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Medusa
AN Kamen
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artist: character: medusa_(rider)_(fate). Anime illustration of Medusa (Fate) in her second ascension form, unblindfolded, shown in a medium shot from a slight 3/4 angle, standing gracefully as warm sunlight backlights her from behind a window with white curtains. She has extremely long, flowing purple hair with parted bangs and sidelocks cascading past her waist, and clear, luminous purple eyes with a faint facial mark; her expression is a cold yet gentle smile. She wears a custom avant-garde monolithic minidress with a high crew neck: the upper yoke and shoulder caps are thin see-through black chiffon revealing her skin clearly, while directly below the shoulders a magnificent, voluminous pleated white-to-violet gradient ruffle forms a single continuous horizontal ring wrapping tightly around her chest and upper arms. Beneath this ruffle the dress transitions seamlessly into thick solid black velvet forming the fitted bodice and long sleeves, and the hem flows into a heavy skirt of finely woven dark metallic iron chainmail with tiny interlocking links glinting subtly. Her hands rest calmly at her sides. The background is a softly lit interior with sheer white curtains glowing in golden backlight, creating rim light on her hair and silhouette; soft, hazy atmosphere with delicate light particles, best quality, highly detailed masterpiece.
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1girl, solo, gojou ren, absurdly long hair, floor-length black hair, hime cut, blunt bangs, straight hair, sidelocks, very long sidelocks, blunt-tipped sidelocks, purple eyes, pale skin, tall, slender, mature build, ojou-sama, confident, smug, closed mouth, light smile, raised eyebrow, half-closed eyes, from below, low angle, dutch angle, foreshortening, looking down at viewer, standing, one hand on hip, arm support, salt-and-pepper hair, monochrome hair, knee-length hair, three-quarter view, long black coat, high-collared coat, black thighhighs, black heels, arms crossed, holding own arm, dutch angle 12 degrees
The view is from below, close on the upper body, the camera tipped into a dutch angle so the horizon of the shot slants and the figure seems to lean over the lens. A tall, slender woman stands with her weight settled onto her far hip, her near hip pushed out, one hand planted on that hip with the elbow flared back out of frame and the far arm folded across her waist, the fingers of that hand curled loosely around her own opposite forearm just below the elbow -- the coat cuff creased and pinched where the grip lands. Her torso turns three-quarters away while her head rotates back down toward the camera, chin dipped, so the extreme length of her black hair swings across her shoulder and spills in a straight heavy mass off the edge of the shot; the blunt bangs sit low and level across her brow and the long blunt-tipped sidelocks hang past her jaw, and the blunt cut ends of the hair catch the light as flat planes rather than wispy strands. Her eyes are half-lidded and purple, and she is looking down at the viewer from under them, one brow arched higher than the other, mouth closed in a small lopsided smile that shows no teeth. She wears a high-collared black coat that falls past her knees, its collar standing up at the jaw and the front hanging open over a sternum and dark underlayer, black thigh-high stockings and black heels; the coat's shoulder seam is the nearest surface to the lens and reads large with foreshortening while her hip and the flared elbow drop away behind her. Nothing adorns her hair or ears: the hair falls completely unadorned past her shoulders, both ears bare and uncovered beneath the sidelocks, nothing at her throat but the coat collar itself and the bare notch of collarbone where it opens. The only light is a cool hard key from above and slightly to her left, so the tops of the coat's shoulders and the blunt bangs flare bright, the light skims along the flat sheet of her hair as one long unbroken highlight, and the recesses of the high collar, the space under her chin and the far side of the coat collapse into deep black -- the shadow of her own chin falls across the upper chest and the lower half of the frame goes to darkness. The palette is black, near-black, cold white highlight and the single dull purple of the irises, nothing else admitted. Behind her the background is held to a barely readable dark interior falling away out of focus. Quiet, imperious disdain.
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