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電気グルーヴ20周年のうた 1
前髪たらした 知らない動物が 便所の窓から 覗きこむ
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- 電気グルーヴ20周年のうた 前髪たらした知らない動物が 便所の窓から覗きこむ 電気グルーヴ20周年 死んだネズミをくわえてる 銭湯帰りに死体を見つけたの 自転車置き場でこっちを向いてたの 電気グルーヴ20周年 喧嘩みこしで死者が出る 死体を片付けろ そのボロきれをかぶせろ 遺族に知らせろ ロボット歩きで選挙に出かけたの(選挙に出かけたの) ホースをくわえて気分を高めるの(空き地に落ちてたの) 電気グルーヴ20周年 ソーラー気取りのアルミ箔 アルミ箔 全身アルミ箔 不思議なパラダイス long hair,1man, masterpiece, highest quality,
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- 768 x 1280
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- 28
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- Euler a
- CFG Scale
- 3
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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電気グルーヴ20周年のうた 2
うざぴょい
Розбіглися
Марат Лукинович
ま
逆さ少女2
まいむ雷夢
мк
character: tokisaki_kurumi, archer_(fate), copyright: fate/stay_night, date_a_live
Masterpiece, high-quality cinematic anime illustration, dark tragic atmosphere, Fate/stay night visual aesthetic. Fuyuki, Japan, 2026, after a devastating Holy Grail War. A ruined urban street filled with collapsed buildings, shattered asphalt, broken concrete slabs, rubble, destroyed streetlights and scattered debris. Heavy torrential rain, dense charcoal-grey storm clouds, cold desaturated blue-grey color palette, strong persistent wind sweeping rain and mist diagonally across the scene. Somber, heartbreaking atmosphere, detailed environmental storytelling.
CAMERA ANGLE AND COMPOSITION — CRITICAL: An elevated three-quarter oblique camera view, looking diagonally DOWN at the scene from above at approximately 40–45 degrees. The camera is positioned high above and slightly in front of the subjects, revealing the upper surfaces of the rubble and the ground around the characters. Clearly visible top surfaces and ground perspective, strong diagonal depth, foreground and middle ground distinctly separated. This is NOT a side view, NOT an eye-level view, NOT a low-angle shot, and NOT a direct vertical overhead shot. The scene must be viewed from above at an unmistakable downward angle. Kurumi's entire body is visible lying diagonally across the foreground on a fractured concrete slab. Several feet away, on one side of the composition, the remains of Archer's dematerialization are visible in the middle ground. The ruined city recedes into the background. Keep both subjects and their spatial relationship clearly readable.
FOREGROUND — KURUMI TOKISAKI: Kurumi Tokisaki from Date A Live lies completely lifeless on broken concrete. Faithful, recognizable design: very pale skin, long dark brown hair with crimson-red highlights, iconic asymmetrical curled twin-tails, delicate facial features, closed eyes. Her head and face are turned toward the faint remnants of Archer's mana, as if her final gaze had been directed toward Archer. Her body lies naturally and heavily against the wet rubble, with no sign of movement. She wears a modern, practical dark urban outfit: a black waterproof athletic jacket, dark high-neck shirt, black trousers and dark boots. Her clothing and long hair are thoroughly soaked by the rain, with realistic wet fabric, clinging strands of hair and subtle battle damage.
HER FATAL INJURIES MUST BE CLEARLY VISIBLE AND MUST NOT BE OMITTED: Kurumi has suffered two fatal sword wounds. The first is a distinct, visible slash across the front of her neck, with a dark bloodied cut clearly visible against her very pale skin and the collar of her clothing. The second is a serious sword wound in her abdomen, with visibly damaged and bloodstained clothing around the injured area. Both injuries must be clearly represented in the image and must remain visible rather than being hidden by hair, clothing folds, shadows, rain, camera angle or cropping. Dark blood stains the fabric around the abdominal wound and the neck wound. Rainwater dilutes the blood, carrying thin reddish streams along the cracks in the concrete and into nearby puddles. The wounds are unmistakable narrative details, but the depiction remains serious and non-gratuitous, without excessive gore. Do not portray Kurumi as unharmed, merely sleeping, or only superficially injured. Her lifelessness and the two fatal wounds are essential to the scene.
