Nov 3, 2026

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Hu Tao

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#blush #Apron #Dress #Alternate Costume #brown hair #Food #Braid #Black Dress #Girl #Genshin Impact #Flower-shaped pupils #Hu Tao

Published on Nov 3, 2026

Poplota

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character: hu_tao_(cherries_snow-laden)_(genshin_impact), copyright: genshin_impact 1girl, solo, long brown hair, hair between eyes, twin braids, orange eyes, flower-shaped pupils, small chest, curvy figure, sweet smile, blush, open mouth smile, maid outfit, frilled headband, white frilled apron, puffy short sleeves, black maid dress, white collar, leaning forward, both hands up, heart hands, moe moe kyun, looking at viewer, holding tray, omurice, ketchup heart, japanese cafe interior, wooden counter, depth of field, soft lighting, warm light, cowboy shot, from above, bokeh The camera looks down from slightly above and in front of her, a cowboy shot framing her from mid-thigh to the top of her head, so the cafe counter runs away beneath her in shallow-focus planes. She stands behind the wooden counter of a small Japanese cafe, leaning forward over it toward the viewer, weight carried on her back foot with her hips shifted back, her long brown hair falling forward off her shoulders in two braids with the loose strands between her eyes swinging out from the tilt of her head. Her chin is tipped up because of the high camera, and she looks straight into the lens with wide orange eyes whose flower-shaped pupils catch the window light, a sweet closed-lip-then-open smile pulling her cheeks up, a warm blush sitting high across both cheekbones. Her left hand holds a white ceramic plate level at chest height in front of her, the omurice on it a glossy golden oval of rice under a smooth folded egg, and on top of the egg a ketchup heart drawn in one continuous squeeze, its red line beaded and slightly thicker where the bottle paused. Her right arm is bent up beside her face, fingers curled into a heart shape at cheek level in the moe moe kyun gesture, thumb and fingers pinched to close the heart, and her head tips a little toward that hand so the gesture reads clearly against the dark interior behind her. She wears a black maid dress with a white frilled apron tied at the waist over it, the apron's bib edged in ruffles and the puffed short sleeves of the dress gathered with frills at the shoulder, a white frilled headband set back in her hair; the apron ties press a soft crease into the dress at her waist and the hem of the apron lifts a fraction where she leans. Behind her, the cafe recedes into blur: warm wooden shelving, hanging pendant lamps with amber shades, a few dark chairbacks, all dissolved by a shallow depth of field, with the legible signage reduced to soft illegible lettering. The pendant lamps and the window are the light sources: warm amber from above right rimming the top of her hair and the shoulder frills, cool daylight from the front catching the egg's glaze and the wet ketchup line, the counter's far end falling into shadow while her face stays the brightest thing in frame. Palette held to black, white, warm wood brown, the gold of the omelette and the single red of the ketchup heart, nothing else admitted. Warm, inviting.

Hu Tao

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