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AI artwork featuring #Genshin Impact, #Arlecchino and #PixAI Halloween 2026
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Arlecchino, Genshin Impact

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Genshin Impact#Arlecchino
n2

nyx20

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character: arlecchino_(genshin_impact), artist: ratatatat74, copyright: genshin_impact 1girl, solo, arlecchino \(genshin impact\), multicolored hair, black hair, white hair, grey hair, two-tone hair, streaked hair, black streaks, long hair, very long hair, short hair, ponytail, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, long sleeves, coat, white coat, jacket, shirt, dress, black gloves, gloves, colored extremities, black hands, jewelry, white outline, beautiful face, malevolent expression, seductive look, teasing smirk, elegant, seductive pose, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, cowboy shot, from below, looking down at viewer, leaning forward, arm support, hand on own hip, head tilt, half-closed eyes, one eyebrow raised, parted lips, sidelong glance The camera sits low, tilted up: a cowboy shot cropped at mid-thigh, so the woman towers over the lens against the vast grid of a penthouse window wall. She is caught mid-pivot on her right leg, left knee bent and left toe barely grazing the polished black marble; her weight rides the right hip, which juts toward the viewer. Her torso is angled a quarter turn away, but the head turns back over the near shoulder so her face lands near three-quarter view, chin tucked, looking down at the lens along her cheekbone. Her hair is a long pale fall of white and grey shot through with black streaks, gathered into a low ponytail that drops past her waist and swings forward over the far shoulder at the momentum of the turn; a short, uneven black-and-white fringe hangs between her eyes, the white half catching the backlight into a thin glowing edge. Her eyes are black with rust-red pupils, and each pupil is cut through by a clean x-shaped symbol. Eyelids half lowered, one brow arched high, the corner of her mouth pulled into a slow teasing smirk with a sliver of teeth showing -- a malevolent, elegant, wholly unhurried amusement. She wears a white tailored coat worn open over one shoulder so it hangs off her frame, a black jacket beneath, a dark dress falling over the hips and the long sleeves ending in tight black gloves. Her gloved hands are black to the wrist: the right planted on her own hip with fingers splayed and the thumb hooked at the belt, the left hanging loose, knuckles just brushing the coat's lapel. Jewellery glints at her throat and at the wrist where the glove meets the sleeve -- small, cold, catching pinpoints of the light. The backdrop is a high-rise interior: floor-to-ceiling window planes, black steel mullions, a city night glittering far below and far out, cool blue-grey haze hanging in the air. Several desiccated male bodies lie sprawled across the marble floor behind her at different angles, dry skin taut over bone, suits crumpled and hollow, their shapes defocused into soft silhouette by the shallow depth of field. The only light is behind her: the window wall burns cold and blue-white, rimming her shoulders, the top of her head, the edge of the coat and the ponytail with hard bright contours, while the front of her face sits in dim, warm-shadowed half-light; the marble mirrors the window grid in long stretched reflections, and her cast shadow sweeps forward across the bodies at her feet. The palette is black, bone-white, cold blue and a single rust-red in the pupils and the jewelry, nothing else admitted. Anime cel-shading with hard edge shadow breaks, seamless-smooth gradients in the backlight haze, crisp black outlines and a thin white contour riding her silhouette against the dark, ultra-high detail in the face and hands, the bodies and city softened into depth. Ominous, effortlessly commanding.
