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Published on Nov 4, 2026

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character: c.c., copyright: code_geass 1girl, solo, long hair, very long green hair, yellow eyes, aroused, rolled eyes, rolling eyes, open mouth, full-face blush, blush, big breasts, sweat, heavy breathing, trembling, seductive smile, black leather jacket, jacket unzipped, open jacket, jacket slipping off shoulders, two belts on jacket, white fluid on jacket, sperm, short tight black leather skirt, belt, skirt with belt, torn black leggings, black leggings, rips at thigh, knee-length boots, high heel boots, belt on leg, thigh strap, bound wrists, rope, shibari, tied up, arms behind back, kneeling, wariza, leaning back, arched back, head tilt back, looking up, indoors, bedroom, office, night, city, window, city lights, from below, cowboy shot, dutch angle, spoken_heart Shot from a low, tilted angle at knee height, looking up at her where she kneels on the bedroom floor beside an office desk, her weight sunk back onto her heels with both knees pressed into the dark carpet, her bound wrists crossed and cinched behind her lower back with coarse hemp rope that loops around her waist and bites a shallow groove into the leather of the open jacket. The black leather jacket hangs fully unzipped, its two front panels pushed apart and slipping off her shoulders so the front of her torso and the inner curve of her large breasts are bared between the lapels; the leather is streaked and glossed with pale fluid, thick splashes drying to a dull sheen across the left chest panel and the right sleeve cuff, with drips caught in the jacket's seams and one long strand hanging tacky from the lower hem. Two separate belts ride the jacket — one black strap buckled high across the left shoulder seam, the other cinched at the waist hem — while the short tight black leather skirt grips her hips and thighs, its own buckle gleaming at the left hip. A fourth belt circles her bare right thigh just above the knee, its buckle digging slightly into the skin. The black leggings are torn open, a long rip running from the right knee up toward the hip with frayed elastic threads standing out in loops, the exposed skin flushed pink where the rope and the leather have pressed it. Her head is thrown back and slightly turned to her left, chin lifted, so the low camera catches the underside of her jaw and the full length of her throat; both eyes have rolled up until only slivers of yellow iris show beneath half-lowered lids, her mouth is wide open on a breathless sound, and the blush covers her whole face from cheekbones to ears and runs down her neck. Her long green hair spills back over her shoulders and pools on the carpet behind her elbows, a few strands clinging to her damp cheek and to the corner of her open mouth. The ropes crossing her chest are pulled taut enough to crease the jacket; the shallow dents in the leather and the small dark impressions her heels have pressed into the carpet are the only places the scene shows the strain. Behind her, a wide window holds the night city — towers of cold blue-grey with warm gold window grids, stacked in soft bokeh — and beyond it the low silhouette of an office block, its interiors still lit. The room's single light source is a warm desk lamp on the office desk at her right, which rakes in from the side: it catches the fluid on the leather as hard wet highlights, rims the edge of her jaw and the tops of her breasts, and leaves the far side of the room and the corner behind the bed sinking into deep shadow; a faint cooler spill from the city window touches the left side of her hair. Palette of wet black leather, her green hair, cold blue night glass and warm amber lamp. Intimate, charged, humid.

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