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- Original Prompt
- ishtar (fate), 後入的誘惑
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
Similar Images
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j
blushing, fat ass, giant ass, thick ass, thick thighs, fat thighs, giant thighs, sexy, lucakp style, artist:lucakp, kobeni higashiyama, chainsaw man, black hair, hair ornament, hairclip, mole, mole under eye, ponytail, short hair, brown eyes
jumbobskeedo
Rin Tohsaka
Olcadan El Brujo
s4
breasts, looking at viewer, smile, big ass, japanese room, indoors, clothes, style suyachan, waguri, 1girl, solo, black hair, blue eyes, hair intakes, long hair, black hairband, dress, handbag, long sleeves, white shirt, frills, belt, loafers, Cham22Style
seila4cara
d
character: hiratsuka_shizuka, copyright: yahari_ore_no_seishun_lovecome_wa_machigatteiru.
1girl, solo, hiratsuka_shizuka, long brown hair, very long hair, brown eyes, seiza, kneeling, hands cupped together, hands in front of chest, palms up, saucer-shaped hands, chest out, straightened back, good posture, looking up, upturned eyes, looking at viewer, eye contact, slight blush, embarrassed, shy, sleeveless blouse, white sleeveless blouse, bare shoulders, black business skirt, pencil skirt, very close range, close-up, from above, slightly looking down at viewer, slight high angle, directly frontal, indoor, dim room, dark private room, low light, warm lamp glow, anime coloring, cel shading, clean lineart, cinematic lighting,
The view is a tight frontal close-up from slightly above, the camera looking down the few degrees into her upturned face at almost no distance at all, so her shoulders and the tops of her knees crowd the bottom edge and her head sits large in the upper center. Hiratsuka Shizuka kneels in seiza on the floor of her dim private room, her weight settled on her heels with both shins flat and her knees together in front of her; her back is drawn up straight and her chest is pushed proudly out, a disciplined, textbook posture that her flushed face entirely fails to match. Both hands are brought together in front of her sternum and cupped into a flat saucer, palms up, fingertips meeting, held steady as though offering something invisible. Because the camera is above her, she must tip her chin down and roll her eyes up to meet the lens — the whites show under her brown irises, her upper lids lowered a fraction, the classic upturned look — and the contact is direct and unbroken, her own choice, held a beat too long. Her cheeks carry a soft, uneven blush, deeper on her left, and her mouth is pressed into a small embarrassed line, one corner tugged down, a breath held in her chest. Her long brown hair falls behind her shoulders, most of it hidden past her back, a few strands slipping forward over the sleeveless blouse at her collarbone. The white sleeveless blouse is cut wide at the armholes, her shoulders and upper arms completely bare, the fabric creasing at her lifted chest; the black business skirt is pulled taut over her thighs and spread flat across her folded knees.
The room around her is almost entirely swallowed by shadow: she sits in the one soft warm pool of a small lamp off to the right of frame, which lights the right side of her face, the ridge of her nose, her front shoulder and the tops of her cupped hands, while the left side of her cheek and the hollow under her chin sink into brown darkness and the far wall behind her is invisible, giving up only a faint sheen along a picture frame's edge. Her shadow falls short and dense beneath her knees. The palette stays narrow and warm — skin and lamplight cream, hair and shadow warm brown, the blouse off-white, the skirt reading near-black — with nothing cool admitted except the pale catchlights in her eyes. Detail is spent on her face, the blush, the eye contact and the shallow cups of her hands; the background stays a soft, out-of-focus dark.
quiet intimacy, tender and awkward
Dtydigfder
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