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- Original Prompt
- 半寫實一位極美的韓國女子皮膚白皙酒紅色長髮精緻的眼妝眼影眼線眼睫毛亮澤的粉色嘴唇身材完美浴室
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
Similar Images
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tx
solo, 1girl, korean woman, adult, semi-realistic, extremely beautiful, fair white skin, porcelain complexion, long hair, wine-red hair, glossy straight hair, elaborate eye makeup, eyeshadow, eyeliner, long eyelashes, glossy pink lips, perfect figure, bathroom, loosely tied white silk robe, bare legs, bare feet, standing, weight on one leg, contrapposto, hip out, one hand on the counter edge, steam, wet tile, from side, three-quarter profile, looking at reflection, sideways glance, close-up on face and shoulder, soft light, warm light, cool ambient fill, tag run anchor,
A semi-realistic three-quarter-from-side view, camera set low and close at chest height so the woman fills the frame from the top of her head to just below the hip and the bathroom recedes behind her. She is caught mid-motion: leaning one hip against a wide pale marble vanity counter, right hand flattened on the counter edge with fingers spread for balance, left arm lifted so her elbow rests on the counter and her knuckles brush the underside of her jaw, chin tilted up a few degrees. Her weight sits on the left leg, the right knee slightly bent and turned inward, and the loose white silk robe crosses over her chest with the belt half-tied at the waist, one lapel slipping down off the far shoulder to show the line of the collarbone and the smooth curve of her shoulder; the silk falls in soft folds over the hip and stops high on the thigh. Her long wine-red hair, glossy and straight, falls forward over the near shoulder and a lock of it clings to the damp skin of her neck, the rest sweeping back behind her ear. Elaborate eye makeup is the focal detail: layered eyeshadow blended from a soft rose-gold at the inner corner into a deeper plum at the outer lid, a crisp black eyeliner wing drawn upward at the outer corner, long dark eyelashes fanning out and catching the light in individual strands, brows defined and arched. Her lips are full and glossy pink, parted a fraction, catching a small wet highlight on the lower lip. Her grey-brown eyes are turned sideways, looking at her own reflection in the mirror just off-frame to the left, lashes lowered slightly in a self-assured, half-lidded appraisal; her reflection in the mirror is visible at the left edge only as a blurred shoulder and a sliver of cheek, deliberately out of focus.
Environment and light: a spa-like bathroom in muted warm neutrals — pale marble counter, soft white tile wall, brushed brass tap and a folded white towel at the right of the frame; a thin plume of steam rises from the sink and from the showerhead in the far background, and the air is humid enough that water beads stand on the marble and on the mirror glass. The single light source is a warm wall sconce above and behind her right shoulder; it grazes the near side of her face, draws a bright line down the bridge of her nose and along the shiny curve of her lower lip, and throws a soft shadow of her jaw and hair across her throat and onto the counter. Beyond the sconce's pool the tiled background falls into a cool blue-grey dimness, positively stated: the sconce is the only light; outside its reach the room is dark. The mirror behind her catches one bright wedge of that sconce light, and the reflection there is softer and darker than the source.
Palette: wine red (the hair, the deepest plum eyeshadow, one small red lacquer cap on the counter edge), warm brass and pale marble ivory, a dusty rose blush at the cheeks, and cool slate blue-grey only in the shadowed tile. Nothing else admitted.
Detail budget goes to the face — the precise layering of the eye makeup, the individual lash tips, the wet gloss on the lips — then to the hand on the counter and the slide of silk at the shoulder; the background is simplified to shapes and one plume of steam. Semi-realistic rendering: believable skin texture with visible pore and a faint sheen of humidity on the forehead and upper chest, fine hair strands, soft photographic falloff, no hard cartoon outlines. Intimate, quietly confident.
