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Trevor Belmont
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- Original Prompt
- 1girl, mature adult, pink hair, long length, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breast, curvy body, wide hips, wide thighs, sweater, showing a lot of cleavage, skirt, sweater thigh highs, sitting next to, 1boy, mature adult, white hair, medium length, blue eyes, toned body, sweater, pants, both on couch, cuddling together
- Mode
- flash
- Size
- 1104 x 1824
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tb
character: tsukishiro_yanagi
1girl, 1boy, 2 people, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, pink-tipped sidelocks framing cheeks, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, cream knit sweater, deep v neckline, lots of cleavage, charcoal pleated skirt, cream sweater thigh highs, white hair, medium length hair, blue eyes, toned body, navy wool sweater, khaki pants, sitting next to each other, on couch, cuddling, leaning into each other, cowboy shot, from side, slight from below, looking at each other, light smile, half-closed eyes, head rest, arm around shoulder, hand on thigh, legs touching, sweater sleeves pushed to elbows, knee raised, sock cuff bunched at thigh, sofa cushion compressed under their weight, warm lamp light from the left, evening living room, soft knit texture, cream and charcoal and navy and khaki and warm amber palette, intimate, tender.
Viewed from the side at a slight low angle in a cowboy shot, the two sit close together on a low-cushioned couch, filling the frame from thigh to crown. The woman, an adult with long pink hair falling in the sidelocks and between-eyes fringe of her style, the strands ticked with deeper pink toward the tips, sits angled toward the man with her weight settled onto her right hip; her left leg is drawn up along the seat edge so the cream sweater-knit thigh high bunches at the cuff just above her knee, its vertical ribbing stretched across her wide thigh. She wears the cream knit sweater loose over her bust, its deep v neckline opened wide to bare a lot of cleavage, the knit strained taut across the fullest part; below it the short charcoal pleated skirt rides up over her wide hips and the pleats fan where her thigh presses the cushion. Rimless eyeglasses sit on her nose, the thin lens edge catching a fine bright line, and her violet eyes turn up and to her left toward his face. Her left arm drapes around his shoulders, her hand resting flat on his far shoulder over the navy wool; her right hand lies open on his khaki-clad thigh.
The man, adult and squarely built, his white hair of medium length falling back from his temples and a lock dropping over one brow, leans his head down toward hers so the crown of his head nearly meets the side of her hair; his blue eyes are on her face, lids lowered. The navy wool sweater is pushed to the elbows, its cuffs crumpled on his forearms, and his shoulders fill the knit with a toned breadth. His near arm comes around her waist and his hand presses into the small of her back, fingers spread against the cream knit; his far hand rests on his own knee. His right knee is up, his foot flat on the seat cushion, and her skirt falls against that raised leg.
Behind them the couch back runs in a soft diagonal across the frame's lower third, the cushion under them visibly dented and folded where their combined weight sinks it. A warm amber table lamp stands off-frame left at seat height, its light striking the left side of both faces, making the cream knit read gold and leaving their right contours in soft shadow; the room beyond falls to a dim blue-grey until a single dull window pane at the far right returns a faint cool reflection. The palette stays to cream, charcoal, navy, khaki and warm lamp amber, the pink of her hair the one saturated note. Small physical tell: where her sock cuff binds the fullest part of her thigh, the knit is pulled thinnest and the skin beneath shows a faint warm flush at the edge of the ribbing. The atmosphere is quiet and close, unhurried.
Trevor Belmont
tb
character: tsukishiro_yanagi
1girl, 1boy, 2 people, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, pink-tipped sidelocks framing cheeks, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, cream knit sweater, deep v neckline, lots of cleavage, charcoal pleated skirt, cream sweater thigh highs, white hair, medium length hair, blue eyes, toned body, navy wool sweater, khaki pants, sitting next to each other, on couch, cuddling, leaning into each other, cowboy shot, from side, slight from below, looking at each other, light smile, half-closed eyes, head rest, arm around shoulder, hand on thigh, legs touching, sweater sleeves pushed to elbows, knee raised, sock cuff bunched at thigh, sofa cushion compressed under their weight, warm lamp light from the left, evening living room, soft knit texture, cream and charcoal and navy and khaki and warm amber palette, intimate, tender.
