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macfarlane39

m3

macfarlane39

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1girl, 1 giant maggot larva, 2 subjects, young blonde college woman, long wavy blonde hair, pale light skin, cropped tank top, bare midriff, silver navel piercing, delicate jewelry on wrists and ears, utility pants, scared, frozen in terror, wide-eyed, eyes wide, looking up at monster, one hand raised, pressing back against corrugated metal wall, full-body shot, slight low angle, tense vertical composition, giant worm creature, segmented pale larva, glistening moist skin, dwarfing her completely, looming from shadows behind, dark spaceship interior, dark claustrophobic spaceship corridor, corrugated metal wall, red emergency lighting, blue backup lights, volumetric haze, dripping condensation, dramatic chiaroscuro, heavy film grain, horror atmosphere, 1980s painted movie-poster style, Seen from a slight low angle in a narrow vertical frame, the corridor recedes behind the woman in steep perspective, ribbed metal walls crowding in on both sides until the dark closes off the far end. The enormous pale segmented larva fills the upper third of the frame behind her, rearing up out of the black of the corridor, its body dwarfing her completely—her full height is less than a third of its coiled mass. Its hide is a wet, almost translucent gray-white, beaded with moisture that catches the red emergency light in tiny curved highlights, ring after ring of soft segmented bulk unfolding upward. At the top, a lipless mouth is half-open, wet inner folds catching the light, hanging above her with its shadow falling across her hair. She is pinned against the corrugated metal wall at the right of the frame, pressed back so hard the vertical ridges dig into her shoulder blades; her head tilts steeply toward the creature and her eyes are wide and terrified, catching twin red reflections. Her right hand is raised between the two of them, fingers splayed, wrist trembling. Her left hand presses flat against the wall at hip height for balance, her weight sunk onto her back leg, her whole body recoiling into the metal. She wears a white cropped tank top, its hem lifting slightly against the wall, exposing her bare midriff with her navel piercing glinting against pale skin; khaki utility pants with cargo pockets and a worn belt; small silver hoops in her ears and a thin chain bracelet on her raised wrist, both catching the blue light. Her long wavy blonde hair fans out against the corrugated wall and spills forward over her shoulders as she leans back. The light is split and severe: strobing red emergency lamps from deep down the corridor paint the right side of the scene in saturated crimson—the woman's cheek, forearm, and the creature's flank—while a cold blue backup source from the left edge cuts the opposite sides of both figures with ice-cold cyan rim light. The two sources meet in the middle of the corridor over her chest and face, throwing harsh chiaroscuro shadows: the ridges of the wall cast alternating black and red bars, the creature's bulk throws a giant soft shadow over the near wall behind her. Volumetric haze drifts through both light beams, and condensation runs down the metal in slow stretched droplets, catching light at their heavy bottom edges. Overall palette: deep blacks, saturated crimson red and cold blue, with pale skin tones and the creature's sickly white-gray as the only neutral values. Heavy film grain texture across the entire image, painterly 1980s airbrush-and-brush strokes with visible canvas tooth in the shadows. Quiet dread, tense.
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Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.82k