tz x
tx
solo, 1girl, korean woman, adult, semi-realistic, extremely beautiful, fair white skin, porcelain complexion, long hair, wine-red hair, glossy straight hair, elaborate eye makeup, eyeshadow, eyeliner, long eyelashes, glossy pink lips, perfect figure, bathroom, loosely tied white silk robe, bare legs, bare feet, standing, weight on one leg, contrapposto, hip out, one hand on the counter edge, steam, wet tile, from side, three-quarter profile, looking at reflection, sideways glance, close-up on face and shoulder, soft light, warm light, cool ambient fill, tag run anchor,
A semi-realistic three-quarter-from-side view, camera set low and close at chest height so the woman fills the frame from the top of her head to just below the hip and the bathroom recedes behind her. She is caught mid-motion: leaning one hip against a wide pale marble vanity counter, right hand flattened on the counter edge with fingers spread for balance, left arm lifted so her elbow rests on the counter and her knuckles brush the underside of her jaw, chin tilted up a few degrees. Her weight sits on the left leg, the right knee slightly bent and turned inward, and the loose white silk robe crosses over her chest with the belt half-tied at the waist, one lapel slipping down off the far shoulder to show the line of the collarbone and the smooth curve of her shoulder; the silk falls in soft folds over the hip and stops high on the thigh. Her long wine-red hair, glossy and straight, falls forward over the near shoulder and a lock of it clings to the damp skin of her neck, the rest sweeping back behind her ear. Elaborate eye makeup is the focal detail: layered eyeshadow blended from a soft rose-gold at the inner corner into a deeper plum at the outer lid, a crisp black eyeliner wing drawn upward at the outer corner, long dark eyelashes fanning out and catching the light in individual strands, brows defined and arched. Her lips are full and glossy pink, parted a fraction, catching a small wet highlight on the lower lip. Her grey-brown eyes are turned sideways, looking at her own reflection in the mirror just off-frame to the left, lashes lowered slightly in a self-assured, half-lidded appraisal; her reflection in the mirror is visible at the left edge only as a blurred shoulder and a sliver of cheek, deliberately out of focus.
Environment and light: a spa-like bathroom in muted warm neutrals — pale marble counter, soft white tile wall, brushed brass tap and a folded white towel at the right of the frame; a thin plume of steam rises from the sink and from the showerhead in the far background, and the air is humid enough that water beads stand on the marble and on the mirror glass. The single light source is a warm wall sconce above and behind her right shoulder; it grazes the near side of her face, draws a bright line down the bridge of her nose and along the shiny curve of her lower lip, and throws a soft shadow of her jaw and hair across her throat and onto the counter. Beyond the sconce's pool the tiled background falls into a cool blue-grey dimness, positively stated: the sconce is the only light; outside its reach the room is dark. The mirror behind her catches one bright wedge of that sconce light, and the reflection there is softer and darker than the source.
Palette: wine red (the hair, the deepest plum eyeshadow, one small red lacquer cap on the counter edge), warm brass and pale marble ivory, a dusty rose blush at the cheeks, and cool slate blue-grey only in the shadowed tile. Nothing else admitted.
Detail budget goes to the face — the precise layering of the eye makeup, the individual lash tips, the wet gloss on the lips — then to the hand on the counter and the slide of silk at the shoulder; the background is simplified to shapes and one plume of steam. Semi-realistic rendering: believable skin texture with visible pore and a faint sheen of humidity on the forehead and upper chest, fine hair strands, soft photographic falloff, no hard cartoon outlines. Intimate, quietly confident.
tz x
tx
solo, 1girl, korean woman, adult, semi-realistic, extremely beautiful, fair white skin, porcelain complexion, long hair, wine-red hair, glossy straight hair, elaborate eye makeup, eyeshadow, eyeliner, long eyelashes, glossy pink lips, perfect figure, bathroom, loosely tied white silk robe, bare legs, bare feet, standing, weight on one leg, contrapposto, hip out, one hand on the counter edge, steam, wet tile, from side, three-quarter profile, looking at reflection, sideways glance, close-up on face and shoulder, soft light, warm light, cool ambient fill, tag run anchor,
A semi-realistic three-quarter-from-side view, camera set low and close at chest height so the woman fills the frame from the top of her head to just below the hip and the bathroom recedes behind her. She is caught mid-motion: leaning one hip against a wide pale marble vanity counter, right hand flattened on the counter edge with fingers spread for balance, left arm lifted so her elbow rests on the counter and her knuckles brush the underside of her jaw, chin tilted up a few degrees. Her weight sits on the left leg, the right knee slightly bent and turned inward, and the loose white silk robe crosses over her chest with the belt half-tied at the waist, one lapel slipping down off the far shoulder to show the line of the collarbone and the smooth curve of her shoulder; the silk falls in soft folds over the hip and stops high on the thigh. Her long wine-red hair, glossy and straight, falls forward over the near shoulder and a lock of it clings to the damp skin of her neck, the rest sweeping back behind her ear. Elaborate eye makeup is the focal detail: layered eyeshadow blended from a soft rose-gold at the inner corner into a deeper plum at the outer lid, a crisp black eyeliner wing drawn upward at the outer corner, long dark eyelashes fanning out and catching the light in individual strands, brows defined and arched. Her lips are full and glossy pink, parted a fraction, catching a small wet highlight on the lower lip. Her grey-brown eyes are turned sideways, looking at her own reflection in the mirror just off-frame to the left, lashes lowered slightly in a self-assured, half-lidded appraisal; her reflection in the mirror is visible at the left edge only as a blurred shoulder and a sliver of cheek, deliberately out of focus.
