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泽坤takukon
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- Original Prompt
- A wide, cinematic illustration of a blackout night in an old apartment building, where the entire hallway has sunk into deep Prussian blue. A schoolgirl with slightly messy hair sits barefoot on the iron-railed staircase, a half-read book open on her knees and a single candle burning beside her, its small amber flame the only warm thing in the frame. Above her, a school of translucent fish drifts through the air, their bodies glowing faint teal, swimming in a slow S-curve from the dark end of the corridor toward the viewer. The fish light catches on peeling paint, an old meter box and the wet-looking railing, scattering soft specks of glow through the air. Moonlight leaks in through a dusty window at the far end, and steam from the candle curls upward. Her expression is calm, almost relieved, as if she has been waiting years for this. Painterly brushwork, low-key lighting, high contrast, shallow depth of field.
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
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wide cinematic illustration, 1girl, schoolgirl, solo, slightly messy shoulder-length brown hair, calm expression, relieved, faint closed-lip smile, lowered lashes, looking down at book, sitting, barefoot, bare feet, sitting on iron-railed staircase, half-read hardcover book open on knees, both hands holding the book open, single burning candle beside her, candle flame, amber flame, steam curling upward from candle, no shoes, no socks, navy blue pleated school skirt, white short-sleeved button-down shirt, red ribbon tie, blackout night, old apartment building hallway, deep Prussian blue hallway, translucent fish, glowing fish, teal glow, school of fish drifting through air, S-curve of fish, fish swimming toward viewer, peeling paint, old meter box, wet-looking iron railing, soft glow specks in air, moonlight through dusty window at far end, low-key lighting, high contrast, shallow depth of field, painterly brushwork, from side, dutch angle, cowboy shot, wide shot
The camera sits low and to the girl's left at a slight dutch tilt, a wide cinematic frame in which the staircase rises diagonally from the lower right toward the upper left and the corridor recedes behind it; she is a midground anchor at roughly one third of the frame width, and the deep blue hallway swallows the rest. She sits on one of the iron-railed treads with her weight settled on her right hip, right leg tucked up a step and left leg folded down one tread below, bare soles pressed flat against the painted metal and the toes of the lower foot curled over the tread's nosing; her shoulders curl forward over the book, spine rounded, head tipped down. Both hands hold the hardcover open on her knees — the left thumb pressed into the gutter near the spine, the right fingertips spread on the outer margin of the right-hand page — and the book's lower edge rests across both knees so the open spread tilts slightly toward her chest. Her face is calm and almost relieved, mouth barely curved, brows level, eyes lowered to the page rather than the lens, only the edge of a downward gaze visible under her lashes; a few strands of the messy brown hair hang loose in front of her ear and across her temple. She wears a crisp white short-sleeved button-down, a red ribbon tie knotted at the collar, and a navy pleated skirt fanned slightly over the step; her feet are completely bare, no shoes and no socks, and the pleats of the skirt drape over the tread edge beside her thigh.
The candle stands on the step at her right, a small squat jar whose amber flame is the only warm light in the frame: it lights the underside of her chin, the inner curve of her right forearm, the near page of the book and a coin of amber on the iron tread, and everything beyond that small pool falls away into Prussian blue. Steam rises from just above the flame, a thin wavering thread that curls upward and drifts toward the corridor, bending as it climbs. The hallway is drenched in deep Prussian blue — the peeling paint on the near wall, the old meter box bolted at mid height with its dented grey door and dead glass window, the railing whose wet-looking black iron catches a smear of reflected light along its top rail. Moonlight leaks in through the dusty window at the far end of the corridor, a cold pale shaft that lays a faint grid of pane shadows on the floorboards and picks dust out of the air.
Above and beyond her a school of translucent fish drifts through the air, bodies glowing faint teal, strung along a slow S-curve that bends from the black far end of the corridor, arcs above the stairwell, and sweeps toward the viewer so the nearest fish hang large and soft at the upper edge of the frame while the farthest shrink to pinpricks of light. Their teal glow is the second light source: it catches on the flaking edges of the peeling paint, on the corner of the meter box, and on the wet-look railing, and it scatters soft specks of glow through the air like suspended embers. Shallow depth of field keeps her hands, the open book and the candle in sharp focus; the railing in the foreground softens, the meter box blurs, and the far window dissolves into a pale blue haze, the nearest fish rendered as out-of-focus teal discs. The palette is Prussian blue and black with a single amber pocket at the candle and cool teal drifting overhead, no other hue admitted. Painterly brushwork throughout, visible strokes in the wall texture and the fish glow, low-key with high contrast. Quiet wonder, held breath.
泽坤takukon
Eric Lewis
静寂と金魚のきらめき
紫乃
龍
天野 栞 学園怪異モノのキャラクター
龍巳ライガ
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