Creation Assistant

Mio.2
Agent
Mio.2

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AI artwork
m3
1girl, solo human, 1 alien creature, 2 subjects total, full-body shot, slight low angle, vertical composition, young woman, long wavy blonde hair, pale skin, light skin, cropped tank top, bare midriff, utility pants, navel piercing, silver navel piercing, jewelry, bracelet, earrings, scared, terrified, eyes wide, open mouth, looking up, one hand raised, arm up, pressing back against wall, leaning back, standing, dark spaceship interior, corridor, corrugated metal wall, giant worm creature, maggot-like alien larva, segmented body, moist skin, glistening, looming, from above creature / from below woman, harsh red emergency lighting, blue backup lighting, volumetric haze, fog, condensation, dripping water, heavy film grain, chiaroscuro, horror atmosphere, cinematic sci-fi horror illustration, 1980s painted movie poster style, The camera sits low in a ruined service corridor of a spaceship and looks up a narrow vertical shaft of space: a young woman fills the lower half of the frame in full body, seen from her boots to the crown of her head, her back pressed flat against the corrugated metal wall on the left, and above and before her the massive pale segmented larva rears out of the dark and bends over her, its bulk swallowing the upper right of the composition so that she reads as small as a hand against it. Her weight is thrown backward onto her heels, spine arched away from the creature, shoulders jammed into the ribbed wall so the corrugation prints its ridges against the fabric of her tank top; her right boot is planted flat, her left knee bent and sliding sideways as if about to give. Her left arm is raised before her face at chest height, palm out, fingers splayed and trembling, elbow bent, forearm crossing the line of sight between her eyes and the creature's descending head; her right hand is flat against the wall beside her hip, fingertips white where they brace. Her chin is tipped up and back, throat stretched, mouth open on a breath she cannot finish, nostrils flared, brow pulled high and together, and both eyes are wide open, whites showing, pupils dropped to the bottom of the iris, locked upward on the larva's mouthparts. Her long wavy blonde hair is unbound: the mass of it has slid back over her right shoulder against the wall and a few damp strands are plastered to her cheek and throat, the rest lifted slightly by the air moving in the corridor. The larva comes out of the shadowed ceiling above her: a huge pale maggot body of wet overlapping segments, each ring catching a rim of light along its upper edge so the low points between them fall deep grey, its skin glossy and beaded with moisture and streaked with running fluid. It rears, the front third of the body arcing up and forward, and its blunt head hangs over the girl with the faintly ringed mouth of a grub already half open, wet inner folds visible, a thin rope of mucus bridging from lip to lip. Its mass is pressed between the corridor ceiling and the right wall, and its lower segments disappear into darkness so there is no end to it; a single wet sheen trails long and unbroken down the side of one segment toward her. Dripping condensation is everywhere: fat beads hang from the ceiling grates and the pipe runs and slide down the corrugated ribs, and a slow trickle runs along the floor seams, breaking into a shallow reflective puddle at the lip of her boot. The light is split and unmixable: harsh red emergency lamps pulse through the smoke from a housing high behind the creature, throwing red along the top of its segments and along the wall above her head, while a cold blue backup light low in the left foreground rakes up across her knees, her bare midriff, her raised palm and the underside of her jaw, leaving the deeper parts of the corridor and everything behind the larva in absolute black. Volumetric haze sits thick between the two sources, so each beam has a body and a hard edge, and the droplets catch points of both colours. Chiaroscuro dominates: bright失业 rim on pale skin and wet keratin, crushing shadow in the middle of the corridor. Palette locked to wet pale flesh, cold steel blue, and red emergency light against near-black shadow, nothing else admitted. The painted movie poster finish drives it: hard airbrushed edges and visible brushwork in the alien hide, heavy grain over the whole frame, a slight registration softness, inks that sit deep and saturated. The glint of the small silver navel piercing and the thin silver bracelets and studs are the one cool white highlight on her body, catching the blue exactly as the film grain breaks over them. Dread held taut and claustrophobic.
macfarlane39
AI artwork
y3
A photorealistic film still from a 1981 American sci-fi horror movie, shot on 35mm anamorphic film with visible film grain, gentle halation glow on the highlights, and slightly faded 1980s color grading. A young blonde actress plays a college girl cornered in a derelict spaceship corridor: blonde hair in a high ponytail, a knotted tied crop top with bare shoulders, bare midriff with a small glinting silver navel piercing, a shiny metallic sci-fi mini skirt with utility straps, scuffed knee-high boots. She stumbles back a half step, empty hands half-raised in a defensive flinch, fingers splayed, face frozen in wide-eyed terror, mouth parted in a gasp, eyes locked on the threat above her. Looming behind and above her, dwarfing the corridor, a colossal practical-effects worm creature rears up — a pale segmented rubbery-muscled body slick with glistening slime and dripping translucent ooze, an eyeless blunt head with a puckered mouth, wet highlights catching the lamps like a foam-latex animatronic puppet. Set: grimy industrial ship interior with ribbed corroded metal walls, dangling cables, steam drifting from floor vents, a flickering amber warning lamp against cold blue emergency haze, volumetric light shafts, deep shadows. Low-angle widescreen composition with the creature towering over her, shallow depth of field, cinematic anamorphic framing, moody horror lighting, authentic early-1980s motion picture photography.
yamauchi39a5
AI artwork
y3
A tense sci-fi horror standoff rendered as a retro 1980s creature-feature film still, cinematic and gritty with subtle film grain. A young blonde college girl stands her ground in a derelict spaceship corridor, body angled three-quarter toward the viewer, stumbling back a half step with her empty hands frozen half-raised in a defensive flinch, fingers splayed. She has blonde hair in a high bouncing ponytail, wears a knotted tied crop top with bare shoulders and sleeves, her bare midriff showing a small glinting silver navel piercing, a sleek iridescent sci-fi mini skirt with utility straps, and scuffed futuristic knee-high boots. Her expression is wide-eyed terror, mouth parted in a gasp, eyes locked on the looming threat. Behind and above her, dwarfing the corridor, a colossal pale segmented maggot-like alien worm rears up — a ringed tubular body slick with dripping mucus, eyeless blunt head with a puckered mouth, casting a wet sheen under the lights. Environment: grimy industrial ship interior with ribbed corroded metal walls, dangling cables, steam hissing from floor vents, a flickering amber warning lamp and cold blue emergency haze mixing into volumetric shafts of light, rim light tracing her silhouette. Low-angle full-body composition emphasizing the creature towering over her, dramatic horror lighting, deep shadows. Tags: 1girl, blonde hair, ponytail, knotted crop top, midriff, navel piercing, miniskirt, science fiction, giant monster, raised empty hands, defensive pose, terrified expression, horror atmosphere, cinematic composition, 1980s anime film style
yamauchi39a5

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