Environment and light: a spa-like bathroom in muted warm neutrals — pale marble counter, soft white tile wall, brushed brass tap and a folded white towel at the right of the frame; a thin plume of steam rises from the sink and from the showerhead in the far background, and the air is humid enough that water beads stand on the marble and on the mirror glass. The single light source is a warm wall sconce above and behind her right shoulder; it grazes the near side of her face, draws a bright line down the bridge of her nose and along the shiny curve of her lower lip, and throws a soft shadow of her jaw and hair across her throat and onto the counter. Beyond the sconce's pool the tiled background falls into a cool blue-grey dimness, positively stated: the sconce is the only light; outside its reach the room is dark. The mirror behind her catches one bright wedge of that sconce light, and the reflection there is softer and darker than the source.
Palette: wine red (the hair, the deepest plum eyeshadow, one small red lacquer cap on the counter edge), warm brass and pale marble ivory, a dusty rose blush at the cheeks, and cool slate blue-grey only in the shadowed tile. Nothing else admitted.
Detail budget goes to the face — the precise layering of the eye makeup, the individual lash tips, the wet gloss on the lips — then to the hand on the counter and the slide of silk at the shoulder; the background is simplified to shapes and one plume of steam. Semi-realistic rendering: believable skin texture with visible pore and a faint sheen of humidity on the forehead and upper chest, fine hair strands, soft photographic falloff, no hard cartoon outlines. Intimate, quietly confident.
tz x
最
1girl, solo, semi-realistic, photorealistic rendering, very beautiful korean woman, fair white skin, porcelain skin, wine-red long hair, long wavy hair, hair past the waist, elaborate eye makeup, defined eyeshadow, sharp eyeliner, long eyelashes, thick lashes, glossy pink lips, plump lips, perfect figure, slender waist, long legs, white lace slip dress, thin straps, bathroom, standing, from side, profile, three-quarter view, looking to the side, looking at reflection, head tilt, leaning forward, hands on sink edge, wet hands, steamy air, condensation, marble bathroom, large mirror, warm vanity light, soft glow, warm and cool contrast, reflective surfaces, intimate mood,
The camera sits at chest height, slightly behind the woman's near shoulder, framing her from the side in a three-quarter view as she leans forward over a deep marble vanity. Her weight rests on her left hip, left forearm braced on the cold countertop, right hand lifted with fingertips just touching the rim of the basin, wrist relaxed. Her long wine-red hair falls in heavy, loose waves past her waist, a few strands catching on the thin white lace strap of her slip dress at the shoulder, the fabric clinging faintly to the curve of her waist. In the large mirror behind the sink, her reflection is visible at an angle: the defined eyeshadow and sharp eyeliner frame her dark eyes, long lashes casting faint shadows on her fair white cheeks, glossy pink lips parted slightly as she studies her own reflection rather than the viewer. Her gaze meets her mirrored eyes, one brow lifted a fraction, chin tilted, the expression quietly appraising and intimate. The bathroom is small and enclosed: pale marble walls with soft grey veining, a tall mirror with a thin brass frame behind the sink, a folded white towel on the rail at the far right edge of frame. The single warm light source is a vanity bar above the mirror, casting a soft golden pool over her face and collarbones, leaving her back and the far corners of the room in deepening shadow; the mirror doubles that light and softens every edge in the frame. Steam from the basin's hot water beads on the mirror's lower edge and on the chrome faucet, and a single droplet runs down the glass, warping a thin vertical line through her reflection. Palette is restrained to wine red, white lace, warm skin tones, pale grey marble and the gold of the light, with nothing else admitted. Semi-realistic rendering with smooth, lifelike skin and soft film-like shadow transitions, detailed hair strands and fabric texture. Quiet, intimate mood.
最終幻想
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