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Original Prompt
1girl, arlecchino (genshin impact), multicolored hair, black hair, white hair, streaked hair, symbol-shaped pupils, x-shaped pupils, long hair, black eyes, red pupils, hair between eyes, grey hair, short hair, long sleeves, two-tone hair, coat, black streaks, gloves, colored extremities, jewelry, black hands, jacket, shirt, dress, blue eyes, very long hair, black gloves, ponytail, several desiccated male bodies lie on the floor in the background, skyscraper high-rise interior background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, seductive pose, elegant, teasing smirk,
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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AI artwork
n2
artist: ratatatat74 1girl, solo, vampire, long hair, short hair, asymmetrical bob, three-tone hair, multicolored hair, black hair, white hair, red hair, black streaks, streaked hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, beautiful face, elegant, malevolent expression, seductive look, detached look, half-closed eyes, looking at viewer, head tilt, coat, jacket, shirt, dress, long sleeves, black gloves, black hands, colored extremities, jewelry, standing, one hand raised, curtain of glass behind her, several desiccated male bodies lying on the floor, desiccated corpses, skyscraper high-rise interior, night, floor-to-ceiling window, city lights, volumetric lighting, ominous lighting, rim lighting, backlighting, depth of field, white outline, sharp cel-shading, high contrast, wide-angle perspective, cinematic composition, from below, cowboy shot, dark palette, deep black, bone white, arterial red, moody atmosphere, masterpiece, best quality, absurdres The camera sits low and close, tilted up from floor level so the vampire girl towers over the lens in a cowboy shot from mid-thigh to the top of her head. She stands just off-centre on the right of the frame, weight sunk onto her left hip and left leg, right knee relaxed and slightly bent, shoulders tipped a few degrees off square so her silhouette cuts a long diagonal against the window. Her chin is lowered and turned a fraction toward her right shoulder, giving a three-quarter view of a beautiful face held in flat, detached calm — lids heavy and half-closed over black eyes, the red x-shaped symbols in her pupils glinting flat and graphic, one dark brow lifted a hair's breadth while her mouth stays closed and unsmiling, the corner barely dented. She looks straight down the lens with a seductive, malevolent stillness, holding the viewer's gaze without warmth. Her hair is three tones cut as an asymmetrical bob: the longer side, her left, falls in a blunt black curtain past the jaw, the cropped right side cut high and sharp; white and black streaks run through it, a red streak catches the rim light along the crown, and a single lock drops between her brows to the bridge of her nose. The low backlight behind the glass lifts a few strands into a thin hot halo. She wears a layered dark outfit: a pale shirt buttoned high, a black dress falling to mid-thigh over it, and a long-sleeved coat-jacket of structured techwear tailoring — high collar, sharp seams, matte black with a faint sheen — hanging open from her shoulders. Long sleeves end in black gloves fitted over black hands, the fingers of her right hand lifted to shoulder height, wrist slack, one gloved fingertip resting against the collar edge, the other fingers curled and spread; thin silver jewelry at her throat and one slim band at her wrist catch the city light as small cold points. Her left hand hangs loose at her side, knuckles grazing the coat hem. Behind her the interior of a skyscraper high-rise opens out: a wall of floor-to-ceiling glass, the dark grid of the city far below, a bare polished concrete floor. Several desiccated male bodies lie sprawled across that floor in the midground — three of them, limbs at wrong angles, skin drawn tight and grey over bone, clothing sunken and slack, one arm across another's shin — shallow and out of focus under a thin fall of dust. The only light source is the cold blue-white city glow and the hard backlight spilling in through the glass behind her: it rims her hair, her shoulders and the coat's outer edges in white, drops the front of her face into low-key shadow that keeps only her eyes readable, and throws her long shadow forward toward the camera across the concrete and across the nearest body's outflung sleeve. The white outline traces her whole silhouette against the dark glass. Palette discipline: deep black, bone white and arterial red, nothing else admitted — black in the hair's long side, the coat, the gloves and the shadow; white in the cropped hair, the shirt and the rim light; red only in her pupils, one hair streak, and the thin red seam running along the coat's inner lining. The scene is quiet dread, effortlessly elegant.
