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AI art "屋上で佇む彼" featuring #Red eyes, #hoodie, #Black hair, #Fence, #Boy, #full body, #Hood and #Closed mouth
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屋上で佇む彼

フェンスにもたれて物思いにふける彼の姿に、なぜか心が惹かれてしまいました。黒いフード姿なのに、その赤い瞳と優しい表情がとても魅力的ですよね。気に入っていただけたら、いいねやフォローよろしくお願いします！

#Red eyes#hoodie#Black hair#Fence#Boy#full body#Hood#Closed mouth
a1

aokage1207

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1boy, solo, high school boy, tall, 180cm, black hair, short hair, messy short black hair, red eyes, sharp eyes, narrow sharp eyes, slightly delinquent vibe, kind and serious expression, serious, gentle, cool handsome type, black hoodie, oversized black hoodie, shorts, black shorts, white socks, crew socks, sneakers, white sneakers, standing on one leg, leaning forward, hands in hoodie pocket, head tilt, looking down, from above, full body, rooftop, chain-link fence, daylight, blue sky, vertical The camera looks down from a steep high angle, three-quarters from the boy's front-left, so his whole 180cm frame fits the tall frame with the concrete rooftop spreading beneath his sneakers. He stands balanced on his right leg near the fence line, his left foot lifted and tucked behind his right calf with the white crew sock pulled taut at the ankle and the sneaker's sole showing; his hips are pushed a touch to the right to carry the weight, his shoulders loose, both hands sunk deep in the front pocket of the oversized black hoodie so the fabric tents forward and pulls the hem into soft folds across his thighs. His head is tilted slightly toward his left shoulder, chin lowered, and his narrow red eyes look down and away sideways past the fence, not at the lens -- an expression that reads serious and quiet rather than cold, the brows level, the mouth a flat, gentle closed line with no smile, a faint delinquent edge in the low half-lidded sharpness of the stare. Short black hair falls in a few soft uneven strands over his forehead, lifting slightly at the temple in the rooftop breeze. The hoodie is loose and matte black with a wide hood bunched around his neck and a drawstring hanging still; black shorts end above the knee; white socks stand out bright against the grey concrete; white sneakers are scuffed at the toe. Behind him the chain-link fence runs at a diagonal because of the high angle, its diamond mesh doubling over the sky and casting a faint crosshatch shadow onto the concrete beside his planted shoe, and one single variable detail grounds it: that mesh shadow is sharp only where it falls on the sunlit concrete and blurs to nothing where it drops into the fence's own shade. Sunlight comes high and from the upper right, rimming the top of his black hair and the shoulder of the hoodie, dropping his shadow short and to the lower left, leaving the front of the hoodie in deep soft black with only the fold ridges catching a thin grey sheen. Palette is black, white, warm concrete grey and a hard clear blue sky, with the red of his eyes the only saturated accent. He is the whole subject: detail on his face, the hoodie's folds, the sock and the sneaker, the fence reduced to a graphic mesh. Calm, quietly cool.
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Original Prompt
高校生男子、髪の色は黒色、髪型はショートヘア、瞳の色は赤色、目は鋭め、元ヤン要素を少し、優しいくて真面目なヤンキー、身長180cm、服装は黒パーカーに半ズボン、白色の靴下を履いている、靴はスニーカー、クール系イケメン
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.86k

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1boy, solo, stoic expression, closed mouth, unsmiling, flat level brows, gaze fixed ahead past the camera, black hoodie, oversized black cotton hoodie, hood down, drawstrings hanging loose, hands shoved deep into the hoodie's front pocket, gray cargo pants, gray heavy-canvas cargo pants, baggy legs, boxy side pockets with flaps, white shoes, clean white leather sneakers, brown hair, straight brown hair, tousled fringe over the forehead, green eyes, dull green irises, standing on one leg, weight on the right leg, left knee bent, left heel lifted, leaning back against a concrete wall, from below, close-up, cowboy shot, dutch angle, outdoors, concrete pillar, deep blue dusk sky, cold light, long cast shadow, concrete wall, alley, low angle, looking away, side profile The camera sits low and canted, tilted about twelve degrees so the vertical line of the concrete pillar behind him slants across the frame, and the shot is cropped at mid-thigh: a cowboy shot seen from below, his head small against a deep blue dusk sky at the top of the frame. The boy is seen three-quarter from his left, near profile -- enough to read the line of his jaw, the overhang of his brow, and the dull green of one eye fixed on something out of frame to the left, past the camera, not at it. His mouth is shut, level, with no curl at either corner; his brows sit flat and low; the eyelids are heavy and still. His body leans back against the pale concrete pillar so the pillar's surface carries his shoulder blade and the back of his hip, and the concrete is grainy and cold behind the black cloth. His right leg takes the load, planted straight, the white sneaker flat on wet asphalt with its laces tied and its toe scuffed only faintly; his left leg bends loosely, knee forward, left heel lifted clear of the ground, the toe of the other white shoe resting on its sole and casting a small separate shadow. Both hands are pushed into the hoodie's front pocket, the fabric pulled taut in a shallow drape from wrist to hip, the hood lying flat and empty across the back of his neck. The oversized hoodie is matte black cotton with soft folds at the elbows; the gray cargo pants are heavy canvas, boxy pockets hanging with real weight, one flap slightly lifted. His straight brown hair is mussed and pushed to one side by a light cross wind, the fringe lifting off his forehead on the left, one strand detached and sharp against the sky. The light is a single cold dusk source low from the left behind the pillar, so the rim of his cheek, the edge of the hood's shoulder and the outer line of his left arm catch a thin pale edge, while his face, the front of the hoodie and the hollow of the pocket fall into cool shadow. The pillar throws a long hard shadow that runs across the wet asphalt and loses its edge into a reflection in a shallow puddle, darker and softer than the wall it mirrors. Nothing else in the frame but the pillar, the asphalt, and the remaining dusk gradient from cold blue at the top to grey at the bottom. Quiet, unreadable.
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