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AI artwork featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE and #Yumemi Riamu
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Yumemi Riamu, The Idolmaster

#The Idolmaster#The Idolmaster Cinderella Girls#THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE#Yumemi Riamu
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character: yumemi_riamu, copyright: subarashiki_kono_sekai 1girl, solo, full body, black face mask pulled aside to one cheek, mask hanging off one ear, wide open-mouth smile visible, fang, pink hair, two-tone hair, multicolored hair, short hair, blue hair streaks, ahoge, hair intakes, pink eyes, v sign, peace sign, one hand raised, backpack, smartphone in hand, can badge, multiple can badges, latest fashion, cute accessories, pop-style illustration character, realistic background, ruined Shibuya, destroyed cityscape, post-apocalyptic, desolate, end of the world, from below, dutch angle, standing on rubble, looking at viewer, grin, :d, one eye closed, wink, streetwear, oversized hoodie, pleated skirt, mismatched brand sneakers, chunky boots, hair clips, layered necklaces, decorative charms, keychains on backpack, bright saturated character colors, muted realistic ruins behind The camera sits low and tilts a few degrees off level, looking up from rubble-strewn asphalt: in the foreground a cracked pavement and a toppled traffic mirror, in the midground the full figure of a small girl with short pink-and-blue two-tone hair, a curled ahoge springing from the crown, hair intakes framing her temples, pink eyes, and a single visible fang, standing cocked on one leg atop a slab of broken concrete, her right hand thrown up in a peace sign with the V held right beside her cheek, her left hand gripping a smartphone loosely at hip height with the screen tilted toward the lens. A black face mask is pulled aside — its loop hooked around one ear, the fabric bunched against her left cheek and jaw, leaving her mouth fully uncovered in a wide open grin with one eye squeezed shut in a wink; her head tilts toward the camera, chin lifted, catching the light. She wears a pop streetwear combination where each piece reads as a different label: an oversized pastel hoodie cropped above a pleated plaid skirt, mismatched sneakers — one chunky white high-top, one studded black boot — a strappy harness over the hoodie, layered necklaces, hair clips and small charms scattering across her collar and bag, and a bulky backpack slung on both shoulders with an array of can badges and keychains clipped across its straps. A cluster of can badges in bright enamel colors also pins across her hoodie chest and skirt waistband. Behind her the ruins dominate: the shattered Shibuya crossing, collapsed buildings, a tilted billboard skeleton showing illegible faded signage, buckled rails, and shattered glass catching the low sun. The light comes from behind and to the right, low and warm, rimming her hair and the edges of her backpack while her face and chest fall into soft reflected fill; long dark shadows stretch toward the camera across the debris, and the sky is a dusty amber gradient behind the silhouette of the broken skyline. The palette is split deliberately: the girl and her accessories in saturated candy colors — pink, mint, lavender, lemon — against the ruins rendered in muted sepia, ash grey and rust, so the pop figure cuts the realistic desolation like a sticker pressed onto a photograph. Fine dust hangs in the air and the sun glints off a shard of glass just above the rubble. Effortlessly stylish, defiantly cheerful.
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Original Prompt
夢見りあむ　マスク　アクセサリー　装飾品　最新ファッション　可愛いデザイン　リュック　スマホ　ポップ　イラスト調のりあむとリアルな背景　滅んだ渋谷　街並み　全身　すばらしきこのせかい　すばせか　缶バッジ　靴、服などそれぞれブランドが違う　黒マスクをよけて笑顔を見せる　ピース　荒廃　世界滅亡後　終末世界
Mode
pro
Quality Tag
﹝Prompts﹞
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, looking at viewer
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
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character: yumemi_riamu, copyright: subarashiki_kono_sekai 1girl, solo, full body, yumemi riamu, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, hair intakes, ahoge, pink eyes, fang, black mask pulled down, mask pulled aside with one hand, mask hanging off one ear, bright open smile, teeth showing, peace sign, v, one hand up, leaning forward, mid-stride, walking, exploring, head tilt, looking at viewer, black face mask, backpack, smartphone in hand, badge, badges on bag, multiple badges, enamel pins, earrings, accessories, oversized hoodie, layered streetwear, latest fashion, cute design, mismatched brands, chunky sneakers, platform shoes, pop illustration style character, realistic background, ruined shibuya, post-apocalyptic, wasteland, cityscape, rubble, desolate, destroyed buildings, overgrown, exploring, wandering, living energetically The camera looks slightly up at the girl from knee height, full body in frame from the soles of her platform sneakers to the tip of the stray ahoge curling off her crown, the ruined Shibuya crossing receding behind her in deep perspective. She is caught mid-step, right leg forward and planted, left heel lifting off the cracked asphalt, weight carried through the front hip so her torso leans in towards the lens; her right arm is flung up and out with two fingers thrown in a peace sign, her left hand hooked on the black mask's lower edge and dragging it down off her mouth so it hangs under her chin