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AI art "一期一振 - ハマギク" featuring #Touken Ranbu, #Ichigo Hitofuri and #What You Love, Your Way 3
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一期一振 - ハマギク

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3rd "Favorite Works" Contest
#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri 1:1, square composition, wide shot, low camera, from slightly below, solo, one adult man, male focus, full body, figure about 40% of image height, short aquamarine hair, neat side-swept bangs, yellow eyes, elegant slender adult male proportions, restrained shoulder breadth, balanced head-to-body ratio, balanced crouch, right boot on higher dry ledge, left boot braced below, left palm on raised knee, right palm flat on rock, leaning upper body toward flowers, head tilted down, looking at yellow flower centers, squared shoulders, controlled weight, admiring posture, long dark-indigo waxed cotton weather coat, broad turned-down collar, narrow charcoal wool facing, four small matte brass buttons, charcoal fabric belt, overlapped front panels, short lower-hem parting, dark trousers, full sleeves, strapped cuffs, coat below knees, long hem leaning toward sea, dark leather boots, close foreground Nippon daisies, white ray florets, golden-yellow disc florets, glossy spoon-shaped serrated green leaves, soil-filled rock crevice, smaller daisy clump beside right hand, six-centimeter flowerheads, continuous narrow stone shelf, mineral soil and fractured stone seam, gray-blue sea, broken dark coastal rock, cliff face at right margin, open gap left of shoulders, windy calm shoreline, thin cloud break upper-left, cool angled sunlight, sea reflection, contact shadows under boots and palms, rough stone, dull waxed cotton, single coherent light source, spectral watercolor texture, watercolor medium, wet-on-wet, prism effect, chromatic aberration, detailed line art, rough sketch, expressive lineart, messy brush strokes, translucent texture, painterly, soft shading, muted pastel palette, airy atmosphere, subtle lighting, anime illustration, blurry foreground, delicate rendering, masterpiece, best quality, detailed environment Seen from a low vantage beside the near-left blooms, the square composition looks slightly upward across a continuous narrow stone shelf. In the foreground, a rooted clump of Nipponanthemum nipponicum spreads white ray florets around round golden-yellow disc centers, its thick glossy spoon-shaped leaves edged with fine serrations and its sturdy stems rising from a soil-filled crevice between gray rocks; these near flowers are larger only because they are close to the lens and soften into the blurry foreground. The shelf draws the eye back to Ichigo Hitofuri, crouched on the right at roughly forty percent of the image height and fully visible from head to boots. His right boot is planted on a higher dry ledge and his left boot braces on the lower stone; his left palm rests on his raised knee, while his right palm lies flat on the rock just beside a smaller, separate daisy clump, carefully clear of the flowerheads. His upper body leans toward those middle-distance blooms, his shoulders stay squared, and his head tips down so his yellow eyes follow their yellow centers. A six-centimeter flowerhead in that clump reads a little narrower than his palm at the same depth, and a continuous seam of mineral soil and fractured stone links the foreground roots, the mid-distance clump, and the ledges under his boots. His long dark-indigo waxed-cotton weather coat falls below the knees over an ivory rib-knit high-neck sweater. The broad turned-down collar is edged with a narrow charcoal wool facing; four small matte brass buttons fasten the overlapping front panels from upper chest to the natural waist, where a narrow charcoal fabric belt passes through sewn loops and closes over both fronts. Below the belt the panels stay overlapped until a short parting at the lower hem reveals dark trousers in the crouch, and the full sleeves end in strapped cuffs, with cloth gathering at his lowered right elbow and the left sleeve compressing against his raised knee. The long hem leans toward the sea in the wind, and dark leather boots grip the two connected stone surfaces. The cliff face rises at the right margin, while the gray-blue sea shows through an open gap to the left of his shoulders; above, the broad water and a broken line of dark coastal rock fill the upper half. The shore is wind-exposed yet calm enough for a deliberate pause. A thin cloud break in the upper-left sky lets cool angled sunlight fall onto the white petals, the crown of his short aquamarine hair with its neat side-swept bangs, and the folds of the dark coat; sea reflection lifts the shadows beneath the flowers, and contact shadows under his boots and palms follow the same direction. The stone stays rough, the waxed cotton dull, and the flower centers distinctly yellow. The rendering uses wet-on-wet watercolor with spectral prismatic texture, chromatic aberration along edges, detailed sketch-like linework, loose messy brushes, translucent washes, soft shading, and a muted pastel palette with an airy, subtle-lit anime-illustration feel.
