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View detailsRyomen Sukuna, Jujutsu Kaisen
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- 1girl, ryoumen sukuna (jujutsu kaisen), genderswap (mtf), genderbend, long hair, tattoo, extra eyes, red eyes, pink hair, black hair, spiked hair, undercut, arm tattoo, black nails, long sleeves, jacket, japanese clothes, kimono, shirt, chest tattoo, shoulder tattoo, black jacket, glowing eyes, several desiccated male bodies lie on the floor in the background, fortified temple-palace background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, cruel expression, smirk
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moren2
artist: ratatatat74
1girl, solo, long hair, pink hair, black hair, two-tone hair, spiked hair, undercut, red eyes, extra eyes, multiple glowing eyes, glowing eyes, tattoo, face tattoos, chest tattoo, shoulder tattoo, arm tattoo, black nails, long sleeves, jacket, black jacket, japanese clothes, kimono, shirt, lean, muscular, toned, beautiful face, cruel expression, smirk, seductive look, malevolent, looking at viewer, half-closed eyes, head tilt, from below, cowboy shot, dutch angle, several desiccated male bodies on the floor, background, fortified temple-palace background, white outline, volumetric lighting, ominous lighting, depth of field, rim lighting, backlighting, sharp cel-shading, high contrast, vibrant accent colors, moody atmosphere, sharp eyes, wide angle lens
Shot from slightly below and off-axis in a mild dutch tilt, a cowboy shot tilted up at her from hip level so the temple-palace hall rears behind her and the bodies on the floor sit low in the frame. One woman stands alone in the center foreground, weight sunk onto her right hip with her left knee loose, torso turned three-quarters toward the lens while her head tips back down at the viewer — chin lowered, eyes half-lidded under the brow, one corner of her mouth hooked up in a slow cruel smirk, the seductive look riding on the lazy downward gaze. Her hair is a long two-tone fall of pink and black, shaved hard at the left temple in an undercut and spiked in short aggressive clumps along the crown and right side, the long lengths sweeping back over her right shoulder away from the tilted head. Red eyes glow from her face and from extra eyes set in the tattooed skin — one pair inked above her brows, more set along her cheekbones and the backs of her hands, all of them glowing the same hot red, all of them angled at the viewer at once. Dark ink covers her: sleeves of tattoo down both bare forearms, panels across her chest over the collarbones, a shoulder piece, and fine lines across her face.
Her black jacket is open, sleeves long and pushed to the wrist, worn over a shirt, and beneath and around them the kimono — a wrapped Japanese garment with a deep crossed collar and long sleeves — layered dark under the jacket; the layers sit on a lean, hard, trained physique, muscle showing in the forearms, the flat chest, the set of the shoulders. Her right hand lifts, fingers curled loosely, black-nailed fingertips resting at the collar edge near the throat; her left arm hangs at her side, black nails catching the light. A thin white outline traces her silhouette all the way around, clean and graphic, separating her from the dark interior behind.
Behind her a fortified temple-palace rises — tiered stone steps, heavy timber columns, bracketed eaves, carved gates, iron-bound doors — the architecture receding sharply into the background. On the floor behind her several desiccated male bodies lie sprawled and collapsed, limbs at wrong angles, skin dried tight to the bone, robes collapsed around them; they are small, dim, and softened by the depth of field so they never compete with her. Light comes from a single high source behind and above the palace eaves, a cold white-blue shaft raking down through the hall so it rims her hair, spiked crown, shoulder line and the white outline in a hot edge and leaves her face lit mostly by the colder bounce from the floor; beyond that shaft the hall sits in deep near-black shadow. Ominous, low-key palette: near-black architecture, desaturated stone gray, cold steel-blue light, with the saturated red of the glowing eyes and the hot pink-and-black of her hair as the only accents. Cel-shaded with hard shadow edges, high contrast, wide-angle lens perspective exaggerating the columns. Still, cruel, and quietly triumphant.
