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Delmonda

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Delmonda

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1girl, solo, center, white hair, long hair, hair down, straight hair, white eyes, blank white eyes, near-white skin, pale skin, off-white skin tone, all-white outfit, white dress, small spherical puff sleeves at the shoulder roots, ball-shaped sleeve cuffs, tight waist, cinched waist, narrow waist, knee-length skirt, very fluffy skirt, hemispherical bell skirt, skirt billowing like the top half of a sphere, peplum, side drapes, half-circle drooping drapes on both sides, drapes reaching just above skirt hem, hollow space under skirt, skirt interior empty, no legs visible under the skirt, floating skirt, friendly, unthreatening, soft gentle smile, closed mouth, half-closed eyes, calm, unbothered, arms at sides, small round hands, standing on tiptoe, head tilt, looking to the side, idols in background, multiple girls, three background idols, different hair colors, different hairstyles, identical outfit structure in different colors, pastel pink dress, mint green dress, lavender dress, speech bubble, text, "衣装地味すぎない", comic panel, depth of field, soft studio lighting, white color scheme, bright palette, from below, cowboy shot The camera sits low and looks slightly up: the white-haired girl holds the center of the frame in a three-quarter view, her chin tipped a few degrees to her left, her weight settled onto her right leg so her left heel lifts just off the floor and the hem of the huge skirt swings a half-step behind her. Her long white hair falls loose and straight past her shoulders, parting over one collarbone, the strands catching the light on their outer curve and going faintly grey where they fall into shadow behind her neck. Her eyes are white — no iris tint at all, only a faint grey rim where the lid meets the eye — and she looks off to her left, past the viewer, with a small closed-lip smile that pulls one corner a touch higher; her brows are relaxed, her lids half lowered. Her skin is near-white, a pale warm off-white rather than paper, and it takes a soft peach-pink bounce along the cheek and the underside of her jaw so the face never reads as a flat cut-out. Her outfit is entirely white: the sleeves are two small spheres of stuffed white fabric sitting right at the very tops of her arms, barely past the shoulder joint, and the cloth pinches to nothing beneath them; her waist is drawn in tight with a narrow white band; below it the skirt flares out in a broad fluffy dome, the top half of a sphere, its white fabric full of soft folds and lit from above so each fold carries a bright crest and a grey trough. Over the skirt's upper half, hanging from the waist, two half-circle drapes droop at her left and right hips like a peplum, their lower edges stopping a hand's width above the skirt's hem, sagging in soft catenary curves. Beneath the hem there is nothing: the skirt is a closed hollow shell with empty air where legs should be, its inside unlit and pale grey, the front hem lifted slightly by whatever holds the costume up. Her arms hang relaxed, hands small and open at her sides. Behind her, spaced across the studio floor at different depths — one at her left shoulder, one at her right, one further back — three ordinary idols wear the same costume structure in pastel pink, mint green and lavender, each with a wholly different hairstyle and hair color: one short and copper, one in a high dark ponytail, one with long ash-blonde waves. They lean slightly toward her; the copper-haired one on the right has her mouth open mid-sentence and her hand lifted palm-up toward the white costume, and a white speech bubble sits at the right edge of the panel, its tail pointing at that idol, carrying the line "衣装地味すぎない" in clean rounded comic lettering. The white-haired girl does not turn her head toward the bubble; her gaze stays off to the side, her smile unchanged, entirely unbothered. The light is a soft even studio key from above and slightly in front, casting gentle contact shadows under the drapes and a faint grey pool beneath each idol's feet on the seamless white floor; the background falls to a clean bright white. The whole palette is white against white, separated only by grey shadow and the three pastel accents of the surrounding costumes, so the center figure's whiteness reads as deliberate rather than absent. Calm, quietly amused.
