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View detailskita34
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- Original Prompt
- The image shows a girl riding on the back of a jeep, with a large cannon in the background. She is wearing a colorful dress and has a determined expression on her face, as if she is ready to take on any challenge. 1girl, solo, short hair, simple background, skirt, full body, multicolored hair, pleated skirt, green hair, black skirt, two-tone hair, orange hair, :o, orange eyes, gradient hair, tattoo, headphones, science fiction, headset, looking ahead, android, riding, handlebar flat color,
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1632 x 1232
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, android, full body, riding, riding on the back of a jeep, holding handlebar, both hands on the handlebar, from behind, over-shoulder composition, looking ahead, short hair, two-tone hair, gradient hair, multicolored hair, orange hair at the crown, green hair at the tips, orange eyes, open mouth, :o, determined expression, tattoo, headphones, headset, colorful dress, black pleated skirt, flat color, simple background, large cannon in the background, science fiction, from below, dutch angle, windblown hair, leaning forward,
The camera sits low and slightly behind the jeep's rear bed, tilted a few degrees off level, so the vehicle's roll bar cuts diagonally across the lower third of the frame. Her full body is visible from the boots planted on the ribbed floor plate up to the crown of her head; her back and the turn of her cheek are what the view offers, her chin swung forward over her right shoulder, one orange-lit eye catching the rim of the shot as she stares down the line of travel, dead ahead. She rides the open back of the jeep, weight on the balls of her feet with her left heel lifted for balance, hips low, torso pitched forward into the wind, and both hands wrapped around the horizontal handlebar bolted across the rear frame ahead of her -- the paired grips flattened under her palms, thumbs hooked underneath, knuckles pale where she squeezes, a strange control for a passenger that she grips like a pilot. Her short hair is a hard two-tone: an orange crown that burns brighter toward the tips into green, cut blunt at the jaw and whipping back and to the left away from her face in the airflow; the headset band crosses the top of her skull and one round headphone cup clamps over her visible right ear, its small indicator blinking. Her mouth is open in a wide startled ring, an audibly determined shout rather than a scream, brows drawn down hard and level. A colorful dress -- panels of magenta and mint and butter yellow -- billows and snaps around her ribs, belted over a black pleated skirt whose knife pleats fan and flutter out to the right in the wind, one pleat flicking up over the top of her boot. A dark geometric tattoo arcs across her bare left shoulder blade, visible because her shoulder is turned toward the lens. The world behind her is a flat, simple, undivided pale sky-field with no scenery detail at all, except one massive science-fiction cannon far in the background, its long barrel and segmented housing rising at right angles to the jeep's path, dwarfing the vehicle in scale and rendered smaller, softer, and lower-contrast to read as distance. The single light source is a raking sun off frame to the left and ahead: it burns an orange rim along her cheek, shoulder, forearm and the leading edge of the bar, throws her long shadow back across the floor plate and up over the roll bar, and leaves the underside of the dress and the well behind the seat in flat cool shadow. Palette is locked to orange, green and black plus the dress's three bright panels against the near-white field; everything is flat cel color, hard-edged, no rendering gradient except the deliberate orange-to-green blend inside her hair. A single physical tell: the wind makes the pleats rail to one side only, so every fold crests on her right and falls slack to her left, and a thin film of dust streaks the handlebar crosswise where her hands have slid along it. Fierce, kinetic.
kita34
1girl, solo, android, full body, riding, riding on the back of a jeep, holding handlebar, both hands on the handlebar, from behind, over-shoulder composition, looking ahead, short hair, two-tone hair, gradient hair, multicolored hair, orange hair at the crown, green hair at the tips, orange eyes, open mouth, :o, determined expression, tattoo, headphones, headset, colorful dress, black pleated skirt, flat color, simple background, large cannon in the background, science fiction, from below, dutch angle, windblown hair, leaning forward,
The camera sits low and slightly behind the jeep's rear bed, tilted a few degrees off level, so the vehicle's roll bar cuts diagonally across the lower third of the frame. Her full body is visible from the boots planted on the ribbed floor plate up to the crown of her head; her back and the turn of her cheek are what the view offers, her chin swung forward over her right shoulder, one orange-lit eye catching the rim of the shot as she stares down the line of travel, dead ahead. She rides the open back of the jeep, weight on the balls of her feet with her left heel lifted for balance, hips low, torso pitched forward into the wind, and both hands wrapped around the horizontal handlebar bolted across the rear frame ahead of her -- the paired grips flattened under her palms, thumbs hooked underneath, knuckles pale where she squeezes, a strange control for a passenger that she grips like a pilot. Her short hair is a hard two-tone: an orange crown that burns brighter toward the tips into green, cut blunt at the jaw and whipping back and to the left away from her face in the airflow; the headset band crosses the top of her skull and one round headphone cup clamps over her visible right ear, its small indicator blinking. Her mouth is open in a wide startled ring, an audibly determined shout rather than a scream, brows drawn down hard and level. A colorful dress -- panels of magenta and mint and butter yellow -- billows and snaps around her ribs, belted over a black pleated skirt whose knife pleats fan and flutter out to the right in the wind, one pleat flicking up over the top of her boot. A dark geometric tattoo arcs across her bare left shoulder blade, visible because her shoulder is turned toward the lens. The world behind her is a flat, simple, undivided pale sky-field with no scenery detail at all, except one massive science-fiction cannon far in the background, its long barrel and segmented housing rising at right angles to the jeep's path, dwarfing the vehicle in scale and rendered smaller, softer, and lower-contrast to read as distance. The single light source is a raking sun off frame to the left and ahead: it burns an orange rim along her cheek, shoulder, forearm and the leading edge of the bar, throws her long shadow back across the floor plate and up over the roll bar, and leaves the underside of the dress and the well behind the seat in flat cool shadow. Palette is locked to orange, green and black plus the dress's three bright panels against the near-white field; everything is flat cel color, hard-edged, no rendering gradient except the deliberate orange-to-green blend inside her hair. A single physical tell: the wind makes the pleats rail to one side only, so every fold crests on her right and falls slack to her left, and a thin film of dust streaks the handlebar crosswise where her hands have slid along it. Fierce, kinetic.
