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AI art "Sad Pikachu Behind the Glass" featuring #Pokémon, #Tears, #Pikachu, #Against glass, #Sad, #brown eyes, #Rain and #Crying
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Sad Pikachu Behind the Glass

My heart honestly breaks seeing Pikachu looking so sad and scared in the rain. There's something about those trembling paws and teary brown eyes pressing against the glass that just makes me want to reach in and give him a warm hug. I hope you guys like this emotional piece; please hit like and follow for more art, and let me know what you think in the comments!

#Pokémon#Tears#Pikachu#Against glass#Sad#brown eyes#Rain#Crying
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character: pikachu pikachu, solo, 1 character, trapped, crying, tears, streaming tears, wet cheeks, trembling, ears drooping, ears back, café, forest, indoor-outdoor boundary, glass wall, overgrown interior, vines, roots, tree growing through floorboards, from below, low angle, close-up, cowboy shot, looking at viewer, pleading, paw against glass, open mouth, wobbly lip, warm interior light, dim green exterior, volumetric light shafts, dust motes, high quality, high detail Low camera, tilted slightly up through a smeared pane of glass, so the small yellow creature fills the frame from paws to ear tips. On the near side of the glass, the creature: round-bodied, butter-yellow fur, long black-tipped ears swept back flat against its skull, brown eyes huge and brimming, bright pupils pinpricked wide, wet tracks cutting two clean lines down each cheek through the fine fur to the chin, mouth open in a wobbling square, lower lip trembling, one small forepaw pressed flat to the glass with the pads splayed white against the pane, the other paw scrabbling at the frame seam. The body is wedged: shoulder jammed beneath a fallen café table leg, hindquarters caught between two thick roots that have split the parquet flooring and coiled up around the base of the chair it cannot leave. Contact points stated — pads on glass, back against a splintered chair rung, one hind foot braced on a root ridge, tail pinned under a loop of vine. It looks straight at the viewer through the pane; the reflection of its own wide eye sits faintly on the glass a few centimetres to the left of the real one. Behind and around it, the café has been eaten by the forest: overturned porcelain cups with cold coffee pooled and drying in a dark ring on the saucer, a toppled cake stand, a chair on its side, a brass table number half-swallowed by moss, and a live oak trunk rising straight through the centre of the tiled floor, its canopy pressing at the collapsed ceiling. Ferns and long grass push up between the floor tiles. Beyond the glass, on the viewer's side, dark trunks and deep green undergrowth recede in layers, out of focus, rain-beaded leaves catching pinpricks of light. Light: one warm amber pendant lamp still burning above the trapped creature, its pool of honeyed light falling on the yellow fur, the wet tear tracks and the glass, everything beyond its reach going dim green and blue; the lamp is the only interior source, and past its edge the café drowns in shadow. Rain on the far side of the pane bends the outside trunks into soft streaks; each bead on the glass holds a tiny inverted image of the lamp. Palette held to butter yellow, amber, deep forest green and cold blue-grey, with white only in the eye highlights and the pressing paw pad. Fine animation linework, soft cel shading, crisp detail in the fur and tears. Quiet dread, tender.
Show Parameters
Original Prompt
Pikachu, trapped, café, forest, crying, high quality, high detail,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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AI artwork
mi
copyright: studio_ghibli 1boy, solo, short black hair, soft fringe, black eyes, white button-down shirt, dark navy blue necktie, sitting, wooden chair, coffee stall, wooden stall counter, massive mossy tree branch, soft rain, rain streaks, wet ground, puddle reflections, cinematic lighting, warm lantern light, cozy atmosphere, peaceful mood, full body, wide shot, from side, profile, looking down, hands around cup, steam, moss, ferns, muted green and umber palette, hand-painted cel style, soft watercolor backgrounds A wide shot framed from the side, near eye level and slightly low, so the boy sits in profile at three-quarter angle to the lens on a rustic wooden chair, the chair's rear legs planted in wet dark earth beside the stall's corner post, his right foot flat on the ground and his left heel hooked on the chair's front stretcher, torso leaning a little forward with his elbows resting on the stall's plank counter, both hands cupped around a white ceramic cup set down on the wood, thumbs meeting at its rim, faint steam rising past his chin. His head is bowed slightly, eyes lowered to the cup, the fringe falling over his brow; the corner of his mouth sits level -- no smile, no frown, only quiet. Black hair lifts a touch at the crown where the damp air moves it, and the collar of the crisp white shirt sits flat under the knot of the dark navy blue necktie, the tie's short end hanging straight against his chest. The stall is a small hand-built wooden counter under a shallow pitched roof of dark weathered shingles at the left of the frame, a stubby kettle and two stacked cups on its shelf behind him, a strip of paper lantern hanging at the corner of the roof and giving the scene its warm amber key light, which strikes the left plane of the boy's face and the front edge of the counter while the underside of the roof and the space behind the chair fall into deep cool shadow. Above and across the right half of the composition the massive moss-growing branch of an old tree sweeps in from the upper right, its bark furred with green moss and small ferns, the wet wood darker along its upper face where rain has soaked in, a few heavy drops gathering at the low tips of the moss and falling one after another. Everything above the branch is a soft grey sky. The rain is a fine steady drizzle: thin slanted streaks over the whole frame, perfect tiny rings spreading across a puddle at the chair's foot, the counter's planks glossy and dark with wet, and each drop that lands on the branch's upper bark swelling until it hangs and lets go -- the moss and flat surfaces shine, the undersides of the shingles stay dry and matte. The palette is muted -- moss green, wet brown earth, weathered grey wood, the boy's white and navy, and the single amber pool of the lantern -- everything soft-edged and hand-painted in feel, with the background leaves simplified into layered shapes. Peaceful, quietly lonely.
MD. Ibrahim

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