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Original Prompt
普通の女子高生だが ・髪は䞋ろしおいお癜い ・瞳の色は癜 ・肌色は癜に近いが完璧な癜ではなくあくたで癜に近い色 ・袖口は腕のすぐ付け根にあっお小さい球のように䞞い ・腰はきゅっずしおいる ・スカヌトは膝䞊䞈か぀ずおもふんわりず半球の䞊郚分のように広がっおい る ・スカヌトの䞊にはスカヌトの裟のちょっず䞊くらいたでの倧きさの半円のようなたるんだ圢状のドレヌプがペプラムのように巊右に぀いおいる ・むメヌゞカラヌは党お癜 ・でも党然怖くない芋た目 ・スカヌトの䞭は空掞 ずいう衣装。 呚りにいる色は党く違い髪型も髪色も様々だが服装の構造は色以倖ほが䞀緒の普通のアむドルから「衣装地味すぎない」ず蚀われるが気にしない。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit,
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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multiple girls, 3girls, idol group, all-white outfit, white hair, long hair, hair down, white eyes, pale skin, near-white skin, cinched waist, puffy short sleeves, ball-shaped sleeve cuffs, spherical sleeve puffs, above-knee skirt, fluffy skirt, hemisphere skirt, peplum, half-circle side drapes, white color scheme, monochrome white, gentle expression, calm, indifferent, unbothered, light smile, half-closed eyes, looking to the side, standing, dutch angle, cowboy shot, speech bubble, quoted text, backlight, soft rim light, pale grey background, soft studio glow, plaster-white backdrop A slight low-angle dutch tilt, framing the girl from mid-thigh to just above the crown, with three other idols fanned behind her at different depths so the group reads as one cluster with her at its front-center. She is a high school girl with long white hair falling loose and unbound past her shoulders, strands parted and draped forward over both collarbones, and white eyes with faint grey irises that keep them readable against the sclera. Her skin is a near-white cream, a shade warmer and softer than the white of her clothes, so her face and hands read as flesh against cloth rather than merging into it. She wears a white blouse with a narrow cinched waist pulled tight and clean, and short sleeves that stop at the very base of the upper arms in small round ball-shaped puffs that sit like little spheres capping each shoulder. From the waist a very fluffy white skirt flares out above the knee in the smooth swelling curve of a hemisphere's upper half, the fabric standing away from her hips in soft structured volume, and over it on both sides hang white half-circle drapes, loose and drooping like a peplum, their lowest edges stopping just a little above the skirt hem. Everything she wears is white, worked in matte cotton and a slightly glossier skirt fabric so the whites separate by texture and sheen alone. Her weight rests on her right leg with the left knee slightly bent and turned inward, one hand lifted loosely near her waist with the fingers just brushing the peplum edge, the other hanging relaxed. Her chin is tipped a little down and her gaze slides calmly off to the left, past the idols, lids half lowered, the corners of her mouth settled into a faint closed-lip smile, entirely unruffled. Behind her the ordinary idols wear outfits of identical construction in their own colors -- one dusty rose, one pale gold, one soft mint -- their ball sleeve puffs, cinched waists, hemisphere skirts and side peplum drapes matching hers in shape so the contrast is color and fuss alone. The nearest idol leans in over the girl's right shoulder, mouth open mid-complaint, one hand raised palm-up toward the girl's sleeve, her eyes fixed on the plain white fabric. A jagged speech bubble rises above the idols' heads and reads "衣装地味すぎない" in bold hand-lettered strokes, its tail pointing at the leaning idol. The girl does not turn toward her; her expression does not change. The light is one broad soft source from high front-left, laying gentle highlights along the tops of the ball cuffs, the crown of her hair, and the upper swell of the skirt, with soft grey shadow pooling beneath the skirt's flare and behind the cluster; the backdrop is a seamless pale grey sweep with a faint glow behind her white silhouette to keep her from dissolving into it, and the cast shadows fall short and soft to the lower right. Harmless, gentle, quietly unbothered.
Delmonda
AI artwork
d
solo, 1girl, high school girl, long hair, hair down, white hair, straight hair, white eyes, pale skin, near-white skin, all-white color scheme, white outfit, shoulder cuffs, spherical sleeve cuffs, puffy short sleeves, cinched waist, narrow waist, above-knee skirt, short skirt, extremely fluffy skirt, hemisphere silhouette skirt, white skirt, semicircular side drapes, drapes from waist to just above hem, looking at viewer, head tilt, from below, cowboy shot, standing on one leg, arms out, one hand raised, open mouth, light smile, blush, floating hair, dutch angle, From a low angle looking up at her, one ordinary high-school-age girl stands alone in a seamless white studio void, backlit so the ground falls away into a soft pale gradient behind her hips. Her long white hair hangs loose and straight, unfastened, lifted at the ends by a small upward draft and drifting sideways off her shoulders; it is the brightest thing in the frame, one shade lighter than the near-white of her skin, which sits a half-tone warmer and casts a faint warm shadow under the jaw and along the throat. Her eyes are white too, iris and rim both, with only a thin cool-grey limbal line and a pinpoint catchlight to read the shape of them; she tilts her head toward her raised shoulder and looks straight into the lens, mouth softly open at the corner in a light smile, a little color riding high on her cheeks and the tip of her nose. She is caught mid-weight-shift: her left leg bears everything, right knee bent and lifted so the right toe hovers just off the floor, both arms out at shoulder height with the left hand raised open as though she had just spun to a stop. The dress is white end to end and nothing else. At the very base of each arm, where the sleeve meets the shoulder, sits a small spherical cuff, a tight round ball of white fabric that pinches in and then billows out into a short puffed sleeve above it, the seam shadow rolling under the sphere like a pearl in a cup; the fabric pulls into fine radial creases at the cuff's equator. Below, her waist is drawn in hard and clean, the white bodice hugging the ribs before the skirt explodes outward: an above-knee skirt starched and gathered into the upper half of a hemisphere, so wide and frothy it holds its dome shape on its own, the hem floating level and unbroken in a perfect arc around her lifted knee with its pleats standing open and the underside faintly shaded. Over that dome, on the left and on the right, hang two semicircular drapes of the same white cloth, each a half-disc falling from the skirt's top edge down to just above the hem, their curved outer edges scalloped loose and swinging a finger's width clear of the skirt beneath, so the two layers of white read as separate planes with a sliver of shadow wedged between them. The backlight rim-lights both drapes along their outer curves and leaves the front of the skirt slightly dimmer, so the whole silhouette glows at its edges and the hemisphere of the skirt is legible as one single volume. Cool, almost monochrome, white on white on white broken only by the warm blush and the thin shadow held under the skirt and inside the cuffs; ethereal, weightless.