kita34
1girl, solo, android, full body, riding, riding on the back of a jeep, holding handlebar, both hands on the handlebar, from behind, over-shoulder composition, looking ahead, short hair, two-tone hair, gradient hair, multicolored hair, orange hair at the crown, green hair at the tips, orange eyes, open mouth, :o, determined expression, tattoo, headphones, headset, colorful dress, black pleated skirt, flat color, simple background, large cannon in the background, science fiction, from below, dutch angle, windblown hair, leaning forward,
The camera sits low and slightly behind the jeep's rear bed, tilted a few degrees off level, so the vehicle's roll bar cuts diagonally across the lower third of the frame. Her full body is visible from the boots planted on the ribbed floor plate up to the crown of her head; her back and the turn of her cheek are what the view offers, her chin swung forward over her right shoulder, one orange-lit eye catching the rim of the shot as she stares down the line of travel, dead ahead. She rides the open back of the jeep, weight on the balls of her feet with her left heel lifted for balance, hips low, torso pitched forward into the wind, and both hands wrapped around the horizontal handlebar bolted across the rear frame ahead of her -- the paired grips flattened under her palms, thumbs hooked underneath, knuckles pale where she squeezes, a strange control for a passenger that she grips like a pilot. Her short hair is a hard two-tone: an orange crown that burns brighter toward the tips into green, cut blunt at the jaw and whipping back and to the left away from her face in the airflow; the headset band crosses the top of her skull and one round headphone cup clamps over her visible right ear, its small indicator blinking. Her mouth is open in a wide startled ring, an audibly determined shout rather than a scream, brows drawn down hard and level. A colorful dress -- panels of magenta and mint and butter yellow -- billows and snaps around her ribs, belted over a black pleated skirt whose knife pleats fan and flutter out to the right in the wind, one pleat flicking up over the top of her boot. A dark geometric tattoo arcs across her bare left shoulder blade, visible because her shoulder is turned toward the lens. The world behind her is a flat, simple, undivided pale sky-field with no scenery detail at all, except one massive science-fiction cannon far in the background, its long barrel and segmented housing rising at right angles to the jeep's path, dwarfing the vehicle in scale and rendered smaller, softer, and lower-contrast to read as distance. The single light source is a raking sun off frame to the left and ahead: it burns an orange rim along her cheek, shoulder, forearm and the leading edge of the bar, throws her long shadow back across the floor plate and up over the roll bar, and leaves the underside of the dress and the well behind the seat in flat cool shadow. Palette is locked to orange, green and black plus the dress's three bright panels against the near-white field; everything is flat cel color, hard-edged, no rendering gradient except the deliberate orange-to-green blend inside her hair. A single physical tell: the wind makes the pleats rail to one side only, so every fold crests on her right and falls slack to her left, and a thin film of dust streaks the handlebar crosswise where her hands have slid along it. Fierce, kinetic.
kita34
1girl, solo, short hair, green hair, hair over one eye, orange eyes, hairband, headphones, torn clothes, looking to the side, riding, weapon, cannon, gatling gun, robot, non-humanoid robot, taur, walker (robot), reverse-jointed legs, mecha, science fiction, full body, simple background, white background, flat color, from below, foreshortening, dutch angle, leaning forward, outstretched arm, windblown hair, tattered sleeves, bare shoulder, scraped knee, wide-eyed, open mouth, :d, looking down, cinematic composition, sharp lineart, clean cel shading, limited palette, green, white, orange, gunmetal, black, moody sky, dark clouds, lightning, high contrast,
the shot is taken from a low, dutch-tilted angle in three-quarter front view, so the girl and her mount tower over the camera; the girl, small and sharp against a pale, overcast sky, sits astride the neck of a huge, non-humanoid walker mecha. the mecha's body is a taur-like chassis of gunmetal plates and exposed actuators, with four reverse-jointed digitigrade legs braced wide: the front pair planted, the rear pair cocked back, steel hooves digging into the cracked ground. its spine rises into a hunched turret housing a gatling cannon, the multi-barrel assembly aimed off-frame to the right, and a secondary cannon barrel slung along its flank. the girl's weight is forward on the balls of her feet in the stirrup-like grips, her hips low, her torso leaning into the machine's forward lurch; her left hand grips a worn handlebar jutting from the chassis, her right arm flung out toward the right edge of the frame to balance the turn. her short green hair whips to the left, flattened by speed, and a white hairband cuts across the crown. over her ears clamp a pair of scratched headphones, their cable trailing back into the collar of a ragged jacket; one sleeve is torn off at the shoulder, the other split to the elbow, and the hem of her top hangs in strips, revealing a scraped knee above the torn thigh of her trousers. her orange eyes, vivid even in the flat cold light, are turned to the side, fixed on something beyond the frame edge; her mouth is open in a grin, teeth showing, eyebrows lifted. the white background is a seamless, empty field that swallows all detail, so the machine and rider read as a single sil
kita34
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