Viewed from the side at a slight low angle in a cowboy shot, the two sit close together on a low-cushioned couch, filling the frame from thigh to crown. The woman, an adult with long pink hair falling in the sidelocks and between-eyes fringe of her style, the strands ticked with deeper pink toward the tips, sits angled toward the man with her weight settled onto her right hip; her left leg is drawn up along the seat edge so the cream sweater-knit thigh high bunches at the cuff just above her knee, its vertical ribbing stretched across her wide thigh. She wears the cream knit sweater loose over her bust, its deep v neckline opened wide to bare a lot of cleavage, the knit strained taut across the fullest part; below it the short charcoal pleated skirt rides up over her wide hips and the pleats fan where her thigh presses the cushion. Rimless eyeglasses sit on her nose, the thin lens edge catching a fine bright line, and her violet eyes turn up and to her left toward his face. Her left arm drapes around his shoulders, her hand resting flat on his far shoulder over the navy wool; her right hand lies open on his khaki-clad thigh.
The man, adult and squarely built, his white hair of medium length falling back from his temples and a lock dropping over one brow, leans his head down toward hers so the crown of his head nearly meets the side of her hair; his blue eyes are on her face, lids lowered. The navy wool sweater is pushed to the elbows, its cuffs crumpled on his forearms, and his shoulders fill the knit with a toned breadth. His near arm comes around her waist and his hand presses into the small of her back, fingers spread against the cream knit; his far hand rests on his own knee. His right knee is up, his foot flat on the seat cushion, and her skirt falls against that raised leg.
Behind them the couch back runs in a soft diagonal across the frame's lower third, the cushion under them visibly dented and folded where their combined weight sinks it. A warm amber table lamp stands off-frame left at seat height, its light striking the left side of both faces, making the cream knit read gold and leaving their right contours in soft shadow; the room beyond falls to a dim blue-grey until a single dull window pane at the far right returns a faint cool reflection. The palette stays to cream, charcoal, navy, khaki and warm lamp amber, the pink of her hair the one saturated note. Small physical tell: where her sock cuff binds the fullest part of her thigh, the knit is pulled thinnest and the skin beneath shows a faint warm flush at the edge of the ribbing. The atmosphere is quiet and close, unhurried.
Trevor Belmont
tb
character: tsukishiro_yanagi
1girl, 1boy, 2 people, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, pink-tipped sidelocks framing cheeks, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, cream knit sweater, deep v neckline, lots of cleavage, charcoal pleated skirt, cream sweater thigh highs, white hair, medium length hair, blue eyes, toned body, navy wool sweater, khaki pants, sitting next to each other, on couch, cuddling, leaning into each other, cowboy shot, from side, slight from below, looking at each other, light smile, half-closed eyes, head rest, arm around shoulder, hand on thigh, legs touching, sweater sleeves pushed to elbows, knee raised, sock cuff bunched at thigh, sofa cushion compressed under their weight, warm lamp light from the left, evening living room, soft knit texture, cream and charcoal and navy and khaki and warm amber palette, intimate, tender.
Viewed from the side at a slight low angle in a cowboy shot, the two sit close together on a low-cushioned couch, filling the frame from thigh to crown. The woman, an adult with long pink hair falling in the sidelocks and between-eyes fringe of her style, the strands ticked with deeper pink toward the tips, sits angled toward the man with her weight settled onto her right hip; her left leg is drawn up along the seat edge so the cream sweater-knit thigh high bunches at the cuff just above her knee, its vertical ribbing stretched across her wide thigh. She wears the cream knit sweater loose over her bust, its deep v neckline opened wide to bare a lot of cleavage, the knit strained taut across the fullest part; below it the short charcoal pleated skirt rides up over her wide hips and the pleats fan where her thigh presses the cushion. Rimless eyeglasses sit on her nose, the thin lens edge catching a fine bright line, and her violet eyes turn up and to her left toward his face. Her left arm drapes around his shoulders, her hand resting flat on his far shoulder over the navy wool; her right hand lies open on his khaki-clad thigh.