Delmonda
AI artwork
d
1girl, solo focus, white hair, long hair, hair down, straight hair, white eyes, pale skin, near-white skin, not pure white skin, white theme, all-white outfit, white dress, puffed ball sleeves, spherical shoulder cuffs, small round ball cuffs at upper arms, bare arms, slim waist, cinched waist, knee-length skirt, very fluffy skirt, hemispherical bell skirt, wide skirt, white peplum drapes, half-circle side drapes at hips, drapes ending just above hem, friendly, approachable, not scary, gentle closed-mouth smile, light smile, head tilt, looking at viewer, outstretched arm, pointing at viewer, waving, standing, surrounded by men, 4boys, multiple boys, skinny men, thin build, otaku, crowd, from above, high angle, looking up, close-up, depth of field, white palette, indoor, soft lighting. The camera looks down from above at a slight high angle, so the girl fills the center of the frame and the four skinny men ring her below, their heads and shoulders compressed into a tight arc around the wide white bell of her skirt. She stands with her weight on her right leg, left knee bent, left hip pushed out so the cinched waist reads as a narrow pinch between the flared ball-cuffed shoulders and the huge hemisphere of the skirt. Her long straight white hair falls loose down past her hips, and where it crosses her chest and shoulders it separates cleanly against the near-white dress, the strands reading as white-on-near-white by the faintest cool shadow. Her skin is the near-white of skimmed milk, a shade warmer and softer than the white fabric, so her face and bare arms stay legible against the dress without needing outlines. The skirt is knee-length and balloons out from the waist into the top half of a hemisphere, with crisp soft folds that bulge outward and settle into a clean round hem; on each side at hip level hangs a large half-circle drape, slack and drooping like a peplum, its lower edge stopping just above the skirt hem, and the fabric sags in a soft U from its upper anchor. Her sleeves are tiny rounded balls cupped at the very top of each arm, and her bare arms come out of them below. She has turned her head toward the lens and tilted it just slightly; her white eyes are wide and warm, not blank, with a soft spark of highlight in each, and her mouth is a small gentle smile, entirely friendly, nothing eerie about the white-on-white. Her right arm reaches out toward the viewer with the index finger pointing, the ball sleeve riding up at the shoulder, while her left hand rests at her hip and lightly grips the side drape, denting the fabric. The men pressing in around her are skinny and stooped: one at lower left pushes his glasses up with one finger, another at lower right clutches a plain paper bag to his chest and stares up at her, a third at the back left holds a phone up as if snapping a photo, and a fourth at the back right scratches the back of his neck and looks away flustered. All four face inward toward her, their heads tilted up, and their narrow shoulders bunch close with barely a gap between them. She looks out past them at the viewer with an easy, unbothered warmth, one brow slightly raised, as if she is perfectly used to the crowd and pleased by it. The setting is a plain room in cool white-grey: a smooth wall behind, a pale floor, no clutter, so the ring of figures reads as one bright knot of white against a muted grey. The light comes from high and slightly in front, a soft even key that catches the sheen on the tops of her shoulders, the crown of her hair and the outward-bulging ridges of the skirt folds, while each fold carries a thin cool shadow in its valley and the undersides of the two side drapes fall darker. The four men cast small compressed shadows onto the floor at her hem, and the pile of them crowds close enough that their shadows touch. White is the palette and it lands in layers: pure white fabric, white hair a half-step cooler, skin just off-white, and the only real darkness in the four otaku silhouettes and the floor shadow. Quietly cheerful and unthreatening.
Delmonda

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