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AI art "トイレ"
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トイレ

#3DCG#Horror#Scenery#Plant#No humans#Sink#Reflective floor#Indoors#Elevator#Mirror#Ceiling#Bathroom#Door#Cabinet#hallway#Tiled floor
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public restroom interior, women's restroom, spacious washroom, empty room, no humans, multiple sinks, large wall mirrors, tiled walls, tiled floor, hand dryers, soap dispensers, ceiling lights, toilet stalls in background, clean, bright, wide shot, from above, slight dutch angle, one-point perspective, vanishing point between the mirrors, immaculate, polished, quiet A wide shot from above and slightly off-axis, the camera hung high near the ceiling at a gentle dutch tilt, looking down the length of a spacious modern women's restroom so the room's full depth opens up. A long vanity runs along the left wall: six white rectangular basins set into a pale quartz countertop, each with a chrome gooseneck faucet, a wall-mounted brushed-steel soap dispenser centered above every second basin, and a thin underslung towel rail. Above the countertop the large wall mirrors run unbroken from end to end, their bottom edge meeting the counter's backsplash, and because the camera sits high they carry the reflected image of the room's far wall, the ceiling light coves and the opposite bank of stalls, so the space visibly doubles. The right-hand wall holds two recessed steel hand dryers with louvered nozzles and printed instruction plates, their power lights lit a soft green, spaced well apart along the tiled run. Behind the room, in the background, a bank of toilet stalls: pale sage-green partitions, brushed steel hinges and latches, three doors visible, one standing very slightly ajar so its edge casts a thin shadow across the floor tile. Every wall is clad in large-format matte white tile with a narrow darker grout line grid, and the floor is a matched porcelain tile in a staggered pattern, its grout grid converging toward the far stalls. The ceiling is a plain white plane carrying four square recessed light panels and a slim linear vent; the light from those panels is the room's only source, cool and even at roughly 5000K, laying soft overlapping pools across the countertop and floor, throwing pale highlights down the faucet stems and along the mirror's top edge, and leaving no corner in true darkness — reflections in the polished floor tiles glow brighter where a panel sits directly overhead and fade to grey away from it, and every mirror carries a faint double image of the ceiling fixtures, a degree darker and softer than the panels themselves. Not a single person anywhere: no figure, no reflection of a figure, no hand, no silhouette in the glass. The stalls are all empty and their doors hang still; the counter is dry except for one small bead of water sliding down the inside of the nearest basin and stopping at the drain. Palette: white, warm pale grey, brushed steel, pale sage, with the only saturated notes the small green power lights of the dryers. Clean linework, gentle colors, smooth glossy surfaces, crisp tile joints, everything spotless and evenly lit. Quiet, clinical calm.
Show Parameters
Original Prompt
modern women’s restroom, public restroom interior, spacious washroom, multiple sinks, large wall mirrors, tiled walls, tiled floor, hand dryers, soap dispensers, ceiling lights, toilet stalls in the background, clean and bright interior, no people
Mode
pro
Style
Classic Anime
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Classic Anime
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AI artwork
er
no humans, empty room, boarding school communal bathroom at night, long row of white porcelain sinks, bank of mirrors, tiled walls, stall partitions, dripping faucet, high-contrast anime style, bold halftone dots, graffiti marks, punchy neon colors, thick outlines, dutch angle, wide shot, from below, one-point perspective corridor of stalls, foreground sink edge, night, darkness beyond the doorway Dutch angle, from below and slightly to one side, looking down the length of a boarding school communal bathroom at night: a long counter of white porcelain sinks runs away from the camera along the left wall, its near basin cropped by the frame edge in the immediate foreground, and a bank of mirrors above it repeats the row into the dark. The camera sits low and tilted so the counter's leading line rises diagonally, one-point perspective pulling the stall partitions and the far door into a narrow vanishing point; thick tiled walls close the space on both sides, white square tile with a dark grout grid, and the ceiling bulkheads overhead are lost to shadow. Everything is empty of people — the room itself is the subject. Each sink has a chrome cross-handle tap and a bare drain; the leftmost faucet drips and the falling thread of water is caught mid-air a hand's width above the basin, a small bead hanging at its tip. Every mirror is a cold grey plate holding only reflections of the opposite stalls and the far wall, none of them bright, and along the bottom of the biggest mirror a thin run of condensation has spread from the hot-water pipe. One stall door at mid-distance hangs ajar on its hinge, out of line with its neighbours, casting a wedge of shadow across the tiled floor; the floor is small hexagonal mosaic, wet in patches near the counter where the water has run along the grout seams and pooled under the nearest basin, doubling the reflection of the light. Light comes from a single row of caged ceiling fixtures, most dead, two still burning — a hard cold white-green glow that strikes the tops of the taps, the upper rims of the basins and the near face of the stall partitions, and leaves every underside, every gap under the doors and the whole back of the room in deep black; the surviving lights throw long hard shadows of the ceiling cages down the tiled wall, halftone dot screens breaking the gradient where the light falls off. The palette is narrow and deliberate: cold white, green-tinged grey and pitch black, cut by one punchy neon magenta tag scrawled across the tiled wall above the mirrors and a matching cyan scrawl on the far stall door, both thick-outlined and slightly bled, like spray on grout. Halftone dots pattern the shadow areas, thick black outlines hold every tile edge and chrome fitting, and the drip's tiny splash on the porcelain rings out perfectly circular in the still basin — the only motion in the frame. Quiet dread, humming fluorescent unease.
Ed Ryan
AI artwork
Avatar image of backgrounder
A medium shot from a low-angle perspective captures the desolate interior of a public restroom. The scene is defined by a row of white ceramic urinals mounted along a cold, gray concrete wall, their surfaces reflecting a dim, sterile light. Below, the old tiled floor is cracked and stained, with grime settling into the grouts and reflecting the oppressive overhead lighting. The atmosphere is heavy and shadowy, with deep contrast and a sense of oppressive stillness. The visual style is a high-quality anime illustration, utilizing a muted color palette of grays and pale whites to evoke a sterile yet decaying mood, with subtle chromatic aberration and soft dust particles floating in the air.
backgrounder

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