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Sarahí Rosales Miranda

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Sarahí Rosales Miranda

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character: azula, copyright: avatar:_the_last_airbender, avatar_the_last_airbender 1girl, solo, azula \(avatar\), blue skin, succubus, horns, demon tail, demon wings, bat wings, fang, single fang, black hair, long hair, topknot, yellow eyes, very tight-fitting shroud, tight white burial shroud, thin cloth clinging to body, bare shoulders, no underwear, lying in coffin, waking up, just woke up, half-closed eyes, wide-eyed, surprised, realization, open mouth, coffin, wooden coffin interior, lying on back, from above, looking at own hand, raised hand, claws, clawed fingers, spread wings cramped inside coffin, tail curled along leg, dim light, candlelight, chiaroscuro, warm candle glow on blue skin, dark wood, ominous, gothic From a high overhead view looking straight down into an open wooden coffin, a single girl lies on her back just as her eyes snap open. Her skin is a deep blue, smooth and cool-toned, and against it the thin white burial shroud reads almost luminous. The shroud is drawn tight over every contour of her body — clinging at the chest, the waist, the hips and the thighs — worn directly on bare skin with nothing beneath it, the fabric bunching and pulling where her shoulders and knees push against it. Sweeping black hair spills loose from its topknot across the coffin's inner lining, and a pair of curved dark horns rise from her forehead, their tips catching the candlelight. A long demon tail, thin and spade-tipped, curls along the inside of her right thigh, pressed between her leg and the shroud. Half-spread, leathery wings are cramped against the coffin walls, one wingtip bent up against the wooden lid edge, the membrane stretched taut where it meets the frame. Her lips part in shock, revealing a single sharp fang at the corner of her mouth. Both yellow eyes are wide, staring up past the coffin rim, and her right arm is bent at the elbow, hand lifted in front of her face — clawed blue fingers splayed as she turns her palm over and studies it, comprehension dawning. Her left hand grips the shroud's edge at her collarbone. The candle is the only light source, sitting on a ledge just beyond the coffin; its warm amber glow rakes across her face from the left, throws the right side of her cheeks and throat into deep shadow, and leaves the room beyond the coffin's rim in absolute blackness. The wood grain of the coffin and the weave of the shroud both show in the raking light; the shroud fabric bunches at the hip where she has shifted, and the wing membrane glows faint amber where the candlelight passes through it. Palette is candle-amber, blue skin, bone-white cloth and black wood, nothing else admitted. Gothic, unsettling, quietly momentous.
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Original Prompt
Character: azula, copyright: avatar_the_last_airbender, A girl wakes up in her coffin and realizes she is now a Succubus , wearing a very tight-fitting shroud and no underwear, blue skin, horns, demon tail, wings, fang,
Mode
flash
Size
816 x 2448
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AI artwork
Avatar image of Sarahí Rosales Miranda
character: azula, copyright: avatar:_the_last_airbender, avatar_the_last_airbender 1girl, solo, azula \(avatar\), blue skin, succubus, horns, demon tail, demon wings, bat wings, fang, single fang, black hair, long hair, topknot, yellow eyes, very tight-fitting shroud, tight white burial shroud, thin cloth clinging to body, bare shoulders, no underwear, lying in coffin, waking up, just woke up, half-closed eyes, wide-eyed, surprised, realization, open mouth, coffin, wooden coffin interior, lying on back, from above, looking at own hand, raised hand, claws, clawed fingers, spread wings cramped inside coffin, tail curled along leg, dim light, candlelight, chiaroscuro, warm candle glow on blue skin, dark wood, ominous, gothic From a high overhead view looking straight down into an open wooden coffin, a single girl lies on her back just as her eyes snap open. Her skin is a deep blue, smooth and cool-toned, and against it the thin white burial shroud reads almost luminous. The shroud is drawn tight over every contour of her body — clinging at the chest, the waist, the hips and the thighs — worn directly on bare skin with nothing beneath it, the fabric bunching and pulling where her shoulders and knees push against it. Sweeping black hair spills loose from its topknot across the coffin's inner lining, and a pair of curved dark horns rise from her forehead, their tips catching the candlelight. A long demon tail, thin and spade-tipped, curls along the inside of her right thigh, pressed between her leg and the shroud. Half-spread, leathery wings are cramped against the coffin walls, one wingtip bent up against the wooden lid edge, the membrane stretched taut where it meets the frame. Her lips part in shock, revealing a single sharp fang at the corner of her mouth. Both yellow eyes are wide, staring up past the coffin rim, and her right arm is bent at the elbow, hand lifted in front of her face — clawed blue fingers splayed as she turns her palm over and studies it, comprehension dawning. Her left hand grips the shroud's edge at her collarbone. The candle is the only light source, sitting on a ledge just beyond the coffin; its warm amber glow rakes across her face from the left, throws the right side of her cheeks and throat into deep shadow, and leaves the room beyond the coffin's rim in absolute blackness. The wood grain of the coffin and the weave of the shroud both show in the raking light; the shroud fabric bunches at the hip where she has shifted, and the wing membrane glows faint amber where the candlelight passes through it. Palette is candle-amber, blue skin, bone-white cloth and black wood, nothing else admitted. Gothic, unsettling, quietly momentous.
