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Akemi Homura, Kaname Madoka
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- Original Prompt
- 5girls, baobhan sith (third ascension) (fate), blood tears, throne room, sitting on throne, bright pupils, laughing mad, misono karin (halloween ver.), akemi homura (magical girl), kure kirika, artoria caster (fate), empty eyes, string on body, floating, ) witch's labrynth, blood on ground, date a live,
- Mode
- flash
- Size
- 1104 x 1824
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character: baobhan_sith_(first_ascension)_(fate), sakura_kyoko_(magical_girl), firefly_(honkai:_star_rail), yoisaki_kanade, copyright: honkai:_star_rail
4girls, throne room, sitting on throne, bright pupils, smirk, string, string pull, ahoge, red eyes, cleavage, empty eyes, string on body, floating, witch's labyrinth, from below, dutch angle, wide shot, baobhan_sith_(first_ascension)_(fate), long_hair, pink_hair, sidelocks, hair_ornament, grey_eyes, pointy_ears, red_dress, detached_sleeves, frills, bare_shoulders, sakura_kyoko_(magical_girl), red_hair, very_long_hair, ponytail, hair_bow, black_bow, red_dress, bare_shoulders, black_thighhighs, red_boots, yoisaki_kanade, white_hair, very_long_hair, hair_between_eyes, blue_eyes, ouji_fashion, long_sleeves, firefly_(honkai:_star_rail), grey_hair, black_hairband, hair_ornament, bow, hair_intakes, multicolored_eyes, purple_eyes, white_shirt, black_jacket, no humans besides the four, marionette strings from above, taut strings, slack strings, strings crossing space,
The camera sits low and tilted: a wide shot from below and off-axis, looking up through the hazy vault of a throne room that is also a witch's labyrinth. The vault is not architecture so much as a growth -- arched ribs of blackened bone and rose-coloured masonry that spiral inward and never quite meet, dripping stalactites of wax, and a floor of polished checkerboard marble that recedes too far for the room's size, its far edge curving upward like a bowl. At the centre back, a throne of iron vines and dark red upholstery rises on a dais of stacked steps; elsewhere in the same room, hanging from the vault, are the other three.
Baobhan Sith sits the throne with her weight thrown onto one hip and one leg slung over the armrest, back leaned against the opposite side. Long pink hair spills over the upholstery and her sidelocks frame her face; her pointed ears jut clear of the hair, each earring hanging free. She wears a red dress with frilled hems, detached sleeves and bare shoulders, and her head is tilted down toward the viewer so that her grey eyes catch the light as flat, glossy bright pupils fixed on nothing. One corner of her mouth lifts -- a smirk that shows a hint of teeth, one brow raised, chin lifted. Her right hand is raised at shoulder height, index and thumb pinching a single taut thread; a whole loose harness of strings runs from that pinched point up into the dark vault and down again to the three floating figures, crossing each other mid-air. Her left hand grips the armrest, knuckles pale. Her chest is turned slightly to the left, a soft curve of cleavage visible at the low neckline of the dress.
Above and to her right, Sakura Kyoko floats free of the floor, maybe three metres up, knees drawn and one arm pulled across her body, her very long red hair and ponytail trailing upward as though underwater, the black bow and the pale ahoge lifted off her head. She wears the red dress with bare shoulders and detached sleeves, black thighhighs and red boots; one taut string loops around her upper arm and another around her waist, creasing the cloth where it bites in. Her red eyes are wide and locked on Baobhan Sith below, mouth slightly parted, one shoulder hunched as if testing whether the string will hold.
Further left and lower, near a broken colonnade, Yoisaki Kanade hangs suspended a metre off the marble, body angled forward and one hand reaching down as if toward an invisible floor, her very long white hair fanned out and hanging upward in strands, the hair between her eyes drifting. She is in ouji-style clothing -- a long-sleeved frilled shirt and skirt -- and the string runs across her collarbone and under one arm, pulling the fabric taut so that a line of cleavage shows at the collar. Her blue eyes stay on her own hand, not on the throne, and the small ahoge at her crown trembles.
Closest to the camera, at the lower right and nearer to the lens than the throne, Firefly floats almost horizontally, arms trailing, the long grey hair and its black hairband and bow streaming sideways; her white shirt and black jacket are wrinkled where a loop of string digs into her waist and another passes across her thigh. Her multicoloured purple eyes are open but vacant and unfocused, empty pupils reflecting nothing, and her mouth is slack; she faces away from the throne, floating toward the viewer's right edge.
The only light is a cold pale glow leaking from the labyrinth's vault above, and it falls from above and slightly behind the figures, so the tops of heads, shoulders and the taut strings are lit bright and the undersides of faces, the throne's lower steps and the checkerboard floor beneath all sit in deep shadow; each figure casts a thin shadow down onto the marble where the light passes them. The strings are the brightest lines in the image -- thin, glistening, some taut and some sagging under slack -- and small dust motes hang along them, catching the light and making the invisible pull visible. The palette is restricted to rose and dusty crimson, cold ivory and black, with a single lamp-warm amber glint riding along the threads. Silent, suspended menace.
