Nov 3, 2026

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eduardo huaynate

Published on Nov 3, 2026

eduardo huaynate

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character: kitasan_black_(umamusume), el_condor_pasa_(umamusume), daiwa_scarlet_(umamusume), copyright: umamusume 3 women, 3girls, daiwa scarlet \(umamusume\), el condor pasa \(umamusume\), kitasan black \(umamusume\), large breasts, thick thighs, round bottom, long hair, twintails, hair intakes, bow, horse ears, animal ears, red eyes, brown hair, hair between eyes, very long hair, domino mask, eye mask, long hair, ponytail, blue eyes, horse tail, tail, black hair, multicolored hair, streaked hair, short hair, white hair, ahoge, hair ornament, cream long-sleeved polo shirt, collared shirt, athletic shorts, barefoot, bare feet, soles, teary eyes, tears, crying, wet eyes, trembling, nervous, anxious, worried, hugging, sitting on sofa, couch, indoor, living room, warm lighting, tea cup, holding cup, offering tea, casual clothes, homewear, comforting, consolation, from side, cowboy shot, natural pose, detailed eyes, detailed hands, high quality, masterpiece, 4k, eye-level three-quarter view, A warm domestic living room at night, seen in a three-quarter eye-level shot that holds all three women at once in a shallow spatial arc: a deep-cushioned cream sofa fills the midground, a low wooden coffee table sits in front at knee height, a floor lamp glows at the left edge of frame, and behind the sofa a plain wall carries a softly fuzzy warm interior. On the sofa two of them sit together while the third approaches from the right. Daiwa Scarlet sits sunk into the left seat of the sofa, her long brown twintails spilling over the cushion back, her red eyes brimming and glossy with two tears breaking loose and running down each cheek; her cream long-sleeved polo crumples at the shoulders where she has drawn them inward, her bare feet press into the cushion edge with toes curled, her athletic shorts ridden up at one thigh, and her whole heavy frame leans leftward into the other woman with both arms wrapped around her, hands grabbing fistfuls of the other's homewear at the shoulder blade -- clutching rather than resting, her chin near the other's collar, breathing shallow, mouth trembling open, eyebrows drawn high and pinched. Her thick thighs press together, and her round bottom has compressed a visible dent into the sofa cushion beneath her hip. El Condor Pasa sits beside her in the right seat, turned inward toward Daiwa Scarlet, her long brown ponytail falling forward over one shoulder as she leans down and around; her blue eyes sit just above the white domino mask covering the upper half of her face, and the visible lower half is tight with worry, lips pressed thin. She wears soft casual homewear -- a loose knit cardigan over a plain top and soft loungewear trousers -- and her right arm comes around Daiwa Scarlet's back, her palm flat and firm between her shoulder blades, rubbing a slow small circle; her left hand cups the back of the other's head, fingers threaded gently into the brown twintails. She is looking down at Daiwa Scarlet's face, her own brow furrowed, her shoulders slightly hunched with the effort of staying calm. Beneath the fabric, her own shoulders are tense; one of her horse ears is flicked back toward the crying woman while the other stays alert. Her tail lies curled along the sofa arm behind her. Kitasan Black approaches from the right, caught mid-crouch as she leans forward over the sofa arm, weight on her front foot and back heel lifting; her short black-and-white streaked hair with its little ahoge swings forward, red eyes wide and worried, hair ornament catching the lamplight. Dressed in a soft oversized casual hoodie and relaxed shorts, she holds a ceramic teacup in both hands out toward Daiwa Scarlet, arms extended, offering it; the tea steams in a thin curl. Her mouth is slightly open as if about to speak, her brows raised and drawn together, gaze fixed on Daiwa Scarlet's wet face. Her horse ears stand at half-mast. Between her fingers and the cup's rim, her grip is careful, thumbs braced against the sides of the cup. Her tail hangs low behind her knees. The only light is the floor lamp at frame left plus a soft warm spill from an unseen doorway at right; the lamp throws a golden side-light across Daiwa Scarlet's tear-streaked cheek and the fogged surface of the tea, and the shadow side of the sofa falls into deep warm brown. The steam rising from the cup bends slightly toward El Condor Pasa's lowered face. Palette confined to cream, warm brown, and muted homewear tones with the tea's amber as the one bright accent. Tender, quiet.

eduardo huaynate

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