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- Original Prompt
- Himiko Toga from My Hero Academia, solo, illustrated as a wide color chapter spread from Kohei Horikoshi’s original manga. Preserve the sharp manga eye shape, golden slit pupils, messy blonde twin buns, and subtle canine smile. She wears her canonical beige cardigan, sailor uniform, and blood collection gear, with the mask lowered around her neck so her face is visible. Toga crouches beneath the shallow awning of a shuttered shop on an empty street at night. Her elbows rest loosely on her knees. At the edge of the awning, rainwater washes a small patch of blood off the pavement, carrying thin red strands through a puddle toward the gutter. Her head stays angled toward the water while her eyes turn toward the viewer. A dim pink sign reflects in the puddle as one broken strip of light. Wide ground-level composition with Toga on the left, her face clearly visible in three-quarter view, and the wet pavement stretching across the right. Ribbed metal shutters and a half-torn paper poster give the background a rough, neglected texture. Use heavy black ink masses beneath the awning, fine hatching in her cardigan, sharp white rain strokes, and flat blocks of charcoal, dirty lavender, and faded beige. The red in the water remains saturated and distinct. Horizontal 16:9, textured printed manga color, unlettered.
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Himiko Toga from My Hero Academia, solo, illustrated as a wide color chapter spread from Kohei Horikoshi’s original manga. Preserve the sharp manga eye shape, golden slit pupils, messy blonde twin buns, and subtle canine smile. She wears her canonical beige cardigan, sailor uniform, and blood collection gear, with the mask lowered around her neck so her face is visible.
Toga crouches beneath the shallow awning of a shuttered shop on an empty street at night. Her elbows rest loosely on her knees. At the edge of the awning, rainwater washes a small patch of blood off the pavement, carrying thin red strands through a puddle toward the gutter. Her head stays angled toward the water while her eyes turn toward the viewer. A dim pink sign reflects in the puddle as one broken strip of light.
Wide ground-level composition with Toga on the left, her face clearly visible in three-quarter view, and the wet pavement stretching across the right. Ribbed metal shutters and a half-torn paper poster give the background a rough, neglected texture. Use heavy black ink masses beneath the awning, fine hatching in her cardigan, sharp white rain strokes, and flat blocks of charcoal, dirty lavender, and faded beige. The red in the water remains saturated and distinct. Horizontal 16:9, textured printed manga color, unlettered.
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mha oc
Mars
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Toga Himiko's Playful Smile! 🩸
escot
md
character: toga_himiko
1girl, solo, toga_himiko, blonde hair, messy hair, double bun, hair bun, blunt bangs, short hair, yellow eyes, slit pupils, fangs, pointed teeth, school uniform, serafuku, sailor collar, red neckerchief, pleated skirt, cardigan, long sleeves, manic grin, open mouth, wide-eyed, from below, close-up, dutch angle, looking at viewer, head tilt, leaning forward, dim back alley, night, flickering streetlight, wet pavement, glistening, puddle, reflection, brick walls, drainpipe, cinematic lighting, high contrast, highly detailed background, intricate details.
Low-angle close-up seen from below and tilted a few degrees off level: a lone girl crouches low in a narrow brick back alley at night, her weight sunk onto her left leg with the right knee drawn up and her right hand braced flat against the wet ground, fingers splayed in a shallow puddle. Her head is tipped over toward her right shoulder, chin down, and both yellow eyes with narrow vertical slit pupils roll up under her brow straight into the lens; the grin splits her face wide and open, upper lip pulled back off a row of small pointed fangs, one eyelid dropped a fraction lower than the other so the stare reads delighted rather than friendly. Messy blonde double buns sit high and off-centre on her head, each wound loose with stray strands escaping, blunt bangs cut straight across her forehead and hanging in damp separate points over her brows. She wears the sailor school uniform: navy sailor collar squared across her shoulders with white stripe lines, red neckerchief knotted at her throat, pleated skirt fanned out around her crouched thighs and pressed flat where it touches the wet ground, and over it a loose beige cardigan with long sleeves shoved up to her forearms, cuffs darkening where alley damp has soaked in, one sleeve slipping off her shoulder. Behind her the alley recedes in a narrow slot of brick, a rusted drainpipe climbing the left wall, a sagging wire overhead, a distant illegible sign reduced to blurred glow. The single streetlight hangs above and behind her left shoulder, its bulb stuttering, so the light strikes the top of her buns and the crown of her head, rims her left cheek and shoulder in cold yellow-white, and throws her face's lower half into deep shadow broken only by the wet shine on her teeth; the puddle mirrors the lamp as a dimmer, softer, slightly broken streak, and the wet pavement carries long smeared reflections of the light down its seams. Palette held to cold blue-black brick and black shadow, sodium-yellow lamplight, warm blonde, and the single red of the neckerchief, nothing else admitted. Quiet dread edged with delight.
Molly DiTrolio
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