on its loop, from one ear. Her face is fully uncovered from the nose down, wide open grin split by a single small fang, one brow cocked higher than the other, pink eyes bright and aimed straight out of the frame at the viewer. Her short pink-and-blue hair swings forward with the step, intakes flicking past her cheek, the ahoge springing back. Her outfit is streetwear of the newest cut, cute but assembled piece by piece: a cropped oversized hoodie in pastel with an exaggerated shape, a pleated mini skirt cinched with a webbing belt, knee socks, and a pair of heavyweight platform sneakers. Every piece reads as a different label — the hoodie, the skirt, the shoes each carrying their own distinct cut, stitching and colour story, deliberately mismatched. Enamel badges and pins clutter the hoodie's chest and the backpack strap; the backpack itself hangs off both shoulders with a phone charm swinging from its zip, and the smartphone sits flat in her left hand's grip below the mask. The background is painted realistically — a Shibuya crossroads wrecked and abandoned: a collapsed overpass, a train carriage lying on its side across the roadway, hulking building shells with windows blown out, kudzu and weeds climbing the signal posts, a rusted crossing gantry bent above. The pop-illustration girl is rendered in flat, clean, high-saturation cel colour with crisp linework, while the ruins behind her sit in desaturated grey-green photo-real tones; the contrast puts her in front of the world. Low afternoon sunlight rakes in from the right, warm and dusty, catching the edges of the collapsed buildings in ochre and illuminating the girl's face and the raised hand, throwing her shadow long and soft to the left across the asphalt; only the sky above the ruins is pale and open, and drifting dust hangs in the light beams. Weeds sprout through cracks in the broken tiles, and a single strand of grass pushes up through the concrete beside her front shoe. Sunny, defiant, alive.
kykykykykykykyky
1#The Idolmaster#The Idolmaster Cinderella Girls#Yumemi Riamu
AI artwork
k
character: yumemi_riamu, copyright: subarashiki_kono_sekai 1girl, solo, full body, yumemi riamu, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, hair intakes, ahoge, pink eyes, fang, black mask pulled down, mask pulled aside with one hand, mask hanging off one ear, bright open smile, teeth showing, peace sign, v, one hand up, leaning forward, mid-stride, walking, exploring, head tilt, looking at viewer, black face mask, backpack, smartphone in hand, badge, badges on bag, multiple badges, enamel pins, earrings, accessories, oversized hoodie, layered streetwear, latest fashion, cute design, mismatched brands, chunky sneakers, platform shoes, pop illustration style character, realistic background, ruined shibuya, post-apocalyptic, wasteland, cityscape, rubble, desolate, destroyed buildings, overgrown, exploring, wandering, living energetically The camera looks slightly up at the girl from knee height, full body in frame from the soles of her platform sneakers to the tip of the stray ahoge curling off her crown, the ruined Shibuya crossing receding behind her in deep perspective. She is caught mid-step, right leg forward and planted, left heel lifting off the cracked asphalt, weight carried through the front hip so her torso leans in towards the lens; her right arm is flung up and out with two fingers thrown in a peace sign, her left hand hooked on the black mask's lower edge and dragging it down off her mouth so it hangs under her chin on its loop, from one ear. Her face is fully uncovered from the nose down, wide open grin split by a single small fang, one brow cocked higher than the other, pink eyes bright and aimed straight out of the frame at the viewer. Her short pink-and-blue hair swings forward with the step, intakes flicking past her cheek, the ahoge springing back. Her outfit is streetwear of the newest cut, cute but assembled piece by piece: a cropped oversized hoodie in pastel with an exaggerated shape, a pleated mini skirt cinched with a webbing belt, knee socks, and a pair of heavyweight platform sneakers. Every piece reads as a different label — the hoodie, the skirt, the shoes each carrying their own distinct cut, stitching and colour story, deliberately mismatched. Enamel badges and pins clutter the hoodie's chest and the backpack strap; the backpack itself hangs off both shoulders with a phone charm swinging from its zip, and the smartphone sits flat in her left hand's grip below the mask. The background is painted realistically — a Shibuya crossroads wrecked and abandoned: a collapsed overpass, a train carriage lying on its side across the roadway, hulking building shells with windows blown out, kudzu and weeds climbing the signal posts, a rusted crossing gantry bent above. The pop-illustration girl is rendered in flat, clean, high-saturation cel colour with crisp linework, while the ruins behind her sit in desaturated grey-green photo-real tones; the contrast puts her in front of the world. Low afternoon sunlight rakes in from the right, warm and dusty, catching the edges of the collapsed buildings in ochre and illuminating the girl's face and the raised hand, throwing her shadow long and soft to the left across the asphalt; only the sky above the ruins is pale and open, and drifting dust hangs in the light beams. Weeds sprout through cracks in the broken tiles, and a single strand of grass pushes up through the concrete beside her front shoe. Sunny, defiant, alive.
