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AI art "先輩達とわたしたち“誓ころ:RE”"
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先輩達とわたしたち“誓ころ:RE”

TSUBAKI.2では通らなかった指示でもTSUBAKI.3ではちゃんと寄せてきて草 具体的な指示をもう少し増やせば元ネタの再現もイケそうっすね

#Fate series#Yakuza#Fate/Grand Order#Mash Kyrielight#Ritsuka Fujimaru (Female)#Ritsuka Fujimaru (Male)#Yakuza 0#Tsubaki.3
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character: mash_kyrielight, fujimaru_ritsuka_(male), fujimaru_ritsuka_(female) Ultra-detailed, 8k, masterpiece, best quality, anime style, dramatic indoor lighting, cinematic tension, depth of field. Scene: Modern meeting room with a large oval-shaped long conference table. Four people in suits with a strong, intimidating atmosphere inspired by the "three lieutenant assistants glaring at Kiryu" scene from Yakuza 0 (Like a Dragon 0). Seating arrangement around the long oval table: - Along the long side (left side of the table): - Mash Kyrielight (from male Fujimaru's world / Mash A): short pink-purple bob hair with orange hair pin, wearing a sharp black business suit. Sitting upright on a single sofa chair with perfect posture, hands placed neatly on her knees, back straight, staring intently at male Fujimaru. - Along the long side (right side of the table): - Mash Kyrielight (from female Fujimaru's world / Mash B): short pink-purple bob hair with purple hair pin, wearing a stylish light purple business suit. Leaning back relaxed in her single sofa chair, legs crossed, exuding confidence while staring at male Fujimaru. - At the short end of the table: - Fujimaru Ritsuka (female): orange hair, wearing a white-gray business suit. Sitting on a single sofa chair, leaning slightly forward with her left leg crossed over her right knee, right palm resting on her right knee, gazing at male Fujimaru. - Standing straight at the opposite short end (facing the three): - Fujimaru Ritsuka (male): black hair, wearing a pure white business suit. Standing tall in a rigid, upright posture (straight back, arms at sides), facing the three with a calm but pressured expression. All three women are looking directly at male Fujimaru with intense, focused gazes. Composition: Diagonal front angle at eye level, creating tension similar to the Yakuza 0 lieutenant assistants scene confronting Kiryu. Dramatic lighting with strong shadows, high detail on suit textures, facial expressions, and the long oval table. Intense and confrontational yet stylish atmosphere.
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Original Prompt
Ultra-detailed, 8k, masterpiece, best quality, anime style, dramatic indoor lighting, cinematic tension, depth of field. Scene: Modern meeting room with a large oval-shaped long conference table. Four people in suits with a strong, intimidating atmosphere inspired by the "three lieutenant assistants glaring at Kiryu" scene from Yakuza 0 (Like a Dragon 0). Seating arrangement around the long oval table: - Along the long side (left side of the table): - Mash Kyrielight (from male Fujimaru's world / Mash A): short pink-purple bob hair with orange hair pin, wearing a sharp black business suit. Sitting upright on a single sofa chair with perfect posture, hands placed neatly on her knees, back straight, staring intently at male Fujimaru. - Along the long side (right side of the table): - Mash Kyrielight (from female Fujimaru's world / Mash B): short pink-purple bob hair with purple hair pin, wearing a stylish light purple business suit. Leaning back relaxed in her single sofa chair, legs crossed, exuding confidence while staring at male Fujimaru. - At the short end of the table: - Fujimaru Ritsuka (female): orange hair, wearing a white-gray business suit. Sitting on a single sofa chair, leaning slightly forward with her left leg crossed over her right knee, right palm resting on her right knee, gazing at male Fujimaru. - Standing straight at the opposite short end (facing the three): - Fujimaru Ritsuka (male): black hair, wearing a pure white business suit. Standing tall in a rigid, upright posture (straight back, arms at sides), facing the three with a calm but pressured expression. All three women are looking directly at male Fujimaru with intense, focused gazes. Composition: Diagonal front angle at eye level, creating tension similar to the Yakuza 0 lieutenant assistants scene confronting Kiryu. Dramatic lighting with strong shadows, high detail on suit textures, facial expressions, and the long oval table. Intense and confrontational yet stylish atmosphere.
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1600 x 1248
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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artist: ratatatat74 1girl, solo, reddish pink hair, long hair, medium hair, single thick braid over one shoulder, golden-yellow eyes, glowing eyes, ringed eyes, concentric rings in the iris, white shirt, collared shirt, long sleeves, black suit jacket, suit, formal clothes, beautiful face, neutral expression, seductive look, half-lidded eyes, looking at viewer, tilted head, standing, hands behind back, leaning forward, minimal apartment background, several desiccated male bodies lying on floor, background, white outline, volumetric lighting, ominous lighting, backlighting, rim lighting, depth of field, from above, slight dutch angle, high contrast, sharp cel-shading, wide angle, anime style, cinematic perspective, moody atmosphere, masterwork, high quality. The camera looks down from above at a slight dutch tilt, framing one girl in the center mid of a bare minimal apartment, her head tipped back so she meets the lens from below her lashes. She stands with her weight sunk into her left hip, right leg crossed loosely in front of the left ankle, both hands clasped behind her back so her shoulders pull open and the white shirt strains flat across her chest; a single thick reddish pink braid hangs forward over her right shoulder, the tail coiling down across the black lapel, its looser strands catching the rim light. Her hair falls to mid-back with a few shorter pieces framing the jaw. Her golden-yellow irises carry concentric rings that glow faintly from within, lit brighter than the room can account for, and her expression is flat, lips level, lower lids slightly lowered so the look is seductive without a smile. She wears a black suit jacket, open, with the white long-sleeved collared shirt beneath, cufflinks nowhere, collar buttoned high and the sleeves ending neat at the wrists; the jacket's sharp lapel edge throws a hard shadow line down the white shirt. Behind and below her, spread across the pale floorboards of an otherwise empty room, several desiccated male bodies lie at uneven angles, one arm outflung near the baseboard, one half-rolled to the wall, their dry skin drawn tight, clothes collapsed over hollowed frames, all of them out of focus just enough to sit behind her. The corridor of light comes from the apartment's single window behind her right shoulder, cold and bright, casting volumetric shafts through dust motes across the room and laying a rim of light along her hair, shoulder and braid while her front face falls into soft shadow; the bodies on the floor take only the edges of that light. Her white outline separates her cleanly from the darker background, and the palette stays narrow: reddish pink, white, black, the corpse-grey of the floor, and the gold of her eyes. Depth of field blurs the far wall and the corpses' extremities while her face, ringed eyes and hands stay razor-sharp. Ominous, quietly malevolent.
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