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nyx21-
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- 1girl, long hair, black hair, hat, hair between eyes, military hat, gloves, skirt, white hat, white gloves, jacket, belt, military uniform, white skirt, white cape, long sleeves, white jacket, peaked cap, v-shaped eyebrows, pleated skirt, buckle, miniskirt, shirt, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, white shirt, boots, jewelry, witch, glowing eyes, several desiccated charred male bodies lie on the floor in the background, penthouse suite background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, maniac look, seductive pose,
- Mode
- ultra
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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n2
artist: ratatatat74
1girl, solo, close-up, from below, looking down at viewer, black hair, very long hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white military jacket, long sleeves, white shirt, white cape, white pleated skirt, miniskirt, black belt, heart-shaped buckle, white gloves, boots, jewelry, witch, white outline, malevolent expression, smug, seductive look, demanding, leaning forward, head tilt, looking at viewer, half-closed eyes, penthouse suite background, night, floor-to-ceiling windows, city lights bokeh, several desiccated charred male bodies lying on the floor in the background, volumetric lighting, ominous lighting, rim lighting, high contrast, sharp cel-shading, depth of field, cinematic perspective, moody atmosphere, dramatic backlighting, high quality
Shot from below at a close angle, the witch fills the frame from the waist up and looms over the lens, her boot heels planted wide apart on the penthouse's polished black marble floor, her weight carried on her back leg so her hips cant to one side. She leans forward from the waist toward the camera, chest close, her white-gloved right hand raised with the fingers curled in a slow beckoning gesture at shoulder height while her left glove rests flat on the heart-shaped black buckle cinching her white pleated miniskirt's waistband. Her chin is tipped down and she looks down the length of it straight into the viewer, eyelids half lowered, one v-shaped eyebrow arched higher than the other, lips parted in a thin lopsided smirk; the white cape falls behind her shoulders away from the lean and slips over the crook of one elbow. Very long black hair spills past her hips, strands hanging between her eyes and swinging forward off her shoulder with the lean, and the white peaked cap sits tilted low over her brow with its band catching the light. Behind and below her, the penthouse suite opens out in deep-focus falloff: low lounge seating, a long dark bar, and a wall of floor-to-ceiling windows holding a night skyline scattered into bokeh, the room's only clean light coming from that window line so the backlight rims her cap, cape and hair in a cold white edge while her face stays in soft shadow and her glowing blue eyes are the brightest points in the frame. On the marble between her boots and the bar, several desiccated charred male bodies lie collapsed in the background, limbs folded, ash-grey and split by thin cracks, their outlines softened by the shallow depth of field so they read as a dark, blackened texture under her, and the faint haze of smoke hangs where the window light cuts it into visible shafts. Globally the palette is held to white, black and the cold blue of the skyline, with nothing warm admitted except the dull ember-brown of the charred bodies on the floor. Sinister, imperious.
nyx21-
n2
artist: ratatatat74
1girl, solo, very long black hair, hair between eyes, purple eyes, blue eyes, black eyes, eyelashes, v-shaped eyebrows, beautiful face, white peaked cap, military hat, white hat, military uniform, white jacket, long sleeves, white shirt, white cape, white pleated miniskirt, skirt, black belt, heart-shaped buckle, buckle, white gloves, boots, jewelry, witch, seductive pose, seductive look, maniac look, malevolent expression, looking at viewer, grin, open mouth, half-closed eyes, from below, foreshortening, cowboy shot, dutch angle, several desiccated male bodies lying on the floor in the background, penthouse suite background, white outline around character, volumetric lighting, depth of field, ominous lighting, dark background, sharp cel-shading, high contrast, rim lighting, wide angle lens, moody atmosphere, vibrant accent colors, sharp eyes,
The camera sits low, tilted a few degrees off level, looking up at her so the penthouse ceiling and the night sky beyond the glass wall rise behind her shoulders: she fills the right two-thirds of the frame in a foreshortened cowboy shot cut below the knee, one boot planted forward and the other set back and turned out, her weight sunk into the rear hip, her torso twisted toward the lens while her chin tips down and her eyes lift to meet it from under the cap's brim. Her white peaked cap is set at a slight angle, its black band and small brim casting a hard shadow across the top of her face; two long strands of black hair fall free between her eyes, and the rest of her very long black hair spills over the white cape's shoulder line and hangs past her hips at her back. Her eyebrows are drawn into a sharp V above narrowed lids whose lashes are thick and dark, one iris answering the light with a high purple flare, a second with cold blue, the pupils themselves deep black; one lip corner lifts into a lopsided grin and her tongue shows at the edge of it, half-lidded and hungry and utterly sure of herself.