MIDDLE GROUND — ARCHER'S NEARLY COMPLETED DEMATERIALIZATION: Several feet away from Kurumi, on ONE SIDE of the composition, Archer has almost completely vanished after losing her Master. There is NO intact physical body. Most of Archer has already disintegrated into scattered pale icy-blue, cyan and faint azure mana particles. The mana is primarily an irregular, dispersing stream of tiny glowing fragments, not a human-shaped construct.
THE HUMAN OUTLINE MUST BE EXTREMELY FAINT AND ALMOST UNRECOGNIZABLE: At most, a very distant, incomplete impression of a kneeling woman can be perceived among the particles. This is not a clearly defined silhouette. Do not draw a complete head, a distinct face, a solid torso, recognizable arms, or complete legs. The vague human suggestion should be formed by a few sparse, disconnected clusters of particles separated by large empty gaps. The outline is broken, fragmented, translucent and rapidly disappearing, barely distinguishable from the surrounding rain and mist. At first glance, the viewer should see mana scattering in the wind; only upon closer inspection might they faintly infer that the particles once belonged to a kneeling woman. The mana stream is the dominant feature, while the humanoid suggestion is secondary and almost lost.
If any portion of Archer's outline remains visible, it must have long hair, flowing in the same direction as the wind. Her vague head orientation and the direction of her barely perceptible face must be turned toward Kurumi's fallen body, as though Archer were facing her in her final moments. Do not make Archer look away from Kurumi. Do not allow facial features or hair details to become clearly readable. Long hair is only a faint, fragmented suggestion among the particles, never a solid, detailed hairstyle.
MANA AND WIND DIRECTION — CRITICAL: A strong, steady wind blows continuously in ONE consistent diagonal direction, sideways and upward through the frame. Archer's remaining mana is carried away by this wind, stretching into a long, irregular, rising trail of scattered particles. The particles visibly travel away from the barely perceptible remnant, diagonally toward the upper side of the composition, as though the storm is sweeping them into the sky. The stream must have a coherent directional flow rather than random movement. Particles are relatively concentrated only in a tiny, fragmented area where the last traces of the silhouette remain; they quickly become sparse, scattered and translucent along the trail, with individual fragments fading into the rain and mist. Large gaps of empty air separate the particles. The farther the stream travels in the direction of the wind, the more dispersed and faint it becomes, eventually vanishing completely.
The wind must visibly affect the mana: the particles are stretched and swept away, not hovering in place, orbiting, swirling around an intact body, forming a magical aura, or maintaining a stable humanoid shape. No bright solid outline around Archer. No glowing human figure. No complete spectral body. No detailed facial features. No densely packed particles arranged to reproduce a recognizable person. The image should communicate that Archer is already almost entirely gone and that only the last scattered traces of her existence are being carried away.
The mana must remain strictly localized to Archer's side of the composition. There is a clear stretch of rain-soaked rubble between Kurumi and the mana stream. No mana surrounding Kurumi, no particles covering her body, and no magical connection between the two. Pale icy blue, cyan and faint azure particles against the cold grey storm. No golden or orange energy.
LIGHTING AND ATMOSPHERE: Overcast natural storm lighting, subdued contrast, cold reflected light on wet concrete, realistic puddles and rainwater, subtle atmospheric haze, fine rain streaks swept diagonally by the wind. The mana provides only a faint, localized blue glow, insufficient to illuminate the scene dramatically. The overall image remains dark, grounded, melancholic and cinematic. No heroic pose, no triumphant atmosphere, no bright fantasy spectacle. This is the quiet aftermath of a fatal battle: Kurumi's motionless body in the foreground and the last almost imperceptible remnants of Archer disappearing into the storm.
Highly detailed rain-soaked environment, expressive composition, believable body proportions, carefully controlled visual hierarchy, cinematic depth, clean character rendering, tragic anime film still.
Михайло Ковалевський
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