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Relaxing with the Drunken Swordswoman!
There's something incredibly charming about seeing this fierce warrior letting loose with a beer and pizza after a long day. I really admire the contrast between her deadly katana and her goofy, blushing smile in this cozy setup. If you enjoy this laid-back vibe, please like and follow for more art!
Show Parameters
- Original Prompt
- Use @image1 as the only character reference. Keep her face, her red eyes, her shoulder-length straight black hair with one red streak framing the left side of her face, her pale skin, and her exact body and proportions identical to @image1: the same body with the same proportions, exactly as in @image1. Match the art style, shading, rendering detail and realism of @image1 exactly. Take nothing else from @image1: not the latex suit, not the cape, not the harness, not the rooftop, not the rain, not the katana pose, not the red and blue lighting. She is off duty and drunk at home at night, sprawled across a worn sofa in a dim, lived-in living room. She lies back against the armrest with one bare leg stretched along the cushions toward the viewer and the other foot on the floor, one arm flung over the back of the sofa, the other hand raising an open can of beer. She is laughing hard at something the viewer just said, head tipped back a little, eyes squeezed half shut from laughing, cheeks and nose flushed red from drinking, a few strands of hair stuck to her flushed face. Her body exactly as in @image1: a voluptuous hourglass figure with a full, generous chest, a narrow toned waist, wide hips and strong, toned thighs, tall and athletic. She wears only a thin, small white tank top, the fabric stretched tight and clinging to her, one strap slipped off her shoulder and hanging down her arm, and very short tight black shorts. Barefoot. The camera sits at the other end of the same sofa, slightly above her, looking down along her body toward her laughing face, portrait orientation. Around her, a messy but livable home: crushed beer cans on the floor and the coffee table, an open bag of chips, a greasy pizza box, a few ammo boxes, her black latex suit peeled off and draped over the armrest, her katana in a black sheath leaning against the sofa. Lighting: the only light is one battery camping lantern sitting on the floor beside the sofa, glowing warm amber-yellow and lighting her from below and to the side. Everything beyond the lantern falls into deep darkness. Warm glow on her skin with a light sheen of sweat, soft highlights on her hair, the beer can and her legs, long dramatic shadows thrown up the wall behind her, deep and clearly defined darks. No blue light, no red light. Semi-realistic, high-detail anime illustration with a detailed face, detailed eyes and lashes and real skin texture, sharp and clean with no blur or haze. No animals. No text.
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
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Model & LoRA used
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吉
1girl, solo, 20 years old, tall female, muscular female, toned, great figure, short hair, two-tone hair, red inner hair, black hair with red underlayer, abs, defined abs, midriff, crop top, casual clothes, open jacket, black leather jacket, silver necklace, pendant necklace, short shorts, denim shorts, bare legs, long legs, thick legs, crossed legs, sitting, on sofa, hand on own neck, touching own nape, head tilted back, looking at viewer, half-closed eyes, light smile, from below, low angle, foreshortening, legs in foreground, wide shot, indoor, living room, dramatic lighting,
The camera sits low, near the floor at the level of her shins, tilted up so the crossed legs dominate the bottom half of the frame and the torso and face recede in steep foreshortening above them. She is seated deep in a low, soft dark-brown leather sofa, sunk slightly into the cushions, hips square to the frame; her right leg is crossed over her left at the knee, the left calf dropping straight to the floor while the right foot dangles free, the top thigh foreshortened and enormously close to the lens so the calf tapers away in perspective. Her left arm rests along the sofa's backrest, weight braced on that elbow; her right hand rises so the fingers curl against the side of her neck, just under the jaw, thumb along the tendon, the forearm crossing her chest and drawing the leather sleeve taut at the elbow. Her chin is lifted a little by the hand's pressure, the head tipped slightly back, and her eyes come down the line of the low camera to meet the viewer's exactly, lids half lowered in a steady confident look, one corner of the mouth pulled a few millimetres higher than the other. Short black hair, cut close at the jaw and cropped behind the ear, carries a strong panel of deep red at the inner layer, visible where the mass parts above the ear and along the nape under her fingers; the strands shift back off her brow from the tilt of her head. The cropped top, pale grey cotton, ends a hand's width above the navel, and the low light rakes across the shallow divisions of her abdominal wall, two faint shadow lines catching under the ribs. The black leather jacket hangs open over it, collar pushed back off the shoulders, the sleeves creasing in hard highlights along the forearm and upper arm. A thin silver chain sits on her collarbones with the small pendant resting in the hollow of her throat, and the low key light strikes a single bright point on its curved face. Denim shorts end high on the thigh, hem riding up where the crossed leg folds against the other, the fabric bunching in a tight crease behind the knee. The room is dark and close: a warm floor lamp off frame to the left at knee height is the only source, throwing a long soft-edged shadow of her crossed legs across the floorboards toward the right and rimming the outer edge of the calf nearest the camera in amber while the top of her face falls into softer shade; beyond the lamp's reach the corners go to near-black. Palette of deep brown leather, worn denim blue, black hide, the red inner hair and the one cold silver glint, everything warmed by the single amber source at its falloff. A thin film of dust is visible floating in the lamp's beam just above the sofa arm. Confident, imposing.