Her right hand hangs loose at her side inside a white glove, fingertips together; her left arm crosses her waist, the gloved hand resting flat against the heart-shaped buckle of the black belt that cinches the white jacket and the white pleated skirt beneath it, and the pleats splay and bend where her hip pushes through the fabric. The white cape hangs from her shoulders and bellies slightly away from her back, its lower edge swinging to one side, and the white jacket's long sleeves crease at the elbow over the glove cuffs. Small pieces of jewelry catch the light at her throat and ears without adding mass. Her boots meet the polished marble with a faint reflected sheen.
Behind her and below her eye line, several desiccated male bodies lie sprawled across the penthouse floor -- dry hands curled, ribs showing through torn cloth, one skull tipped back against the base of a low sofa -- kept soft and grey by the shallow depth of field so they never compete with her face. The suite runs out behind them: floor-to-ceiling glass, a long console of dark stone, low warm lamps, the city's cold grid of windows far below. The light is volumetric and ominous, a hard cold key from the window behind her carving rim light down one side of her hat and cape while warm interior lamps graze the other side of her jaw and the buckle, the room's shadows pooling deep and complete in the corners. A clean white outline separates her silhouette from the darker background at every edge, crisp and even, with sharp cel shading, high contrast and vibrant accents picking out the purple of her eye and the gleam of the buckle. Head tilted, grin sharpening, dangerous and effortlessly magnetic.
nyx20
n2
artist: ratatatat74
1girl, solo, very long hair, black hair, hair between eyes, military hat, peaked cap, military uniform, jacket, long sleeves, shirt, cape, gloves, belt, heart-shaped buckle, buckle, pleated skirt, miniskirt, boots, jewelry, v-shaped eyebrows, eyelashes, blue eyes, glowing eyes, witch, beautiful face, seductive look, maniac look, malevolent, seductive pose, several desiccated charred male bodies lying on the floor in the background, penthouse suite background, white outline, volumetric lighting, ominous lighting, depth of field, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, cinematic perspective, wide angle lens, from below, dutch angle, cowboy shot,
Seen from a low wide-angle camera tilted a few degrees off level, a witch stands in the foreground of a penthouse suite, her boots planted wide apart on the polished dark marble floor, weight sunk into her right hip so her left knee angles inward and the pleated miniskirt flares at the hem. Her black peaked military cap sits low over her brow; beneath it her v-shaped eyebrows cut down hard and a few strands of very long black hair fall between her glowing blue eyes, the rest of that hair pouring past her waist and spilling over the shoulder of her tailored long-sleeved military jacket. The jacket is buttoned high over a white shirt, cinched at the waist by a belt whose heart-shaped buckle catches the light, and a dark cape falls from her shoulders, its hem lifted slightly away from her body as if by a slow turn she has just completed. Her gloved hands cross one over the other at the top of her chest, fingers of the upper glove spread and pressed flat against the fabric, the lower glove hooked under the opposite arm so the sleeve draws taut; the gloves and the small jewelry pieces at her throat and ears glint along one edge only.
She looks directly down the lens, chin tipped so the brim of the cap throws a hard bar of shadow across the top of her face while the light from behind carves a white rim down the length of her hair, her mouth drawn into a wide crescent, one corner hitched higher, lower lashes lifted, pupils narrowed and lit from within by a cold blue glow that stains the air immediately in front of her eyes. Her expression is seductive and maniacal at once: lids heavy, grin bared, one brow arched while the other stays flat.