nyx20
#PixAI Halloween 2026
AI artwork
n2
artist: ratatatat74 1girl, solo, close angle, cowboy shot, from below, dutch angle, looking down at viewer, half-closed eyes, lidded eyes, seductive look, malevolent, elegant, flirting, light smile, head tilt, one hand on hip, other hand raised, finger to lips, black eyes, red pupils, x-shaped pupils, symbol-shaped pupils, multicolored hair, two-tone hair, mostly black hair, black hair, white streaks, red streaks, streaked hair, messy asymmetrical bob, short hair, long hair, hair between eyes, beautiful face, vampire, fangs, long sleeves, coat, long coat, jacket, shirt, dress, gloves, black gloves, colored extremities, black hands, jewelry, earrings, necklace, white outline, several desiccated charred male bodies, corpses on floor, background, skyscraper high-rise interior background, floor-to-ceiling windows, volumetric lighting, god rays, ominous lighting, depth of field, backlighting, rim light, sharp cel-shading, high contrast, wide angle lens, vibrant accent colors, techwear details, moody atmosphere, sharp eyes, masterpiece, best quality, absurdres, highres The camera sits low and close, tilted on a slight dutch angle so the skyscraper floor recedes past her up and away; she fills the frame from the thighs to just above the crown, towering over the lens. Her weight rests on her right hip, left leg relaxed and turned out, torso twisted a quarter toward the camera so the long coat's open front swings back off her shoulder and the jacket beneath reads as a cropped hard-edged layer over the dress and shirt collar; her right hand settles flat at her hip with the thumb hooked into the coat belt, black glove creasing at the knuckles, colored extremity showing at the seam, and her left hand rises to press a gloved fingertip against her lips with the nails catching one thin red highlight. Her chin tips down, the messy asymmetrical bob breaking sharp and uneven on one side and long toward the other, black strands crossed with white and red streaks falling loose between her eyes, and her stare comes straight down the barrel of the lens — black irises with red x-shaped pupils, lids heavy, one brow lifted just enough to read as a dare, lip corners curled on one side, a single sharp fang showing. Behind her the high-rise interior opens into a dark glass-walled hall: steel ribs, exposed conduit, a broad window band of night city haze far back, and across the polished floor several desiccated charred male bodies lie in the background, blackened limbs curled, ash flaking off them in place, contact shadows pooled tight under each — kept smaller by the shallow depth of field so they read as a fact of the room, not as a second subject. A cold volumetric shaft from the window band cuts across the space behind her shoulder; the warm rim of the room's accent strip catches the outer edge of her coat, her shoulder line and the white outline tracing her whole silhouette against the darker hall, while the near side of her face falls into the shadow of her own hair. Palette holds tight to black, white, ash grey and deep night blue with red the only saturated note — in the pupils, the hair streaks, the seam of her gloves and the thin accent strip. Her coat's hem lifts at the motion of the turn and settles toward the window's draught. Ominous, effortlessly stylish.
nyx222026
#PixAI Halloween 2026
AI artwork
n2
artist: ratatatat74 1girl, solo, multicolored hair, two-tone hair, black hair, white hair, streaked hair, red streaks, white streaks, messy asymmetrical bob, long hair, short hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, vampire, fangs, black gloves, gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, beautiful face, malevolent expression, seductive look, detached look, elegant, standing, from below, dutch angle, cowboy shot, looking down at viewer, half-closed eyes, head tilt, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, floor-to-ceiling windows, white outline, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, vibrant accent colors, moody atmosphere, masterwork, best quality, highres, absurdres, detailed shading, From a low dutch angle in a cowboy shot, the vampire woman stands in the foreground of a skyscraper high-rise interior, the camera tilted so the glass curtain wall and the city's light-streaked night run diagonal behind her. She is caught mid-step, weight sunk into her right hip with her left leg crossed in front of it, one black-gloved hand resting flat on the cold window glass beside her shoulder and the other hanging loose with the fingers half-curled. Her head is tipped down and to her right, chin lowered; her half-lidded black eyes with glowing red x-shaped pupils look straight down the lens at the viewer, and her mouth reads malevolent, seductive and detached all at once -- a faint asymmetric smirk with one fang just showing, one brow slightly raised, utterly unhurried. Her messy asymmetrical bob is cut shorter on her right and falls longer past her jaw on the left, a two-tone black-and-white mass shot through with red and white streaks, stray locks falling between her eyes; the window's backlight makes a hard white rim run down her left side and through her hair, and the draft off the glass lifts a few loose strands. The white outline holds her whole silhouette crisp against the dark. She is elegant in a long-sleeved shirt buttoned to the throat under an open tailored jacket, a coat hanging from her shoulders, and a dress whose hem breaks the line of the coat; black gloves cover black hands to the wrist, small jewelry catching a pinpoint of light at her ear and throat. Behind her, out of focus but unmistakable, several desiccated male bodies lie on the floor in the background, collapsed across the polished stone in the middle distance between her and the window wall, their clothes dried and clinging, one arm outstretched toward a fallen chair. The floor is a mirror of dark polished stone in which her legs and the bodies smear into long vertical reflections, brighter at the edges and darker at the core. The only light is the city's glow pressing in through the glass behind her, cold and blue-white and volumetric in the haze inside the room, with the darkness in front of her absolute and rim lighting burning along every silhouette edge. Palette: black, white, cold glass blue-grey, nothing warm except the red of her pupils, streaks and lips. High-contrast cel shading with crisp shadow shapes and a shallow depth of field that keeps her face needle-sharp while the bodies soften into the dark. Ominous, effortlessly elegant.