kykykykykykykyky
1#The Idolmaster#The Idolmaster Cinderella Girls#THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE
AI artwork
k
character: yumemi_riamu, copyright: subarashiki_kono_sekai 1girl, solo, yumemi_riamu, pink hair, multicolored hair, two-tone hair, blue hair, short hair, ahoge, hair intakes, pink eyes, fang, jirai-kei fashion, face mask, white surgical mask, accessories, decorations, badge, badges, backpack, holding smartphone, holding phone, full body, long shot, wide shot, fisheye lens, strong perspective, from below, shibuya, cityscape, realistic background, colorful, pop, vibrant colors, standing, looking at phone, head tilt, from side, oversized hoodie, pleated skirt, thighhighs, chunky sneakers, layered chains, oversized bear charm, cute design, tilted horizon, foreshortening, neon signage, blurred crowd, late afternoon, sidelight, The shot is taken from pavement level with the fisheye pressed close to the ground: a full-body figure at the exact center of the frame, thrown into extreme foreshortening by the wide arc of the lens — the soles of her shoes bloated and curling at the bottom edge, her head pulled small and slightly back at the top third, the vertical lines of the buildings bending outward to either side of her as they rise, the horizon bowed into a shallow upward curve across the lower half. She stands with her weight shifted onto her left leg, right knee bent and right toe turned inward on the wet pavement, hips cocked. Both hands are up in front of her chest, cupping a smartphone in a clear plastic case; her head is tilted down and slightly toward her left shoulder, chin tucked as she reads the screen, so the face mask is seen at a three-quarter angle — white cotton mask fitted snug over nose and mouth, its pleated folds buckling in three horizontal ridges under the bridge of her nose, the ear loops pulling against her cheeks, one red heart motif stamped small on the upper left of the mask fabric. Her eyes are lowered to the screen, lids half down, a small crease of concentration between her brows. Short, bluntly cut pink hair with a chunky turquoise-blue underlayer at the nape and sides; the blue shows as two thick panels framing her jaw, and a single loose ahoge springs up from the crown and catches the light. Hair intakes cut sharp against her cheekbones. One small fang presses against the underside of her upper lip visible at the mask's edge when her mouth moves — she is mid-laugh at the screen, a breath of it lifting her shoulders. Her outfit is a deliberately mismatched stack of separate labels, each piece clearly a different house. An oversized charcoal-grey graphic hoodie with a raw, frayed hem and small embroidered motifs on the chest hangs to mid-thigh, its sleeves bunched and pushed up past her wrists. Under it, a black-and-white plaid pleated skirt from a different brand kicks out and back a little on the right side from the twist of her hips. Black thigh-high socks with a fine fishnet texture disappear into chunky white platform sneakers with a thick ribbed sole, contrast laces in pastel pink, and a small translucent logo tab at the heel; a single silver ankle chain sits above the shoe on the right leg only. A dark denim mini backpack is slung on both shoulders, its straps riding wide and low across the hoodie front, the bag sitting small and compressed between her shoulder blades — the lens exaggerates it, the straps cutting diagonal lines toward the camera. Accenting the whole look: layered silver necklaces of mixed film-chain and ball-chain, a cluster of enamel pins and a rectangular badge on the hoodie chest and on the backpack strap, a thick chunky acrylic bear charm hanging from a belt loop, a large hairclip shaped like a clover, and a small chain loop from her phone case swinging mid-swing. Behind her, a real Shibuya street in sharp photographic detail — asphalt glistening with a recent rain, lane markings sweeping wide to the frame edges, and the facade of the 109-style building and the crossing blocks rising on both sides, their signage and street furniture bending with the fisheye into near-horizontal arcs. The crowd is rendered as a blurred, out-of-focus band of anonymous silhouettes, mostly at the left and right third of the frame, deliberately small and softly smeared so her crisp illustrated silhouette sits against them. The architecture and ground are photographic and cool-toned; she is in flat, bright, saturated color, hard cel edges, no grain, a sharp saturation contrast against the muted city behind her. A faint rim of sunlight reflects on her right side, striking her cheekbone and the edge of the backpack, while her front is lit by the cooler, diffuse urban bounce from the wet street and the screen glow from below. Long cast shadows from the crowd stretch away from camera across the asphalt, and the whole figure reads bright and loud against the photographic grey. Pop, stylish.
