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AI artwork featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #Akari Tsujino, #Akira Sunazuka and #Yumemi Riamu
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Akari Tsujino, Akira Sunazuka

#The Idolmaster#The Idolmaster Cinderella Girls#Akari Tsujino#Akira Sunazuka#Yumemi Riamu
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character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
Show Parameters
Original Prompt
夢見りあむ マスク アクセサリー 装飾品 最新ファッション 可愛いデザイン リュック スマホ イラスト調のりあむとリアルな背景 秋葉原 街並み バッジ 靴、服などそれぞれブランドが違う マスクをよけて笑顔を見せる 黛冬優子+白ゴスロリ+黒マスク 三峰結華 3girls 一緒に街を散策 笑顔 実在性 等身大 話をしながら歩く 笑顔
Mode
pro
Quality Tag
﹝Prompts﹞
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, looking at viewer
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Model & LoRA used

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AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
AI artwork
k
character: yumemi_riamu, mayuzumi_fuyuko 2girls, yumemi_riamu, mayuzumi_fuyuko, full body, life-sized proportions, realistic proportions, walking, walking towards viewer, talking, smiling, open mouth, black face mask, mask pull, pulling mask down, mask below chin, white gothic lolita, frilled dress, long sleeves, black hair, long hair, blunt bangs, brown eyes, hair bow, pink hair, multicolored hair, two-tone hair, short hair, ahoge, pink eyes, fang, hair intakes, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, different brands, chunky sneakers, mismatched brands, akihabara, city street, realistic background, illustration-style characters, from below, cowboy shot, looking at another, arm in arm, autumn afternoon, warm light The camera looks up from knee height at a slight angle on a narrow Akihabara side street, so the two girls tower gently in the lower middle of the frame with the cluttered facades and stacked signage rising behind them. On the right, the pink-haired girl walks mid-stride with her weight on her forward left foot, right heel just lifting; her right hand holds a smartphone up between them at chest height as if still in the middle of a sentence, while her left index finger hooks the top edge of her mask and pulls it down under her chin, freeing an open-mouthed grin aimed at her companion. She wears an oversized cropped hoodie over a printed skirt and a bulging backpack sits high on both shoulders, straps creased over the fabric; enamel badges pin the bag flap and the hoodie shoulder, and her shoes and layers clash deliberately in brand and silhouette. On the left, the black-haired girl walks half a step behind and turns her head toward the pink-haired girl, her long blunt-banged hair swinging forward past her cheek, both hands folded loosely in front of her white gothic lolita dress; its frilled long sleeves and layered skirt are immaculate while her black mask sits over her nose and mouth, its edge creasing as her eyes crinkle into a smile above it. The two are arm-in-arm at the pink-haired girl's right sleeve and the black-haired girl's left cuff, a contact point where their strides nearly interlock, and both of their gazes meet the other's face rather than the lens. Around them the street is crowded with signage, air-conditioner units and window grilles rendered in photographic realism, while the girls themselves stay clean-lined and cel-shaded with crisp edges and flat illustration color so the figures read as drawings standing in a real city. Low warm afternoon sun comes from down the street behind the camera's right, lighting the fronts of the girls' faces and the undersides of the signs, throwing long soft shadows back along the pavement and leaving the upper facades in cool shade; a small puddle at the curb holds the two figures' blurred reflections darker and softer than the girls themselves. The palette is warm brick and neon against the white of the lolita dress and the pink of the hair, one blaring orange sign midground and one green crossing light anchoring the depth. A bicycle bell blurs past in the foreground, its rider cropped at the frame edge. Warm, bustling, affectionate.
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