nyx20
#Genshin Impact#Arlecchino#PixAI Halloween 2026
AI artwork
n2
artist: ratatatat74 1girl, solo, vampire, messy asymmetrical bob, long hair, black hair, white hair, two-tone hair, streaked hair, white streaks, red streaks, hair between eyes, black eyes, red pupils, x-shaped pupils, symbol-shaped pupils, beautiful face, sharp eyes, black gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, several desiccated male bodies lying on the floor, skyscraper high-rise interior background, white outline, volumetric lighting, ominous lighting, depth of field, seductive pose, malevolent, detached, elegant, looking at viewer, from above, full body, dutch angle, sharp cel-shading, high contrast, rim lighting, backlighting, wide angle, cinematic, vibrant accent colors, moody atmosphere, masterwork, high quality, CG Shot from a high angle in a wide-angle lens with a slight dutch tilt, the vampire woman stands alone at the centre of a glass-walled penthouse office floor of a skyscraper, her body angled three-quarters to the camera while her chin tips down and her black eyes with their red x-shaped pupils look straight up into the lens. Her messy asymmetrical bob is cut high on her right side and sweeps longer and heavier on the left, mostly black, with white streaks slicing through the fringe falling between her eyes and red streaks catching light along the longer left length; the long hair extending from the back of her head spills down behind her shoulders across the collar of her coat and stirs slightly in the air off the window. Her lips are parted in a faint, cold half-smile, one brow lifted barely a millimetre, her expression seductive and detached at once. Her weight rests on her left leg, hip cocked, right knee bent and the toe of her black boot set forward on the polished concrete; her right hand rests gloved and black at the hollow of her throat, fingertips just touching a drop of jewelry at her collarbone, while her left arm hangs loose, black-gloved fingers trailing against the seam of her coat. She wears the black jacket open over a white-collared shirt and a short dark dress, long sleeves loose at the wrists, the coat's hem flaring back behind her knees. Around her on the floor lie several desiccated male bodies, faces down and limbs collapsed at unnatural angles, dried and grey, one forearm reaching across a seam in the concrete, another slumped against the base of a steel desk; they are pushed to the lower third and the middle distance, softened by shallow depth of field, the nearest one just entering the blur of the foreground. Behind her, the floor-to-ceiling windows of the high-rise wall frame a dusk city grid of towers and blinking aircraft beacons; behind her head and shoulders the sky glows cold and blue through the glass, and the only warm light in the room is the low sun rimming her hair, her shoulders and one edge of her jaw. The interior lights are off, so the volumetric shafts through the glass catch fine dust and cast long, hard shadows of her and the fallen bodies across the floor toward the camera. The palette holds black, white, cold steel blue and grey concrete, with red restricted to her pupils, her hair streaks and the distant beacons. Every figure and object is outlined by a thin, crisp white contour against the darkened interior, cel-shaded with hard-edged shadow and high contrast. Ominous, effortlessly elegant.
nyx20
#Arlecchino#PixAI Halloween 2026

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