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Izanagi

AI art by Izanagi on PixAI. Made with Tsubaki.3.

Published on Nov 3, 2026

Izanagi

artist: blackwhiplash, copyright: jujutsu_kaisen 1boy, solo, kirara (jujutsu kaisen), androgynous femboy, short light hair with long side lock, narrow hips, thick fat ass, huge butt, tight shorts straining over the rear, tattoo, black bold line tattoo across upper back and shoulder blades, tattoo on thigh, smile, from behind, looking back over shoulder, standing on one leg, head tilt, half-closed eyes, smug, sideways glance, arms at sides, hands relaxed, gym change room, night, cold overhead fluorescent light, flat cel shading, thick black lineart, high contrast, Seen from behind at hip height, the camera sits low and slightly to the left so the subject's back fills the frame from the crop of the neck to the bottom edge across the thighs; the figure stands barefoot on the tiled change-room floor, weight fully on the left leg with the right knee bent and the right foot lifted so only the toes graze the tile, and the hip is cocked hard to the left, throwing the right cheek of the thick, heavy seat of the tight shorts high and out toward the viewer. The torso tapers sharply from a narrow waist and narrow shoulders into the wide, round lower body, the waistband of the shorts digging a visible crease into the soft flesh above the hips, the fabric pulled taut with a single diagonal fold running down toward the crease where the cheeks meet. The head is turned over the right shoulder, chin dipped, eyes half-lidded and slid sideways toward the lens in a flat smug look, the lips pursed in a small self-satisfied curve, the long pale side lock of hair swinging forward across the cheek and hanging free from behind the ear. Both arms hang loose, the hands slack and half-curled near the outer thighs, the fingers of the left hand brushing the seam of the shorts, the right hand resting open against the hip so the thumb presses a small dent into the fabric. The bold black line tattoo rides across the shoulder blades in a looping band and drops toward the right shoulder, the lines crisp where the overhead light catches the skin and broken by the shoulder blade's own shadow. A single bare fluorescent tube in the ceiling is the only light: it strikes from directly above and slightly behind, so the shoulders' tops and the crown of the hair are pale and cold while the crease of the lower body and the undersides of the buttocks fall into deep shadow, and the tiles throw a long soft doubled shadow forward toward the viewer. Palette is cold white tile, pale skin and cold light grey, with black ink and black linework the only deep tone; the walls are flat grey with a receding row of lockers fading into darkness. The floor's shallow water sheen from a recent shower catches the reflected tube as a broken vertical white line behind the feet, its reflection dimmer and softer than the real tube. Quiet, effortlessly smug.

Izanagi

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