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Contest Entry
PixAI ร zeta Original Character Creation Contest 2026 #zetaCollab
Show Parameters
- Original Prompt
- 1girl, science fiction, two-tone hair, black hair, buruma, athletic build
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, science fiction, two-tone hair, black hair, buruma, athletic build, from below, low angle, looking up, standing on one leg, tiptoes, arm up, outstretched arm, pointing up, head tilt, grin, one eye closed, athletic, toned, midriff, bare arms, navy blue buruma, gym shorts, high collar, short sleeves, sneakers, floating holographic panels, screen glow, blue rim light, dark background, volumetric light, lens flare, looking at object, :d, dynamic pose, dutch angle, foreshortening
Low-angle shot from below, the camera almost at floor height and tilted a few degrees into a dutch angle, so the girl towers over the lens and a vaulted sci-fi interior recedes far above her head. She is one girl alone, athletic and toned, standing on the ball of her right foot in a taut tiptoe, left knee lifted and bent across in front of her, weight all on the right support; her right arm is flung up and out toward a floating holographic panel above and behind her shoulder, index finger extended to touch its edge, while her left hand is half-curled at her hip. Her body twists slightly, shoulders counter-rotated to the hips, chin tipped up and turned in profile toward the panel. Long black hair, cut two-tone with a sharp dip-dyed band of icy white-cyan at the tips, whips sideways and upward in the updraft of a vent below, one lock crossing her cheek.
She wears a snug short-sleeved top with a high collar, bare midriff showing a defined waist and ab lines, and close-fitting navy blue nylon buruma gym shorts with a white piping stripe down each side seam, the nylon catching a broad soft highlight; laced sneakers on both feet. Her expression is a lopsided grin, one eye squeezed shut, the open eye fixed upward on the glowing panel.
The holographic panel is the only light source that matters: a floating slab of pale cyan wireframe and text hovering just above her outstretched fingertip at the distance of a few centimetres, its glow lighting the underside of her jaw, the top plane of her raised arm, and the white band at her hair tips, while the ceiling and the rib spaces beyond fall into near-black. The panel's light throws a long smeared reflection on the polished dark floor, and everything outside the panel's cone is absolute dark blue.
Palette is navy, near-black, cool cyan-white and one thin white piping line, nothing else admitted. Composition: her tiptoeing figure dominates the lower right two-thirds, the panel sits high near the top left, the vaulted dark structure recedes diagonally behind her. Quiet, electric anticipation.
Cthulhuftagn
1girl, solo, science fiction, two-tone hair, black hair, buruma, athletic build, from below, low angle, looking up, standing on one leg, tiptoes, arm up, outstretched arm, pointing up, head tilt, grin, one eye closed, athletic, toned, midriff, bare arms, navy blue buruma, gym shorts, high collar, short sleeves, sneakers, floating holographic panels, screen glow, blue rim light, dark background, volumetric light, lens flare, looking at object, :d, dynamic pose, dutch angle, foreshortening
Low-angle shot from below, the camera almost at floor height and tilted a few degrees into a dutch angle, so the girl towers over the lens and a vaulted sci-fi interior recedes far above her head. She is one girl alone, athletic and toned, standing on the ball of her right foot in a taut tiptoe, left knee lifted and bent across in front of her, weight all on the right support; her right arm is flung up and out toward a floating holographic panel above and behind her shoulder, index finger extended to touch its edge, while her left hand is half-curled at her hip. Her body twists slightly, shoulders counter-rotated to the hips, chin tipped up and turned in profile toward the panel. Long black hair, cut two-tone with a sharp dip-dyed band of icy white-cyan at the tips, whips sideways and upward in the updraft of a vent below, one lock crossing her cheek.
She wears a snug short-sleeved top with a high collar, bare midriff showing a defined waist and ab lines, and close-fitting navy blue nylon buruma gym shorts with a white piping stripe down each side seam, the nylon catching a broad soft highlight; laced sneakers on both feet. Her expression is a lopsided grin, one eye squeezed shut, the open eye fixed upward on the glowing panel.
The holographic panel is the only light source that matters: a floating slab of pale cyan wireframe and text hovering just above her outstretched fingertip at the distance of a few centimetres, its glow lighting the underside of her jaw, the top plane of her raised arm, and the white band at her hair tips, while the ceiling and the rib spaces beyond fall into near-black. The panel's light throws a long smeared reflection on the polished dark floor, and everything outside the panel's cone is absolute dark blue.
Palette is navy, near-black, cool cyan-white and one thin white piping line, nothing else admitted. Composition: her tiptoeing figure dominates the lower right two-thirds, the panel sits high near the top left, the vaulted dark structure recedes diagonally behind her. Quiet, electric anticipation.
Cthulhuftagn
1girl, solo, science fiction, two-tone hair, black hair, white streaks in hair, shoulder-length hair, buruma, navy blue gym shorts, white polo shirt, short sleeves, shirt tucked in, white crew socks, sneakers, from below, foreshortening, dutch angle, standing on one leg, arms up, outstretched arm, head tilt, looking up, pointing at viewer, grin, one eye closed, holographic display, futuristic corridor, floating interface panels, lens flare, night.
