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View detailsYae Miko, Genshin Impact
Contest Entry
PixAI โHalloween Oddities Clubโ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- 1girl, long hair, pink hair, glowing purple eyes, slit pupils, animal ears, fox ears, hair between eyes, hair ornament, jewelry, japanese clothes, kitsune, fox girl, fox tails, detached sleeves, earrings, her hair fades from a darker pink to a rose tone at the tips, wide sleeves, very long hair, long sleeves, shirt, nontraditional miko, floppy ears, white shirt, braid, sidelocks, mole, kimono, shrine maiden, several desiccated male bodies lie on the floor in the background, shrine background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, seductive pose, elegant, teasing smirk,
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moren1
character: yae_miko, artist: ratatatat74
1girl, solo, kitsune, fox girl, fox ears, floppy fox ears, multiple fox tails, long pink hair, very long hair, purple hair accents, braid, sidelocks, hair between eyes, hair ornament, jewelry, earrings, mole under eye, glowing purple eyes, slit pupils, beautiful face, japanese clothes, kimono, nontraditional miko, shrine maiden, white shirt, sideboob, bare shoulders, detached sleeves, wide sleeves, long sleeves, several desiccated male bodies on the floor in background, shrine background, night, white outline, volumetric lighting, ominous lighting, depth of field, seductive pose, seductive look, teasing smirk, malevolent, elegant, looking at viewer, half-closed eyes, head tilt, from below, cowboy shot, wide angle lens, sharp cel-shading, high contrast, rim lighting, dramatic backlighting, vibrant accent colors, moody atmosphere, sharp eyes, cinematic perspective, masterpiece, best quality, very aesthetic,
Shot from below on a wide angle lens, a fox-eared shrine maiden stands alone on the polished cypress floor of a night shrine, seen in a cowboy shot from mid-thigh up. Her weight rests on her back right hip, her left knee bent and turned inward so the kimono hem breaks diagonally across the frame; her torso leans slightly away from the lens while her chin stays tipped down, brow lowered and one corner of her mouth lifted into a slow teasing smirk, glowing purple eyes with slit pupils fixed on the viewer through the gap of her sidelocks. Her right hand lifts the wide detached sleeve at shoulder height, fingertips just brushing the sleeve's edge; her left hand rests low at her hip against the white shirt's open collar line, where the shirt shows sideboob and bare shoulders above the kimono's sash. Her very long pink hair with purple accents falls behind one shoulder in a heavy braid, sidelocks framing her face and the mole beneath her eye, hair ornament and earrings catching a violet edge-light against the dark; her floppy fox ears lie low and back, and several fox tails fan out behind her hips in the dim. Behind her the empty shrine hall recedes, cedar pillars and a hanging shimenawa holding the depth of field, and beyond her feet in the soft-focus background several desiccated male bodies lie on the floor, crumpled and gray, untouched by the light.
The only light comes from a low violet lantern glow behind the pillars and a cold shaft from the open doorway, backlighting her hair and shoulders with a hard rim while her face falls half into shadow; a white outline breaks her silhouette away from the darkness, and she casts a long shadow forward across the floorboards that stops just short of the whitened hands in the background. The palette holds violet, deep indigo, chalk white and a single pink accent carried by her hair, with the desiccated bodies in dead ochre-gray. Sharp cel-shaded planes, high contrast, vibrant accents inside a moody night. Ominous, unhurried.
nyx19-
hand drawn style, miko outfit, miko older sister, background is a shrine
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character: yae_miko. A close-up, three-quarter portrait from a slightly low angle, featuring yae_miko positioned diagonally from the lower-left toward the upper-right. She leans forward with a mischievous, closed-mouth smile and vivid violet eyes, placing her index finger vertically over her lips in a "shh" gesture. She has very long, voluminous pastel pink hair adorned with golden fox ornaments, flowing with detailed strands and soft highlights. She wears her canonical Grand Narukami Shrine maiden outfit, a white kimono with intricate red, black, and gold floral motifs and purple gemstones. The background is a heavily blurred traditional Japanese shrine interior with dark wooden lattices and soft daylight filtering through. The scene is illuminated by warm sunlight from the right, creating volumetric light rays, soft bloom, and atmospheric haze, with a cinematic depth of field and polished cel-shaded anime aesthetic.
nenek hayun
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character: yae_miko
1girl, solo, yae_miko, pink hair, very long hair, long hair, hair between eyes, purple eyes, fox ears, drooping fox ears, animal ears, hair ornament, japanese clothes, shrine maiden, detached sleeves, wide sleeves, bare shoulders, earrings, jewelry, three-quarter view, from side, dutch angle, cowboy shot, looking at viewer, sly smile, smug, half-closed eyes, raised eyebrow, head tilt, one hand raised, sleeve hanging, cherry blossoms, falling petals, floating petals, petals on hair, petals on sleeves, depth of field, soft pink palette, elegant
The camera holds an elegant three-quarter view from slightly below and a touch of dutch tilt, framing the shrine maiden in a cowboy shot so her hips and the fall of her sleeves stay inside the frame. She stands turned about three-quarters away from the lens, left shoulder nearer to the camera and right hip bearing her weight, right foot forward and pivoting on the ball; her left knee eases inward, giving the long body a slow curve rather than a straight line. Her chin dips toward her far shoulder and her eyes slide back along that turn to land almost sideways on the viewer, half-lidded under lowered upper lids, one brow arched higher than the other, one corner of her closed lips pulled up into a thin knowing smirk โ the face of someone who has already worked out the answer and is enjoying the wait. Her right forearm lifts beside her collarbone, fingers loosely curled inward at chest height, the wide sleeve falling away from the wrist and hanging in a long fold downward; her left hand rests against her sash at the hip, fingers spread flat on the fabric. Her pink hair is enormous and unbounded โ it pours from the crown past her waist, a heavy front lock falling between her eyes, strand ends lifting and drifting in the air as though a slow current moves through them. From the top of her head the two fox ears droop outward and down, tips hanging softly to the sides, fur catching the light along their upper edges, the inner surface shadowed. Bare shoulders rise clear above the kimono's collar, and the wide separated sleeves hang in deep rectangular panels off each arm, printed with pale pattern, the right panel swinging slightly outward as her forearm lifts. A small ornament sits where the hair is gathered at the back of her head; slim earrings hang at both earlobes and catch a tiny point of light.
The ground is a shallow plane of dark polished wood, its surface receding softly out of focus beneath her, and beyond it a deep muted backdrop of dusky indigo and warm shadow with faint suggestions of lattice and hanging drapery kept deliberately soft, well behind her and entirely out of focus. Cherry blossom petals fall all around her and float on the still air: some drift in front of her sleeves, some catch on the crown of her hair and the blunt tips of her fox ears, some hover level with her face and a few lie already settled on her shoulders and on the down-hanging fabric of her sleeves, each one a small flat pale-pink chip tilted at its own angle. A true source of warm low light comes from the upper left, behind her near shoulder; it rims the upper edge of her left sleeve, the top of her hair and the upward-facing fur of her right ear with a warm line, and throws the underside of her chin, the inner folds of both sleeves and the side of her neck into soft shadow, so the unlit petals read darker and duller than the lit ones. The palette is nearly closed: pink from the palest petal to the deep rose of her hair, warm cream and faint pattern in the silks, warm skin, and everywhere else a cool indigo-to-aubergine darkness that swallows the backdrop, admitting only a small glint of gold from the earrings. The petals that gather along the upward folds of her sleeves and the ear tips make the rising air visible, drifting against the downward pull of the hanging silk. Elegant and quietly sly.
Hg En
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