nyx222
ryomen sukuna
king enderman
n2
artist: ratatatat74
1girl, solo, long hair, pink hair, black hair, two-tone hair, spiked hair, swept-back hair, undercut, red eyes, glowing eyes, glowing red eyes, extra eyes, two extra smaller slit-like eyes below the main eyes, four eyes, slit pupils, face tattoos, arm tattoo, chest tattoo, shoulder tattoo, full body tattoo, black nails, long sleeves, jacket, black jacket, japanese clothes, kimono, loose robes, shirt, cleavage, sharp jawline, lean muscular body, muscular female, beautiful face, cruel expression, smirk, malevolent seductive look, savage demeanor, looking at viewer, half-closed eyes, sharp eyes, white outline, fortified temple-palace background, several desiccated male bodies lying on the floor in the background, volumetric lighting, ominous lighting, rim lighting, dramatic backlighting, depth of field, wide angle lens, cinematic perspective, sharp cel-shading, high contrast, vibrant accent colors, moody atmosphere, from below, low angle, cowboy shot, dutch angle
The camera sits low and tilted a few degrees off level, looking up at her from knee height so the black-lacquered eaves and the ranked stone pillars of the fortified temple-palace rear up behind her shoulders. She stands on a broad dark stone dais in the midground, weight sunk into her right hip with the left leg forward and the left foot planted flat, a slight contrapposto that pushes one shoulder higher than the other. Her right hand is buried knuckle-deep in the fold of her black jacket where it hangs open at the waist, the long sleeve bunched and creased at the wrist and the lacquered black nails of her freed left hand resting splayed and heavy on the pommel-less curve of her hip. Her chin is lifted and turned a fraction to her right, jawline cut hard against the light, and she looks straight down the barrel of the lens from under half-lowered lids — the main pair of red eyes open and burning, the two smaller slit-like eyes below them narrowed almost shut, catching the same glow along their lower rims. The smirk is lopsided, one corner dragged up into the cheek, upper teeth just showing, one brow arched; it is the face of someone who has already won and is enjoying the delay.
The hair is swept back hard from the forehead in a ridge of spikes, and the two-tone runs root to tip — a dense black at the scalp and the undercut at the temples, breaking into hot pink through the crests and the long strands that whip back past her ears in the draft of the hall. Tattoos climb the right side of her face from the cheekbone into the shaved temple, coil around the throat and vanish into the open collar, and continue down the bare wedge of chest and across both shoulders so that the ink only reads where the kimono falls away from it: a deep cross-wrapped kimono of dark indigo silk with a faded crimson lining, thrown open at the front under a black techwear jacket cut short at the waist, its buckled straps and layered panels matte against the silk's sheen; beneath it all a plain dark shirt is pulled wide to bare the collarbones and the upper swell of her chest, sleeves long enough to swallow her wrists and cinched at the forearm. The black jacket takes the backlight along every seam and edge, while the silhouette of her whole figure is picked out with a clean thin white contour line, kept crisp against the dark.
The bodies lie behind her on the dais floor in the low third of the frame, four of them, dried and drawn-in, ribs showing through torn rag wrappings, limbs angled and overlapping where they fell, hands curled shut like claws, sunken faces turned away from the light; they are small in the frame, softly blurred by the shallow focus, and she does not look at them.
The light comes from behind and above her, a single shaft of pale cold daylight knifing down between the temple columns, carving visible dusty beams through the air and laying a hard rim of white along her hair spikes, her right shoulder, the edge of her jaw and the ridge of her nose, while the front of her face falls into a deep, warm violet shadow that the glow of her own eyes pushes back from within — a dim red underlight on the underside of her chin and cheekbones. The hall behind her recedes into absolute darkness between the pillars, with only a few bronze fire bowls burning low and orange along the far colonnade, and her body casts one long hard shadow forward across the stone toward the lens. The palette holds to indigo, black and crimson, with pink and burning red reserved for hair and eyes and embers.
Rendered in sharp cel-shaded anime style with high-contrast flat blocks of color over a matte techwear-and-silk texture pass, crisp hard-edged shadow shapes, volumetric light haze, and a wide-angle lens that exaggerates the pillars at the frame edges, everything detailed and controlled, masterwork quality, ominous and savagely glamorous.
nyx222
せ
character: ryoumen_sukuna_(jujutsu_kaisen). A medium shot from a low-angle perspective captures ryoumen_sukuna_(jujutsu_kaisen) standing with menacing confidence within his domain expansion, Malevolent Shrine. He is a male with short pink hair in an undercut and piercing red eyes, featuring two additional small eyes beneath his main ones. He wears a loose white kimono, left open to reveal his muscular chest, and a black scarf draped around his shoulders; his nails are painted black. He stands with a smirk, one hand casually raised with fingers curled in a powerful gesture. The background is dominated by the colossal, skeletal structure of a Buddhist shrine with gaping mouths and intricate, weathered carvings, surrounded by a sea of blood and floating debris. A sinister, overwhelming aura of dark energy swirls around him in jagged streaks of black and red. The lighting is dramatic and oppressive, with high contrast and a crimson-tinted color palette that evokes a sense of dread and divine power.
せせせせ
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