The camera sits low and close to the deck plating, looking steeply up: a single girl dominates the frame in dramatic foreshortening, her sneaker planted on a scuffed metal floor plate while her other leg is lifted and bent, knee drawn up toward her chest. Her shoulder-length black hair falls in two tones โ dense black at the crown and left side, a stark white streak sweeping the right front lock and the underside near her nape โ and the hair swings up and away from her shoulder in the updraft from a vent grille, the pale streak catching the cold rim light. Both arms are flung up: the left hand spread wide and high, fingers splayed against a bank of glowing holographic panels, and her right arm extends down toward the lens, forefinger pointed straight at the viewer, elbow locked, the sleeve of her white polo shirt riding up. The polo is plain white and crisp, short-sleeved, tucked neatly into the waistband of navy blue cotton buruma shorts whose side seams sit high on her hips and whose short hem shows the full length of her legs; white crew socks are pulled to mid-calf above simple lace-up athletic sneakers. She tips her head back and to the left, chin lifted, so her face is a three-quarter view from below: one eye squeezed shut in a wink, the other wide and bright, a lopsided open-mouthed grin, one brow arched high. Her gaze is aimed down along her pointing arm, landing on the viewer.
The environment is a narrow futuristic service corridor: pale grey ribbed wall panels, a dark recessed ceiling channel, a low walkway edge behind her left heel, and three flat holographic panes hovering in midair to her left, their surfaces carrying illegible fine-lined data readouts and thin cyan grid diagrams that bend slightly where her fingers touch them; tiny icons glow at their corners. In the far background the corridor recedes into soft blue-grey haze, its floor seams narrowing to a vanishing point behind her hips. Nothing else occupies the frame โ no second figure, no clutter in the foreground.
The light comes from two hard cyan-white sources: the holographic panels, which throw cold blue light up onto the left side of her face, her raised forearm and the white streak of her hair, and a narrow overhead strip that rakes down the right side of her jaw, shoulder and thigh. Warm amber emergency strip lighting at the base of the corridor wall gives the lower edge of the frame an orange undertone that meets the cyan along her shin and the toe of her sneaker. The low camera exaggerates everything vertical: the glowing panels stretch into trapezoids, her raised arm goes thin at the wrist, and her lifted knee reads large against the shrinking hallway. Fingers on the glassy panel deform the grid they cover, the lines bowing around each contact point. Palette: deep navy, cyan, white, black, and one warm amber streak low in the frame โ cool, electric, playful.
Cthulhuftagn
1girl, solo, science fiction, two-tone hair, black hair, buruma, athletic build, from below, low angle, looking up, standing on one leg, tiptoes, arm up, outstretched arm, pointing up, head tilt, grin, one eye closed, athletic, toned, midriff, bare arms, navy blue buruma, gym shorts, high collar, short sleeves, sneakers, floating holographic panels, screen glow, blue rim light, dark background, volumetric light, lens flare, looking at object, :d, dynamic pose, dutch angle, foreshortening
Low-angle shot from below, the camera almost at floor height and tilted a few degrees into a dutch angle, so the girl towers over the lens and a vaulted sci-fi interior recedes far above her head. She is one girl alone, athletic and toned, standing on the ball of her right foot in a taut tiptoe, left knee lifted and bent across in front of her, weight all on the right support; her right arm is flung up and out toward a floating holographic panel above and behind her shoulder, index finger extended to touch its edge, while her left hand is half-curled at her hip. Her body twists slightly, shoulders counter-rotated to the hips, chin tipped up and turned in profile toward the panel. Long black hair, cut two-tone with a sharp dip-dyed band of icy white-cyan at the tips, whips sideways and upward in the updraft of a vent below, one lock crossing her cheek.
She wears a snug short-sleeved top with a high collar, bare midriff showing a defined waist and ab lines, and close-fitting navy blue nylon buruma gym shorts with a white piping stripe down each side seam, the nylon catching a broad soft highlight; laced sneakers on both feet. Her expression is a lopsided grin, one eye squeezed shut, the open eye fixed upward on the glowing panel.
The holographic panel is the only light source that matters: a floating slab of pale cyan wireframe and text hovering just above her outstretched fingertip at the distance of a few centimetres, its glow lighting the underside of her jaw, the top plane of her raised arm, and the white band at her hair tips, while the ceiling and the rib spaces beyond fall into near-black. The panel's light throws a long smeared reflection on the polished dark floor, and everything outside the panel's cone is absolute dark blue.
Palette is navy, near-black, cool cyan-white and one thin white piping line, nothing else admitted. Composition: her tiptoeing figure dominates the lower right two-thirds, the panel sits high near the top left, the vaulted dark structure recedes diagonally behind her. Quiet, electric anticipation.
Cthulhuftagn
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