kykykykykykykyky
#The Idolmaster#The Idolmaster Cinderella Girls#Yumemi Riamu
AI artwork
k
character: yumemi_riamu, copyright: subarashiki_kono_sekai 1girl, solo, yumemi_riamu, pink hair, multicolored hair, two-tone hair, blue hair, short hair, ahoge, hair intakes, pink eyes, fang, jirai-kei fashion, face mask, white surgical mask, accessories, decorations, badge, badges, backpack, holding smartphone, holding phone, full body, long shot, wide shot, fisheye lens, strong perspective, from below, shibuya, cityscape, realistic background, colorful, pop, vibrant colors, standing, looking at phone, head tilt, from side, oversized hoodie, pleated skirt, thighhighs, chunky sneakers, layered chains, oversized bear charm, cute design, tilted horizon, foreshortening, neon signage, blurred crowd, late afternoon, sidelight, The shot is taken from pavement level with the fisheye pressed close to the ground: a full-body figure at the exact center of the frame, thrown into extreme foreshortening by the wide arc of the lens — the soles of her shoes bloated and curling at the bottom edge, her head pulled small and slightly back at the top third, the vertical lines of the buildings bending outward to either side of her as they rise, the horizon bowed into a shallow upward curve across the lower half. She stands with her weight shifted onto her left leg, right knee bent and right toe turned inward on the wet pavement, hips cocked. Both hands are up in front of her chest, cupping a smartphone in a clear plastic case; her head is tilted down and slightly toward her left shoulder, chin tucked as she reads the screen, so the face mask is seen at a three-quarter angle — white cotton mask fitted snug over nose and mouth, its pleated folds buckling in three horizontal ridges under the bridge of her nose, the ear loops pulling against her cheeks, one red heart motif stamped small on the upper left of the mask fabric. Her eyes are lowered to the screen, lids half down, a small crease of concentration between her brows. Short, bluntly cut pink hair with a chunky turquoise-blue underlayer at the nape and sides; the blue shows as two thick panels framing her jaw, and a single loose ahoge springs up from the crown and catches the light. Hair intakes cut sharp against her cheekbones. One small fang presses against the underside of her upper lip visible at the mask's edge when her mouth moves — she is mid-laugh at the screen, a breath of it lifting her shoulders. Her outfit is a deliberately mismatched stack of separate labels, each piece clearly a different house. An oversized charcoal-grey graphic hoodie with a raw, frayed hem and small embroidered motifs on the chest hangs to mid-thigh, its sleeves bunched and pushed up past her wrists. Under it, a black-and-white plaid pleated skirt from a different brand kicks out and back a little on the right side from the twist of her hips. Black thigh-high socks with a fine fishnet texture disappear into chunky white platform sneakers with a thick ribbed sole, contrast laces in pastel pink, and a small translucent logo tab at the heel; a single silver ankle chain sits above the shoe on the right leg only. A dark denim mini backpack is slung on both shoulders, its straps riding wide and low across the hoodie front, the bag sitting small and compressed between her shoulder blades — the lens exaggerates it, the straps cutting diagonal lines toward the camera. Accenting the whole look: layered silver necklaces of mixed film-chain and ball-chain, a cluster of enamel pins and a rectangular badge on the hoodie chest and on the backpack strap, a thick chunky acrylic bear charm hanging from a belt loop, a large hairclip shaped like a clover, and a small chain loop from her phone case swinging mid-swing. Behind her, a real Shibuya street in sharp photographic detail — asphalt glistening with a recent rain, lane markings sweeping wide to the frame edges, and the facade of the 109-style building and the crossing blocks rising on both sides, their signage and street furniture bending with the fisheye into near-horizontal arcs. The crowd is rendered as a blurred, out-of-focus band of anonymous silhouettes, mostly at the left and right third of the frame, deliberately small and softly smeared so her crisp illustrated silhouette sits against them. The architecture and ground are photographic and cool-toned; she is in flat, bright, saturated color, hard cel edges, no grain, a sharp saturation contrast against the muted city behind her. A faint rim of sunlight reflects on her right side, striking her cheekbone and the edge of the backpack, while her front is lit by the cooler, diffuse urban bounce from the wet street and the screen glow from below. Long cast shadows from the crowd stretch away from camera across the asphalt, and the whole figure reads bright and loud against the photographic grey. Pop, stylish.
kykykykykykykyky
#The Idolmaster#The Idolmaster Cinderella Girls#THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE

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