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AI art "八重神子在星空下" featuring #Genshin Impact, #Yae Miko and #zetaCollab
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八重神子在星空下

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#Genshin Impact#Yae Miko
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character: yae_miko portrait, smooth skin texture, ultra detailed, korean illustration style, painterly realism, cinematic shading, detailed eyes, impossiblebeauty_sr, unrealistically beautiful face, photorealistic anatomy, idealized facial proportions, luminous eyes, flawless skin, realistic hair, natural human proportions, 1girl, solo, yae miko, long hair, pink hair, purple eyes, animal ears, fox ears, hair between eyes, hair ornament, jewelry, japanese clothes, fox girl, detached sleeves, earrings, purple hair, wide sleeves, very long hair, long sleeves, shirt, nontraditional miko, floppy ears, white shirt, braid, sidelocks, mole, kimono. huge breast, huge hip, tall, long legs,full body, breast focus, cleavage focus, crotch focus, high quality, masterpiece. Beautiful breasts, beautiful back, long legs, big buttocks, rounded buttocks, perfect body, reasonable and precise human proportions, character in the image is complete. Dark starry sky background, strong sense of atmosphere, wallpaper style. The character is floating overall, with legs curled up. The image looks down at the character, the character is located at the bottom of the image, looking up from the bottom. The character's torso is located on the right side of the image, occupying most of the image area. The face is raised to face the image. Ultra-low angle, strong perspective. The upper body is slightly leaned back, the waist has a slight backward stretching curve, the chest is naturally open, and the two breasts hang steadily in front of the chest. Both arms are raised high to the top of the head simultaneously, with both hands supporting above the head, making a stretching posture, fingers natural. Both legs are bent at the knees. Bending the waist, thighs are pulled in front of the waist, gathered, and the two thighs are close to each other, with the two calves interlaced front and back. The ankle of the left leg is slightly pressed down, the toes are pressed downward, and the ankle posture is tense. The sole of the right leg is raised upward, and the toes are curled up to reveal beautiful shoe soles. The center of gravity of the entire body is lifted upward, with no ground support, and the visual center falls on the exposed back of the thighs and a bit of the buttocks. The limbs are stretched and maintain a dynamic that is relaxed yet controlled, with the waist and thighs extremely bent and curled, revealing a bit of hip detail at the base of the thighs. Character's upward perspective, head raised, looking up at the image, eyes gazing at the image. The lens is a semi-overhead semi-eye-level perspective.
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Original Prompt
1girl, solo, yae miko, long hair, pink hair, purple eyes, animal ears, fox ears, hair between eyes, hair ornament, jewelry, japanese clothes, fox girl, detached sleeves, earrings, purple hair, wide sleeves, very long hair, long sleeves, shirt, nontraditional miko, floppy ears, white shirt, braid, sidelocks, mole, kimono. huge breast, huge hip, tall, long legs,full body, breast focus, cleavage focus, crotch focus, high quality, masterpiece. 美乳,美丽后背,大长腿,大屁股,屁股圆润,完美身材,人体比例合理精确,画面中人物完整。深色星空背景,氛围感强,壁纸风格。人物整体浮空,双腿蜷缩起来。画面俯视人物,人物位于画面下方,从下方仰视画面。人物躯干位于画面偏右侧,占据画面大部分面积。脸部抬起正对画面。超仰角,强透视。上半身微微向后仰,腰部有轻微向后舒展的弧度,胸腔自然打开,两只乳房安稳地挂在胸前。双臂同步向上高举至头顶位置,两只手撑在头顶上方,做出伸懒腰的姿势,手指自然。两腿屈膝。弯腰,大腿收到腰前,收拢,两条大腿相互靠近,两条小腿前后交错。左腿腿部的脚踝微微下压,脚尖向下抵压,脚踝姿态绷紧。右腿腿部脚掌向上抬起,脚尖翘起露出美丽鞋底。整个身体重心向上提,没有落地支撑,视觉中心落在人物露出的大腿后侧和一点臀部上。肢体舒展且保持着松弛又带有控制感的动态,腰部和大腿极致弯曲蜷缩,大腿根的位置露出一点点胯部细节。人物仰视视角,抬头,仰望画面,眼神注视画面。镜头为半俯视半平视视角。
Mode
ultra
Size
1056 x 1888
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: yae_miko 1girl, solo, yae_miko, pink hair, very long hair, long hair, hair between eyes, purple eyes, fox ears, drooping fox ears, animal ears, hair ornament, japanese clothes, shrine maiden, detached sleeves, wide sleeves, bare shoulders, earrings, jewelry, three-quarter view, from side, dutch angle, cowboy shot, looking at viewer, sly smile, smug, half-closed eyes, raised eyebrow, head tilt, one hand raised, sleeve hanging, cherry blossoms, falling petals, floating petals, petals on hair, petals on sleeves, depth of field, soft pink palette, elegant The camera holds an elegant three-quarter view from slightly below and a touch of dutch tilt, framing the shrine maiden in a cowboy shot so her hips and the fall of her sleeves stay inside the frame. She stands turned about three-quarters away from the lens, left shoulder nearer to the camera and right hip bearing her weight, right foot forward and pivoting on the ball; her left knee eases inward, giving the long body a slow curve rather than a straight line. Her chin dips toward her far shoulder and her eyes slide back along that turn to land almost sideways on the viewer, half-lidded under lowered upper lids, one brow arched higher than the other, one corner of her closed lips pulled up into a thin knowing smirk — the face of someone who has already worked out the answer and is enjoying the wait. Her right forearm lifts beside her collarbone, fingers loosely curled inward at chest height, the wide sleeve falling away from the wrist and hanging in a long fold downward; her left hand rests against her sash at the hip, fingers spread flat on the fabric. Her pink hair is enormous and unbounded — it pours from the crown past her waist, a heavy front lock falling between her eyes, strand ends lifting and drifting in the air as though a slow current moves through them. From the top of her head the two fox ears droop outward and down, tips hanging softly to the sides, fur catching the light along their upper edges, the inner surface shadowed. Bare shoulders rise clear above the kimono's collar, and the wide separated sleeves hang in deep rectangular panels off each arm, printed with pale pattern, the right panel swinging slightly outward as her forearm lifts. A small ornament sits where the hair is gathered at the back of her head; slim earrings hang at both earlobes and catch a tiny point of light. The ground is a shallow plane of dark polished wood, its surface receding softly out of focus beneath her, and beyond it a deep muted backdrop of dusky indigo and warm shadow with faint suggestions of lattice and hanging drapery kept deliberately soft, well behind her and entirely out of focus. Cherry blossom petals fall all around her and float on the still air: some drift in front of her sleeves, some catch on the crown of her hair and the blunt tips of her fox ears, some hover level with her face and a few lie already settled on her shoulders and on the down-hanging fabric of her sleeves, each one a small flat pale-pink chip tilted at its own angle. A true source of warm low light comes from the upper left, behind her near shoulder; it rims the upper edge of her left sleeve, the top of her hair and the upward-facing fur of her right ear with a warm line, and throws the underside of her chin, the inner folds of both sleeves and the side of her neck into soft shadow, so the unlit petals read darker and duller than the lit ones. The palette is nearly closed: pink from the palest petal to the deep rose of her hair, warm cream and faint pattern in the silks, warm skin, and everywhere else a cool indigo-to-aubergine darkness that swallows the backdrop, admitting only a small glint of gold from the earrings. The petals that gather along the upward folds of her sleeves and the ear tips make the rising air visible, drifting against the downward pull of the hanging silk. Elegant and quietly sly.
Hg En

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