Ren Tsukiyomi
character: baobhan_sith_(first_ascension)_(fate), mona_(genshin_impact), castorice_(honkai:_star_rail), prisma_illya, kuroe_(madoka_magica), copyright: genshin_impact, honkai:_star_rail
4girls, 1girl sitting on throne, 3girls floating, puppeteer, string pull, marionette strings, strings on body, bright pupils, empty eyes, smirk, laughing mad, open mouth, throne room, witch's labyrinth background, blood on ground, from below, dutch angle, wide shot, foreshortening, long pink hair, sidelocks, grey eyes, pointy ears, red dress, detached sleeves, bare shoulders, frilled red dress, long black hair in twintails, green eyes, black witch hat, black gloves, black leotard, pantyhose, long white hair, red eyes, long purple hair, purple eyes, white dress, purple gloves, black tiara, hair flower, black short hair, purple eyes, white bow, hat, frilled one-piece swimsuit, floating clothes, flower anklet, limp arms, dangling feet
Seen from below in a tilted dutch angle that makes the dais lean, a throne room opens into a witch's labyrinth: a vast circular hall of drifting checkerboard floor, warped arched colonnades whose pillars bend toward a single point, and curtains of staring painted roses hanging weightless in the air. On a tall bone-and-blackwood throne at the top of the dais, the pink-haired girl with long sidelocks and pointed ears sits with one leg hooked over the armrest, leaning forward, her red frilled dress and detached sleeves catching the cold light. She is laughing mad, mouth wide open, brows drawn high, and her pupils burn as flat bright discs inside wide eyes fixed down on the three girls she dangles. From each of her raised hands and from splayed fingertips run taut red-silk strings, drawn in sharp perspective, that cross the whole height of the hall. At the ends of those strings, three girls float a metre off the disturbed floor, arms and legs hanging limp, every joint pulled: the white-haired girl in the pink bunny leotard with the detached collar and one thigh-high, her long white hair drifting upward against gravity; the black-haired girl in twintails under a black witch hat, black gloves and leotard, her pantyhose catching a single cold highlight as she hangs crooked; and the long purple-haired girl in the white dress, purple gloves and black tiara with a hair flower, her hair hanging like a curtain and her shoes dangling well above the floor. All three hang with empty eyes: pupils blank and flattened out, no catchlight, faces slack, heads tipped at whatever angle the strings dictate, their gazes falling nowhere. The strings bite into wrists, waists and shoulders, and where they cross the floating bodies they pull the cloth into tight creases. Beneath the dais the checkered floor carries a broad dark smear of blood, glossy and half-dried, pooling along the seams of the tiles and reflecting the throne and the dangling shoes in a dim, broken way. Light comes from one source only: a sick green-white glow from the labyrinth itself behind the throne, so the puppeteer is rimmed from behind and the three marionettes are lit from above and behind while their fronts sink into shadow; thin shadows drop straight down from the strings. Palette held tight to blood red, bone white, cold sickly green and black. The camera is low so the throne towers and the hanging girls crowd the upper frame, the puppeteer's grin the sharpest point in it. Mad and theatrical.
Ren Tsukiyomi
character: misono_karin_(halloween_ver.), kure_kirika, akemi_homura_(magical_girl), baobhan_sith_(fate), artoria_caster_(fate)
5girls, solo, baobhan sith, white hair, very long hair, long hair, sidelocks, pointy ears, grey eyes, blue eyes, symbol-shaped pupils, bright pupils, empty eyes, blood tears, tattoo, hair ornament, veil, blue dress, blue dress, bare shoulders, dark persona, black elbow gloves, elbow gloves, thighhighs, sitting on throne, laughing mad, floating, string on body, throne room, witch's labyrinth, blood on ground, misono karin (halloween ver.), purple hair, pink hair, medium hair, hair bow, parted bangs, pink eyes, purple eyes, akemi homura (magical girl), black hair, very long hair, black hairband, purple eyes, black pantyhose, kure kirika, short hair, black hair, yellow eyes, fang, eyepatch, white thighhighs, frills, artoria caster (fate), blonde hair, long hair, twintails, ahoge, green eyes, hat, white dress, black gloves, from below, dutch angle, wide shot, looking at viewer, open mouth, grin, blood, dark, ominous
The camera looks up from floor level at a steep dutch angle through a ruined throne room inside a witch's labyrinth, the whole hall tilted so the dark stone pillars lean off-vertical and the high vaulted ceiling recedes into shadow above. At the center, five figures are strung up like marionettes. The throne sits on a raised dais of cracked black stone at the vanishing point; behind it, arches of tangled briar and pale cobweb stretch back into darkness, hung with tattered curtains and thin red threads that sway in no perceptible breeze. On the throne sits one figure โ a pale woman with very long white hair spilling over the chair's back and armrests, sidelocks framing her face, a blue dress with bare shoulders, black elbow gloves, thighhighs, a dark veil falling from a hair ornament at the crown of her head. Her eyes are bright and empty, symbol-shaped pupils stark against blue irises; dark blood streaks run from both eyes down her cheeks in two perfect lines. Her mouth is wide open in a laugh that shows no warmth