Sarahí Rosales Miranda
AI artwork
Avatar image of Sarahí Rosales Miranda
character: azula, copyright: avatar:_the_last_airbender, avatar_the_last_airbender 1girl, solo, azula \(avatar\), blue skin, succubus, horns, demon tail, demon wings, bat wings, fang, single fang, black hair, long hair, topknot, yellow eyes, very tight-fitting shroud, tight white burial shroud, thin cloth clinging to body, bare shoulders, no underwear, lying in coffin, waking up, just woke up, half-closed eyes, wide-eyed, surprised, realization, open mouth, coffin, wooden coffin interior, lying on back, from above, looking at own hand, raised hand, claws, clawed fingers, spread wings cramped inside coffin, tail curled along leg, dim light, candlelight, chiaroscuro, warm candle glow on blue skin, dark wood, ominous, gothic From a high overhead view looking straight down into an open wooden coffin, a single girl lies on her back just as her eyes snap open. Her skin is a deep blue, smooth and cool-toned, and against it the thin white burial shroud reads almost luminous. The shroud is drawn tight over every contour of her body — clinging at the chest, the waist, the hips and the thighs — worn directly on bare skin with nothing beneath it, the fabric bunching and pulling where her shoulders and knees push against it. Sweeping black hair spills loose from its topknot across the coffin's inner lining, and a pair of curved dark horns rise from her forehead, their tips catching the candlelight. A long demon tail, thin and spade-tipped, curls along the inside of her right thigh, pressed between her leg and the shroud. Half-spread, leathery wings are cramped against the coffin walls, one wingtip bent up against the wooden lid edge, the membrane stretched taut where it meets the frame. Her lips part in shock, revealing a single sharp fang at the corner of her mouth. Both yellow eyes are wide, staring up past the coffin rim, and her right arm is bent at the elbow, hand lifted in front of her face — clawed blue fingers splayed as she turns her palm over and studies it, comprehension dawning. Her left hand grips the shroud's edge at her collarbone. The candle is the only light source, sitting on a ledge just beyond the coffin; its warm amber glow rakes across her face from the left, throws the right side of her cheeks and throat into deep shadow, and leaves the room beyond the coffin's rim in absolute blackness. The wood grain of the coffin and the weave of the shroud both show in the raking light; the shroud fabric bunches at the hip where she has shifted, and the wing membrane glows faint amber where the candlelight passes through it. Palette is candle-amber, blue skin, bone-white cloth and black wood, nothing else admitted. Gothic, unsettling, quietly momentous.
Sarahí Rosales Miranda
AI artwork
Avatar image of Sarahí Rosales Miranda
character: azula, copyright: avatar:_the_last_airbender, avatar_the_last_airbender 1girl, solo, azula \(avatar\), blue skin, succubus, horns, demon tail, demon wings, bat wings, fang, single fang, black hair, long hair, topknot, yellow eyes, very tight-fitting shroud, tight white burial shroud, thin cloth clinging to body, bare shoulders, no underwear, lying in coffin, waking up, just woke up, half-closed eyes, wide-eyed, surprised, realization, open mouth, coffin, wooden coffin interior, lying on back, from above, looking at own hand, raised hand, claws, clawed fingers, spread wings cramped inside coffin, tail curled along leg, dim light, candlelight, chiaroscuro, warm candle glow on blue skin, dark wood, ominous, gothic From a high overhead view looking straight down into an open wooden coffin, a single girl lies on her back just as her eyes snap open. Her skin is a deep blue, smooth and cool-toned, and against it the thin white burial shroud reads almost luminous. The shroud is drawn tight over every contour of her body — clinging at the chest, the waist, the hips and the thighs — worn directly on bare skin with nothing beneath it, the fabric bunching and pulling where her shoulders and knees push against it. Sweeping black hair spills loose from its topknot across the coffin's inner lining, and a pair of curved dark horns rise from her forehead, their tips catching the candlelight. A long demon tail, thin and spade-tipped, curls along the inside of her right thigh, pressed between her leg and the shroud. Half-spread, leathery wings are cramped against the coffin walls, one wingtip bent up against the wooden lid edge, the membrane stretched taut where it meets the frame. Her lips part in shock, revealing a single sharp fang at the corner of her mouth. Both yellow eyes are wide, staring up past the coffin rim, and her right arm is bent at the elbow, hand lifted in front of her face — clawed blue fingers splayed as she turns her palm over and studies it, comprehension dawning. Her left hand grips the shroud's edge at her collarbone. The candle is the only light source, sitting on a ledge just beyond the coffin; its warm amber glow rakes across her face from the left, throws the right side of her cheeks and throat into deep shadow, and leaves the room beyond the coffin's rim in absolute blackness. The wood grain of the coffin and the weave of the shroud both show in the raking light; the shroud fabric bunches at the hip where she has shifted, and the wing membrane glows faint amber where the candlelight passes through it. Palette is candle-amber, blue skin, bone-white cloth and black wood, nothing else admitted. Gothic, unsettling, quietly momentous.