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Original Prompt
A square 1:1 wide view of a rocky autumn shoreline on the Pacific side of northern Japan. Large white Nippon daisies rooted among the near-left rocks lead the eye along a continuous narrow stone shelf to Ichigo Hitofuri crouching farther back on the right. His entire figure is visible from head to boots and occupies about forty percent of the image height. The camera is low beside the near flowers, looking slightly upward across the rock shelf. The broad gray sea and a broken line of dark coastal rock occupy the upper half, while the man and the plants share one believable perspective. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth. He holds a balanced crouch above the uneven stone, with his right boot planted on a higher dry ledge and his left boot braced below it. The left palm rests on his raised knee. His right palm rests flat against the solid rock just beside a separate clump of white daisies within easy reach, not against the fragile flowerheads. His upper body inclines toward the blooms beside him, and his head is tilted to look at their yellow centers. His squared shoulders and controlled weight convey admiration for the sturdy flowers facing the same sea wind as he does. He wears a long, dark-indigo weather coat of dense waxed cotton over an ivory rib-knit high-neck sweater. The coat has a broad turned-down collar with a narrow charcoal wool facing. Its overlapping front panels are fastened by four small matte brass buttons from upper chest to the natural waist. A narrow charcoal fabric belt passes through sewn loops and closes over both front panels at that waist. Below the belt the fronts remain overlapped until a short parting at the lower hem exposes the dark trousers during the crouch. Full sleeves end in strapped cuffs; cloth gathers at the lowered right elbow and pulls diagonally toward the belt, while the left sleeve compresses against his raised knee. The coat ends below the knees. Dark leather boots grip the two connected stone surfaces; the long hem leans toward the sea in the wind. The close foreground holds a naturally rooted clump of Nipponanthemum nipponicum. Its white ray florets spread around round golden-yellow disc florets, above thick glossy spoon-shaped green leaves with serrated outer edges. The plant's sturdy lower stems emerge from a crevice filled with soil between gray rocks. A separate, smaller rooted clump stands beside his right hand in the middle distance; this is the clump he is looking at. Its flowerheads are about six centimeters wide, a little narrower than his nearby palm at the same depth. The foreground blooms appear larger only because they are nearer the camera. A continuous seam of mineral soil and fractured stone connects their roots, the middle-distance clump and the ledges beneath his boots. The cliff face rises at the right margin and the gray-blue sea remains visible through an open gap to the left of his shoulders. The shoreline is exposed to wind yet calm enough for a deliberate pause. Thin cloud breaks in the upper-left sky and admits cool angled sunlight onto the white petals, the crown of his short aquamarine hair and the folds of his dark coat. Sea reflection lifts the shadows beneath the flowers, while contact shadows under his boots and palms follow the same light direction. The stone stays rough, the waxed cotton dull, and the flower centers distinctly yellow. A single coherent lighting setup. masterpiece, best quality, detailed environment, spectral_watercolor_texture, watercolor (medium), wet-on-wet, prism effect, chromatic aberration, detailed line art, translucent texture, painterly, sketch, rough sketch, expressive lineart, messy brush strokes, delicate rendering, soft shading, muted colors, airy atmosphere, subtle lighting, anime illustration, male focus, pastel color, solo, blurry foreground
Mode
pro
Quality Tag
﹝Prompts﹞
Size
992 x 992
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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