The man, adult and squarely built, his white hair of medium length falling back from his temples and a lock dropping over one brow, leans his head down toward hers so the crown of his head nearly meets the side of her hair; his blue eyes are on her face, lids lowered. The navy wool sweater is pushed to the elbows, its cuffs crumpled on his forearms, and his shoulders fill the knit with a toned breadth. His near arm comes around her waist and his hand presses into the small of her back, fingers spread against the cream knit; his far hand rests on his own knee. His right knee is up, his foot flat on the seat cushion, and her skirt falls against that raised leg.
Behind them the couch back runs in a soft diagonal across the frame's lower third, the cushion under them visibly dented and folded where their combined weight sinks it. A warm amber table lamp stands off-frame left at seat height, its light striking the left side of both faces, making the cream knit read gold and leaving their right contours in soft shadow; the room beyond falls to a dim blue-grey until a single dull window pane at the far right returns a faint cool reflection. The palette stays to cream, charcoal, navy, khaki and warm lamp amber, the pink of her hair the one saturated note. Small physical tell: where her sock cuff binds the fullest part of her thigh, the knit is pulled thinnest and the skin beneath shows a faint warm flush at the edge of the ribbing. The atmosphere is quiet and close, unhurried.
Trevor Belmont
character: tsukishiro_yanagi
1girl, 1boy, 2girls, 2boys, couple, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, off-shoulder sweater, cream knit sweater, skirt, black skirt, white hair, medium length hair, blue eyes, toned body, casual clothes, navy t-shirt, grey lounge pants, cuddling, sitting on couch, leaning on another, head on another's shoulder, arm around waist, arm around shoulder, hand on another's arm, looking at another, light smile, half-closed eyes, blush, couch, cozy living room, warm lamp light, indoors, sunset through window, two-shot, close-up, from side, profile, soft warm palette, tender
The frame is a side-on two-shot, camera level with the couch cushions and close, so the two of them fill the picture and the room falls away in soft focus behind. The couch runs across the lower right of the frame, a deep, nubby-upholstered couch in muted olive drab; the man sits near its center, weight back into the corner, one of its cushions compressed under his hip while the other sinks under her. He is the one leaning back โ a tall, mature man with a solid, toned build, medium-length white hair swept back off his forehead and falling just past his nape, his navy t-shirt stretched across his chest and shoulders, his grey lounge pants bunched at one knee. His left arm lies along the couch's backrest and drops around her shoulders, his hand settling on the outside of her upper arm, thumb flat against the knit. His right hand rests loose on his own thigh.
She is pressed in against his side, the direction of the whole shot set by the way she has tipped into him: her long pink hair โ cut with the heavy side-swept wings and the short curtain of fringe that hang between her eyes โ spills across the front of his shoulder and across the cream knit of her sweater, some of it falling onto his chest. Her glasses, rimless and near-invisible, catch a thin white line of reflection across one lens. Her violet eyes are turned up and sideways toward his jaw; her cheek is against the slope of his shoulder, her lashes lowered halfway, her lips in a small closed curve, a faint warmth of blush high on her cheekbone. Her figure is emphatically full โ the off-shoulder sweater is a soft cream knit that has slipped off both shoulders, leaving the bare line of her collarbones and the tops of her arms exposed, the wool pulled taut over her gigantic chest and cinched in at her waist before her wide hips and wide thighs spread across the cushion, the short black skirt riding up against the seat. One of her thighs lies over his, the weight of it visibly sinking the cushion. Her left hand is folded against his chest, fingers curled into the cotton of his t-shirt, knuckles resting lightly, her other arm tucked down between them.
The primary light is a warm table lamp out of frame at the left, a low golden key that strikes the left side of her face and glass and the left plane of his neck, leaving the right side of both of them in a soft, warm-shadowed dark against the couch. A cool dusk light from a window behind them edges the tops of their hair โ hers pink, his white โ in a thin silver rim and dies before it reaches their faces. The palette is warm and narrow: cream wool, olive couch, the blue-black of his shirt, her pink hair and the small hard glint of the rimless frames, on a ground of amber lamp shadow. Where her cheek meets his shoulder, the wool of his cotton bunches into a shallow fold, and the couch cushion keeps the dent of both their weights. Quiet, intimate.
Trevor
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