Sarahí Rosales Miranda
AI artwork
n0
character: karis_(elsword), artist: ratatatat74 1girl, solo, demon girl, succubus queen, on bed, seductive pose, reclining, evil grin, smirk, seductive look, confident, malevolent, glowing violet eyes, sharp aristocratic facial features, full pouty lips, cascading obsidian black silky hair, liquid sheen, very long flowing hair, demon horns, large demon wings, long spear-tipped demon tail, vivid midnight black-purple skin, lithe, statuesque, sheer flowing silk outfit, gold filigree waist cinch, bare midriff, bare legs, regal, white outline, dark demon palace background, fancy bedroom background, volumetric lighting, ominous lighting, depth of field, backlighting, rim lighting, from below, close-up, cowboy shot, dutch angle, looking at viewer, high contrast, sharp cel-shading, vibrant accent colors, moody atmosphere, Shot from a low, tilted angle at the foot of an enormous canopied bed, the camera looks up across the mattress at a single demon queen half-reclined against a drift of black silk pillows. The queen — one figure, alone, no one else in the room — lies on her left side: her left forearm is planted in the bedding to hold her torso up off the mattress, her left shoulder rolled forward and the elbow locked so the weight travels down through the forearm into the pillow, while her right hand rests flat on her own left hip where the gold filigree cinches the sheer silk. Her hips are slung slightly toward the lens and her legs are crossed at the ankle and drawn up a little, so the sheer fabric of the outfit parts into a long slit and both legs and the whole bare midriff between the filigree belt and the braid of fabric are laid open to the light. The needle-tipped tail trails off the far edge of the bed and its spear point hangs over the mattress edge in the same hard backlight, and her two large wings are unfurled behind her shoulders, the membrane stretched and the leading edge catching the light while they fold clear of the pillows so they never clip them. Her head is turned down and sideways toward the lens, chin dipped as if looking at something close to the floor rather than at the viewer, and the two horns rise from her hairline. The cascade of almost-liquid black hair spills off the pillow, over her left shoulder, and down between her shoulder blade and the silk, and it reflects the backlight in a long moving ribbon rather than a matte mass. The chamber around the bed is enormous and empty: a vaulted dark-stone palace interior, black ribbed columns and a pointed arch far behind the bed, tall lancet windows beyond the headboard that spill cold light down out of the upper dark, a heavy carved bedframe with a black canopy pulled back to the side, dark brocade hangings, a single tall candelabra standing on the far side of the bed. That window and that candelabra are the only light sources: the window throws a hard cold rim along the top of her shoulder, the curve of her hip and the outer edge of each wing membrane, and the candelabra throws a separate warm, much weaker glow up onto the near side of her face, her collarbones, the sheer fabric and the gold filigree, so that everything beyond those two pools falls away into absolute black. The background is thrown out of focus so its vaulting reads as soft dark shapes and bokeh points while she stays sharp. The palette is closed and disciplined — midnight black-purple in her skin, deepest black in the hair, the stone and the hangings, one cold blue-white in the window light, and a thin gold in the filigree belt plus a warm candle gold on the near cheek — with a single saturated violet reserved for the eyes, which glow from beneath her lashes and throw the faintest violet sheen onto the ridge of the pillow beneath her chin. The whole figure is held together by a crisp white contour, a bright unbroken line riding her silhouette against the dark, brightest where her wing edge and shoulder cut the window light, and the same white edge picks out the spear tip of her tail. Depth of field is shallow: the bedding in the near foreground sinks out of focus before her hands, and the far arches soften away. Her lips are slightly parted over the grin, one corner pulled up around the small pointed facial anatomy. High-contrast cel shading with crisp borders, ominous and regal.
nyx03

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