Behind her the suite opens in a deep field: floor-to-ceiling glass with a black city grid far below, low modernist sofas, an unlit bar, grain and softness increasing with distance as the depth of field falls away. Scattered across that floor in the midground, in the ring of shadow that her body does not cover, several desiccated charred male bodies lie crumpled and contorted where they fell, their outlines cracked and blackened, one forearm still raised. The volumetric light is the key: a broad shaft of cold white light pours in from behind and above, cutting the smoky air into visible planes, wrapping a thin bright contour around her cap, shoulders, cape and hair, while the front of her figure keeps a cool blue fill — the cap's underside and the recesses of the cape fall into absolute darkness. Every figure on the floor carries a white outline tracing its silhouette so each charred shape reads distinctly against the marble.
The palette runs on black, white and cold blue with a single hot ember-orange living only in the cinders of the bodies and one thin under-reflection on the marble, sharp cel-shaded edges and high contrast keeping the clean techwear precision of her uniform crisp against the ruin behind her — ominous, malevolent, effortlessly stylish.
nyx21-
n2
artist: ratatatat74
1girl, solo, close-up, from below, looking down at viewer, very long black hair, black hair, hair between eyes, long hair, white peaked cap, military hat, white cape, white jacket, long sleeves, white shirt, white gloves, black belt, heart-shaped buckle, belt buckle, white pleated skirt, miniskirt, boots, jewelry, witch, glowing eyes, blue eyes, glowing blue eyes, eyelashes, v-shaped eyebrows, beautiful face, malevolent, seductive look, demanding, flirting, half-closed eyes, head tilt, smirk, white outline, several desiccated charred male bodies, corpses on floor, penthouse suite background, city skyline through glass, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, sharp eyes, cinematic perspective, detailed shading, dark palette with cold blue accents, highres, best quality, masterpiece, absurdres, ultra detailed
Camera is a close-angle shot from slightly below, pitched upward: the white peaked cap and its black brim dominate the upper third of the frame, tilted so her chin drops and she looks down the line of her nose at the viewer, head cocked to her left. Very long black hair pours past her shoulders in heavy strands, a blunt fringe of it falling straight between her wide glowing blue eyes, which are lit from within in a cold electric cyan that spills faint light onto her cheekbones and the underside of the brim; long dark lashes frame them and her thin v-shaped eyebrows slant down toward the bridge of her nose. Her lips curve in a slow, lopsided smirk, one corner pulled higher, jaw angled, chin lifted — malevolent and flirting at once, demanding. She wears the crisp white military uniform: a white long-sleeved jacket buttoned high over a white shirt, its collar sharp at her throat, a white cape falling from her shoulders past the edge of the frame, white gloves on both hands — her right hand lifted, one gloved finger pressed to her lower lip, her left arm bent with the gloved fist resting against the heart-shaped buckle of the black belt cinched tight over the waist of her white pleated miniskirt, each pleat knife-sharp; dark boots below. Jewelry glints at her ears and at her throat, small and cold in the rim light.
Behind her, out of focus and receding into shadow, the penthouse suite opens up: floor-to-ceiling glass, a low sofa, polished marble floor, a cold city skyline beyond the window, all in muted charcoal and steel-blue. On that floor several desiccated charred male bodies lie scattered and collapsed in the middle distance, blackened, cracked, shrunken, ash flaking off their outlines, their shapes broken and heavy against the pale stone — small in frame, softened by the shallow depth of field, never competing with her face. A thin skin of grey ash dusts the marble around them and their blackened silhouettes smear the polished floor, and their outlines are dimmer than the glossy reflection of her white uniform in the same stone. Volume haze hangs in the air behind her; the room's only true key light comes from the cold skyline glow behind and above, throwing a hard white rim down the edge of her cap, along her shoulder and the ridge of her cape, while warm amber accent light from somewhere out of frame catches the underside of her jaw and the tip of her nose. Every shadow in the suite is deep near-black, and her glowing eyes are the brightest thing in it. Palette holds to white, black and cold steel-blue with that one amber kiss on her skin. Ominous, effortlessly commanding.
nyx21-
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