吉田晴樹
s2
リラックスした夜のひととき
srvykb2g26@privaterelay.appleid.com
吉
1girl, solo, 20 years old, tall female, muscular female, toned, great figure, short hair, two-tone hair, red inner hair, black hair with red underlayer, abs, defined abs, midriff, crop top, casual clothes, open jacket, black leather jacket, silver necklace, pendant necklace, short shorts, denim shorts, bare legs, long legs, thick legs, crossed legs, sitting, on sofa, hand on own neck, touching own nape, head tilted back, looking at viewer, half-closed eyes, light smile, from below, low angle, foreshortening, legs in foreground, wide shot, indoor, living room, dramatic lighting,
The camera sits low, near the floor at the level of her shins, tilted up so the crossed legs dominate the bottom half of the frame and the torso and face recede in steep foreshortening above them. She is seated deep in a low, soft dark-brown leather sofa, sunk slightly into the cushions, hips square to the frame; her right leg is crossed over her left at the knee, the left calf dropping straight to the floor while the right foot dangles free, the top thigh foreshortened and enormously close to the lens so the calf tapers away in perspective. Her left arm rests along the sofa's backrest, weight braced on that elbow; her right hand rises so the fingers curl against the side of her neck, just under the jaw, thumb along the tendon, the forearm crossing her chest and drawing the leather sleeve taut at the elbow. Her chin is lifted a little by the hand's pressure, the head tipped slightly back, and her eyes come down the line of the low camera to meet the viewer's exactly, lids half lowered in a steady confident look, one corner of the mouth pulled a few millimetres higher than the other. Short black hair, cut close at the jaw and cropped behind the ear, carries a strong panel of deep red at the inner layer, visible where the mass parts above the ear and along the nape under her fingers; the strands shift back off her brow from the tilt of her head. The cropped top, pale grey cotton, ends a hand's width above the navel, and the low light rakes across the shallow divisions of her abdominal wall, two faint shadow lines catching under the ribs. The black leather jacket hangs open over it, collar pushed back off the shoulders, the sleeves creasing in hard highlights along the forearm and upper arm. A thin silver chain sits on her collarbones with the small pendant resting in the hollow of her throat, and the low key light strikes a single bright point on its curved face. Denim shorts end high on the thigh, hem riding up where the crossed leg folds against the other, the fabric bunching in a tight crease behind the knee. The room is dark and close: a warm floor lamp off frame to the left at knee height is the only source, throwing a long soft-edged shadow of her crossed legs across the floorboards toward the right and rimming the outer edge of the calf nearest the camera in amber while the top of her face falls into softer shade; beyond the lamp's reach the corners go to near-black. Palette of deep brown leather, worn denim blue, black hide, the red inner hair and the one cold silver glint, everything warmed by the single amber source at its falloff. A thin film of dust is visible floating in the lamp's beam just above the sofa arm. Confident, imposing.
吉田晴樹
吉
1girl, solo, 20 years old, tall female, muscular female, toned, great figure, short hair, two-tone hair, red inner hair, black hair with red underlayer, abs, defined abs, midriff, crop top, casual clothes, open jacket, black leather jacket, silver necklace, pendant necklace, short shorts, denim shorts, bare legs, long legs, thick legs, crossed legs, sitting, on sofa, hand on own neck, touching own nape, head tilted back, looking at viewer, half-closed eyes, light smile, from below, low angle, foreshortening, legs in foreground, wide shot, indoor, living room, dramatic lighting,
The camera sits low, near the floor at the level of her shins, tilted up so the crossed legs dominate the bottom half of the frame and the torso and face recede in steep foreshortening above them. She is seated deep in a low, soft dark-brown leather sofa, sunk slightly into the cushions, hips square to the frame; her right leg is crossed over her left at the knee, the left calf dropping straight to the floor while the right foot dangles free, the top thigh foreshortened and enormously close to the lens so the calf tapers away in perspective. Her left arm rests along the sofa's backrest, weight braced on that elbow; her right hand rises so the fingers curl against the side of her neck, just under the jaw, thumb along the tendon, the forearm crossing her chest and drawing the leather sleeve taut at the elbow. Her chin is lifted a little by the hand's pressure, the head tipped slightly back, and her eyes come down the line of the low camera to meet the viewer's exactly, lids half lowered in a steady confident look, one corner of the mouth pulled a few millimetres higher than the other. Short black hair, cut close at the jaw and cropped behind the ear, carries a strong panel of deep red at the inner layer, visible where the mass parts above the ear and along the nape under her fingers; the strands shift back off her brow from the tilt of her head. The cropped top, pale grey cotton, ends a hand's width above the navel, and the low light rakes across the shallow divisions of her abdominal wall, two faint shadow lines catching under the ribs. The black leather jacket hangs open over it, collar pushed back off the shoulders, the sleeves creasing in hard highlights along the forearm and upper arm. A thin silver chain sits on her collarbones with the small pendant resting in the hollow of her throat, and the low key light strikes a single bright point on its curved face. Denim shorts end high on the thigh, hem riding up where the crossed leg folds against the other, the fabric bunching in a tight crease behind the knee. The room is dark and close: a warm floor lamp off frame to the left at knee height is the only source, throwing a long soft-edged shadow of her crossed legs across the floorboards toward the right and rimming the outer edge of the calf nearest the camera in amber while the top of her face falls into softer shade; beyond the lamp's reach the corners go to near-black. Palette of deep brown leather, worn denim blue, black hide, the red inner hair and the one cold silver glint, everything warmed by the single amber source at its falloff. A thin film of dust is visible floating in the lamp's beam just above the sofa arm. Confident, imposing.
吉田晴樹
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