โ head tilted back, shoulders shaking, torso arched as she grips the armrests with both gloved hands, the tattoo dark on the exposed skin of her shoulder and upper arm. A taut string cuts across her collarbone and upper arms, and thin threads run from her wrists and veil into the dark above. Above and around her, suspended mid-air, the other four hang like puppets on their strings with blank empty eyes and slack faces: a girl with purple-and-pink medium hair and a hair bow, her arms floating out loosely, a string lifting one hip; a girl with very long black hair and a black hairband, her body tilted and legs drawn together, black pantyhose catching the dim light; a girl with short black hair, a fang and an eyepatch, her head lolling, one white thighhigh catching a thread at the knee; and a girl with blonde twintails and a small ahoge beneath her hat, in a white dress and black gloves, suspended with wrists up and one leg bent as though mid-step she forgot to complete. Strings cross the hall in thin bright lines, some pulled taut enough to cut. On the ground beneath the dais, thick dark blood spreads in a wide glossy pool, reflecting the figures above in a distorted, dimmer mirror image; a few dark droplets have splashed across the stone and one thin stream runs along a crack in the floor toward the viewer's low vantage. Light comes only from the labyrinth's distant phosphorescent glow behind the arches and a single cold source from far above the throne, falling in a hard shaft that catches the white hair, the pale shoulder, the edges of the veil and the taut strings while leaving the rest of the hall in murky blackness. The palette is crushed blacks, sickly blue-green glow, cold white, and the deep red of the blood and threads. The mood is operatic, wrong, and quietly exultant.
Ren Tsukiyomi
character: baobhan_sith_(first_ascension)_(fate), sakura_kyoko_(magical_girl), firefly_(honkai:_star_rail), minami_rena_(magical_girl), copyright: honkai:_star_rail
4girls, sitting on throne, sitting on throne in ruined throne room, bright pupils, smirk, laughing mad, mad laughter, open mouth, wide grin, empty eyes, dull empty eyes, blank stare, pulling strings like a puppeteer, string pull, puppeteer, marionette strings, strings attached to bodies, string on body, suspended by strings, floating, floating in air, puppet-like, limp limbs, dangling feet, witch's labyrinth labyrinth, surreal witch's labyrinth interior, blood on ground, blood pool, blood splatter on stone floor, from below, dutch angle, wide shot, low angle, foreshortening,
Seen from a low, tilted camera near the floor, its vanishing lines skewed by the dutch angle, the ruined throne room of the witch's labyrinth opens around a single raised dais, and four girls alone occupy it. At the axis of the frame sits the pointed-eared puppeteer, legs crossed at the knee on the throne with one boot dangling, her weight slumped back against one armrest and her head tipped so the long pink hair slides over the shoulder; her side-locks sway with the tilt and her grey eyes are lit to the back with bright, glossy pupils that catch two hard pinpoints of light, and a wide smirk splits her face as her open mouth releases the mad, heaving laugh that lifts her chest. Her bare shoulders and detached sleeves are thrown into relief by her throwing her arms up; both hands are raised at head height between the thumb and forefingers gripping taut white strings that run diagonally up out of frame and descend again. From those strings, three puppet girls hang floating in the air above the bloodied stones of the dais floor, a full head above the ground, toes pointed, all at slightly different heights so the eye steps down from left to right. On the left, a very long red ponytail floats sideways as if underwater, a red-and-black dress and black thighhighs on dangling legs, red boots a metre over a sprawl of blood; her empty eyes hold the puppeteer with no focus in them and her arms hang slack. In the middle and nearest the lens, a blue-haired girl hangs at an angle with her striped white-and-blue dress bunched by the strings, a pink scrunchie at her two side-up tails, both feet pointed and swinging; her gaze is a blank downturned stare at the blood pooled directly beneath her. On the right, grey-and-black hair pinned by dark hairbands and a bow drifts loose, her white shirt and black jacket pulled taut at the shoulders by threads hooking her wrists and elbows, her purple eyes open but vacant, and a thin trail of blood runs from a limp hand toward a widening slick on the flagstones. The white strings bite visibly into cloth and skin at each contact, knotting each wrist and elbow; where they cross in front of the puppeteer's torso they catch the light. The space is the labyrinth's throne room: giant ribbed arches eaten into the walls like a ribcage, a cracked flagstone floor, a bog of dark blood spreading from under the throne into the seams of the stones; a single cold pale glow from above strikes down through the arches and behind the floating three, so they silhouette dark against it with only rims lit on their shoulders, while the puppeteer's face and hands are lit from below by the curling red-violet light rising off the blood. Deep blackness beyond the arches, palette of blood red, dead white, and bruised violet. The reflections in the blood are darker and softer than the girls are. Absolutely quiet dread, theatrical and cruel.
Ren Tsukiyomi
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