The high-collared navy hunter jacket stands slightly away from her throat, seams and a row of flat closures catching a thin edge of light along the left shoulder; the black undershirt and trousers absorb most of the light; the knee-high boots meet the floor with the back one angled out, a single long reflection running down the damp concrete toward the camera. The only light source is a bank of cold overhead strips far behind her right shoulder, so the crown of her head and the top of the raised shoulder catch a hard cool rim while her face falls into soft half-shadow lit faintly from below by the floor bounce, the corridor beyond her going to near-black in stages; her cast shadow stretches forward across the floor almost to the viewer's feet. The palette is disciplined to desaturated navy, charcoal and wet grey concrete, with her skin the single warm note and the eyeliner and boots the darkest blacks; a fine dust haze in the air makes the overhead strips visible as soft bars and gives the depth of the corridor a measurable scale. Her gaze stays locked on the lens and she does not move out of the way. Cold, quietly commanding.
jjj nbn
#Bob cut#Black eyes

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