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オフィスでときめく彼女の視線
オフィスでこちらを振り返る彼女の姿に、思わず心が奪われちゃいました。タイトなスカートから伝わる曲線美と、ハートが飛び交うような甘い表情がたまらなく魅力的です。気に入っていただけたら、いいねとフォローをよろしくお願いします！
Show Parameters
- Mode
- lite
- Style
- Retro Glam Anime
- Size
- 768 x 1280
Style: Retro Glam Anime
Model & LoRA used
Similar Images
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character: kuwayama_chiyuki. A low-angle shot from behind captures kuwayama_chiyuki in a brightly lit office during the morning. She is positioned centrally, her body facing away from the camera while she turns her head back to look over her shoulder. She is dressed as an office lady in a professional outfit with a seethrough fabric element, emphasizing her wide hips. Her expression is one of embarrassment, with a gentle smile and a visible blush on her cheeks. Her long brown hair is styled with a braid and a small ahoge. The background consists of a clean, modern office environment with desks and equipment, softly blurred to keep the focus on her. The lighting is soft and natural, creating highlights on her smooth, glossy skin. The visual style is high-quality anime illustration featuring sharp focus, clean linework, and a gentle, bright color palette that evokes a fresh morning atmosphere.
uru
character: kuwayama_chiyuki. A low-angle shot from behind captures kuwayama_chiyuki in a brightly lit office during the morning. She is positioned centrally, her body facing away from the camera while she turns her head back to look over her shoulder. She is dressed as an office lady in a professional outfit with a seethrough fabric element, emphasizing her wide hips. Her expression is one of embarrassment, with a gentle smile and a visible blush on her cheeks. Her long brown hair is styled with a braid and a small ahoge. The background consists of a clean, modern office environment with desks and equipment, softly blurred to keep the focus on her. The lighting is soft and natural, creating highlights on her smooth, glossy skin. The visual style is high-quality anime illustration featuring sharp focus, clean linework, and a gentle, bright color palette that evokes a fresh morning atmosphere.
uru
1girl, solo, office lady, from behind, looking back, face turned back toward viewer, looking at viewer, from below, low angle, close-up, cowboy shot, morning, office interior, see-through, sheer white blouse, translucent fabric, black pencil skirt, smooth glossy skin, glossy skin, soft lighting, blush, embarrassed, gentle smile, closed-mouth smile, half-closed eyes, head tilt, long dark brown hair, hair over one shoulder, arm at side, hand resting on desk edge, papers on desk, monitor glow, window blinds, warm dawn light
The camera sits low behind her and looks up: the frame is dominated by her back and shoulders, and her head is turned over her shoulder so that only her face comes back toward the lens, the chin tilted down, one cheek pressed near her own shoulder. She leans slightly forward onto a desk edge, weight on her left hip and left forearm, right arm hanging loosely, fingers curled against the lip of the desktop. Her long dark brown hair has slipped forward over her shoulder on the side she is turning away from, and a few strands lie across her cheek. Her eyes are half-lidded and cast down toward the viewer at a shy slant, not a full stare, and her lips hold a small closed gentle smile while a warm blush spreads across both cheeks and the bridge of her nose; her brows pinch faintly at the inner ends, embarrassed.
She wears an office lady's white blouse whose fabric is genuinely sheer: the weave lets the dawn light pass through it, the blouse's outlines and the shadow of her back reading dimly behind the cloth, its collar and cuffs crisper and more opaque than the body of the shirt, the hem tucked into a black pencil skirt that hugs her hips and creases across the back of her thighs where she leans. Her skin is smooth and glossy, a soft sheen along her cheekbone, the bridge of her nose and the exposed back of her neck where the light grazes.
Behind and around her the office is legible but secondary: a desk with loose papers fanned under her forearm, the edge of a monitor at frame left with a dim idle glow, a rolling chair pushed back, a filing cabinet and a run of window blinds in the background, all softened by shallow depth of field. The light source is the morning sun coming through those blinds from frame right; it lays warm stripes across her shoulder, the desk and the papers, catches the fine fibers of the sheer blouse to make them glow, and leaves the left side of her face and the underside of her jaw in cooler shadow. The palette stays gentle: warm cream and pale gold morning light, clean whites, deep black of the skirt, warm skin, dusty blue-grey office behind.
Clean linework, gentle color tones, high detail with sharp focus on her face and the sheer fabric at her shoulder, background falling away softly. Quiet, tender embarrassment.
uru
1girl, solo, office lady, from behind, looking back, face turned back toward viewer, looking at viewer, from below, low angle, close-up, cowboy shot, morning, office interior, see-through, sheer white blouse, translucent fabric, black pencil skirt, smooth glossy skin, glossy skin, soft lighting, blush, embarrassed, gentle smile, closed-mouth smile, half-closed eyes, head tilt, long dark brown hair, hair over one shoulder, arm at side, hand resting on desk edge, papers on desk, monitor glow, window blinds, warm dawn light
The camera sits low behind her and looks up: the frame is dominated by her back and shoulders, and her head is turned over her shoulder so that only her face comes back toward the lens, the chin tilted down, one cheek pressed near her own shoulder. She leans slightly forward onto a desk edge, weight on her left hip and left forearm, right arm hanging loosely, fingers curled against the lip of the desktop. Her long dark brown hair has slipped forward over her shoulder on the side she is turning away from, and a few strands lie across her cheek. Her eyes are half-lidded and cast down toward the viewer at a shy slant, not a full stare, and her lips hold a small closed gentle smile while a warm blush spreads across both cheeks and the bridge of her nose; her brows pinch faintly at the inner ends, embarrassed.
She wears an office lady's white blouse whose fabric is genuinely sheer: the weave lets the dawn light pass through it, the blouse's outlines and the shadow of her back reading dimly behind the cloth, its collar and cuffs crisper and more opaque than the body of the shirt, the hem tucked into a black pencil skirt that hugs her hips and creases across the back of her thighs where she leans. Her skin is smooth and glossy, a soft sheen along her cheekbone, the bridge of her nose and the exposed back of her neck where the light grazes.
Behind and around her the office is legible but secondary: a desk with loose papers fanned under her forearm, the edge of a monitor at frame left with a dim idle glow, a rolling chair pushed back, a filing cabinet and a run of window blinds in the background, all softened by shallow depth of field. The light source is the morning sun coming through those blinds from frame right; it lays warm stripes across her shoulder, the desk and the papers, catches the fine fibers of the sheer blouse to make them glow, and leaves the left side of her face and the underside of her jaw in cooler shadow. The palette stays gentle: warm cream and pale gold morning light, clean whites, deep black of the skirt, warm skin, dusty blue-grey office behind.
Clean linework, gentle color tones, high detail with sharp focus on her face and the sheer fabric at her shoulder, background falling away softly. Quiet, tender embarrassment.
uru
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