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AI art "Sarcophagus"
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Sarcophagus

#Very Long Hair#Skinny#long hair#solo#Black hair#Mask#Pale skin#Messy hair#Squatting#Girl#Emaciated#Closed mouth
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1girl, very long hair, black hair, disheveled hair, unkempt hair, wearing a porcelain mask with a cheerful face and colorful colors contrasting with the bleak colors, pale body, extremely skinny, visible ribs, hair covering breasts, small breasts, dark room illuminated by a single golden ray of light shining on the girl's face, sitting inside a sarcophagus as if awakened,
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Original Prompt
1girl, very long hair, black hair, disheveled hair, unkempt hair, wearing a porcelain mask with a cheerful face and colorful colors contrasting with the bleak colors, pale body, extremely skinny, visible ribs, hair covering breasts, small breasts, dark room illuminated by a single golden ray of light shining on the girl's face, sitting inside a sarcophagus as if awakened,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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Avatar image of rostella87681
1girl, solo, yurei, female ghost, long black hair, very long hair, hair over one eye, hair covering face, hair across face, parted bangs, red dress, long red dress, ferocious face, angry, snarling, open mouth, teeth, furrowed brow, glaring, menacing, from below, dutch angle, close-up, head tilt, reaching toward viewer, outstretched arm, clawed hand, fingers spread, floating hair, dark background, horror (theme), cinematic lighting, high contrast, pale skin, empty background, The camera looks up at her from below at a hard dutch angle, so the whole frame leans and her head looms over the near edge of the picture. She is the only figure: a woman with skin the flat white of old paper, head tilted down toward the lens and canted to her right. Her black hair is very long and heavy, parted not by a comb but by her own movement, and a thick hank of it has fallen across her face on the left side of the frame, cutting diagonally over her brow, her left cheek and the corner of her mouth, while a second strand hangs loose over the bridge of her nose; her right eye is fully exposed because of it. Her face is contorted into a snarl: brows pulled hard down and pinched together, that one visible eye wide and glaring straight into the lens, nose wrinkled, lips peeled back off bared teeth in a grimace that is too wide for her jaw, the lower lip drawn down, the muscles of her neck standing out. She wears a long crimson dress, its cloth the only saturated colour in the frame, hanging in heavy vertical folds; the neckline sits low at her collarbones and the fabric has gone slack at the shoulders as though she has been pulled forward out of the dark. Her right arm thrusts toward the viewer, foreshortened and large, the hand at the near edge of the frame with the fingers splayed and hooked, the nails dark, the tendons of the wrist raised; the sleeve of the dress slides back along that forearm in a crumpled cuff. Her left arm hangs behind her, out of focus, only a pale hand and a fall of red beyond her hip. Her hair and the hem of the dress are lifted and dragged sideways at the same time, both blown toward the right edge of the frame although the air in the room is still, and the loose strands crossing her face float a finger's width off her skin instead of lying on it. The background is a matte black that admits nothing, no walls, no floor line, no horizon; the single light comes from below and slightly to her left, as though from a lamp on the floor between her and the lens, hard and cold-white, raking up the underside of her chin and the ridge of her brow, catching the wet gleam of her teeth and leaving the sockets of her eyes and the far side of her face in absolute darkness. Her cast shadow does not fall behind her but balloons up the blackness above her head, huge and soft-edged, the only thing that gives the void a distance. The palette holds to three: the black of the void and of her hair, the flat paper white of her skin, and the crimson of the dress and of the dark red at the inner edge of her lips; nothing else is admitted. Quiet dread.
rostella87681
AI artwork
ハゲ
An eerie and grotesque scene unfolds in a circus-like atmosphere, with a malevolent and chaotic presence dominating the setting. Cinematic body horror is on full display, as surreal nightmares come to life with disturbing, distorted forms that twist and contort in unnatural ways. The environment is shrouded in darkness, with ominous shadows and flickering lights that cast unsettling glows on bizarre, horrific figures. The air is thick with madness and dread, creating a sense of overwhelming horror that challenges the viewer's perception of reality.
ハゲ
AI artwork
m✚
1girl, solo, silhouette, kune-kune, undulating, contorted body, s-curve, floating mask, grotesque mask, mask representing human ugliness, blurred face, beautiful face, cute, eccentric expression, goofy smile, full body, low angle, digital media, mypaint (medium), textured brush, low opacity smudge, heavily layered black paint, overpainted texture, analogous colors, multiple brightness levels, thirty tonal gradations, stark white accents, high contrast, surreal art. Seen from a low-angle vertical composition, a lone woman undulates in a serpentine kune-kune apparition, her slender silhouette twisting through an exaggerated, rubbery S-curve as her head cocks at an absurd, eccentric angle. Hovering weightlessly a few inches in front of her blurred face is a ghastly floating mask embodying human ugliness, carved with sneering, warped features and bitter furrows. Just behind the floating mask, her true face partially bleeds through the haze—smudged yet unmistakably cute and pretty, featuring delicate lips pulled into a lopsided, faintly comical grin and soft blurred eyes. The entire rendering mimics textured MyPaint bristle brushwork aggressively dragged with a 10% to 30% low-opacity smudge tool, leaving a dense, tactile surface that feels repeatedly repainted with thick black pigment. The palette is strictly structured around an analogous spectrum spanning over thirty distinct brightness levels of charcoal, ink-wash, and slate, cut through by striking pure white along the sharp edges of the mask and the shimmering halo of her undulating silhouette. As her body snaps through its wriggling curve, fine smudged trails of black pigment shear outward into the background space like disturbed dust, mapping the kinetic momentum of her uncanny movement. Eerie whimsicality.
Mr.✚ナタ 'ノ

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