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AI art "Modern Gentleman" featuring #Real Person Fiction
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Modern Gentleman

Modern Gentleman AI art by Simon Kennedy on PixAI. Made with Tsubaki.3 Flash.

#Real Person Fiction
Avatar image of Simon Kennedy

Simon Kennedy

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1boy, solo, full body shot, eye-level angle, centered vertical composition, young man, sharp facial features, high cheekbones, groomed masculine beard, short dark hair combed back, focused intense gaze, looking at viewer, confident standing posture, one leg stepping forward, tailored three-piece wool suit, crisp notched lapels, white shirt collar, dark waistcoat, dark tie, patent leather platform stiletto boots, sharp stiletto heel point, reflective patent leather sheen, wool fabric weave texture, minimalist studio backdrop, clean white void background, strong silhouette, directional studio lighting, high contrast chiaroscuro, monochromatic grayscale palette, deep charcoal blacks, brilliant crisp whites, detailed academic pencil sketch style, visible graphite pencil stroke lines, rough hatching textures, smudged charcoal shading, cream-toned paper grain texture, micro-textures of graphite lead, heavy paper tooth, high fashion editorial layout, 1940s fashion illustration composition, 35mm lens, f/8, Kodak Tri-X 400 film stock simulation, silver gelatin print aesthetic, subtle film grain, simple background, negative space Eye-level camera, the whole figure from the crown of the head to the stiletto heel tips inside the frame, centered on the vertical axis of a tall portrait composition. A single young man stands in the clean white void of a minimalist studio backdrop, body three-quarter toward the viewer's left; his right leg has stepped forward and taken his weight, the patent leather platform stiletto boot planted on the invisible floor with the sharp heel point spiking down behind his ankle and his other boot drawn back on the ball of the foot with the stiletto heel lifted clear of the ground. Hips level through the forward stride, spine stacked, shoulders squared but relaxed, chin a touch down so his eyes come straight at the viewer from under level dark brows -- a focused intense stare, jaw set, lips closed inside the groomed masculine beard, nothing smiling. His left hand hangs at his side with the fingers loosely curled against the wool of his trouser seam; his right hand is slipping into the jacket's front opening, thumb hooked on the lapel's edge and flattening it back over the waistcoat, wrist flexed and the shirt cuff showing at the bone. The tailored three-piece wool suit reads as one dark mass with the jacket open over a buttoned waistcoat: crisp notched lapels folded back sharp as folded paper, heavy graphite hatching running down the lapel planes in parallel strokes, the wool's weave suggested by fine cross-hatched texture rather than smooth fill, one trouser crease catching a hard line of white. The boots are the only glossy surfaces in the picture -- long patent leather shafts with boxy platform soles and tapered stiletto heels -- and they take a single long specular highlight down each swell of the instep, proof that the light is directional and close to the floor. One hard key light from the upper left front throws the shadow side of the face into deep charcoal and carves the sharp facial features: the cheekbone's plane, the beard's edge against the jaw, the temple hollow. The lit side of him is nearly paper-white, the shadow side falls to near-black, and where the two meet the hatching tightens into rough strokes that read as smudged charcoal rubbed along the forms. His cast shadow, soft graphite, spills to the right and back across the void and fades into the paper before it leaves the frame; the void behind him stays a flat brilliant white with a faint cream-toned paper grain running through it and a few loose graphite flecks caught in the sheet's tooth. Grayscale only -- no hue anywhere, all contrast carried by pressure of the pencil and the black of the print, deep charcoal blacks jammed hard against brilliant crisp whites with silver-grey halftones between. The strong silhouette is legible at a glance: a narrow standing wedge in the center, stepped leg forward, boot heel a pointed break in the white ground. Avant-garde, sophisticated, daring.
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Original Prompt
Full body shot, eye-level angle, young man with sharp facial features and a groomed masculine beard, focused intense gaze, confident standing posture, one leg stepping forward, tailored three-piece wool suit with crisp lapels, high-fashion patent leather platform stiletto boots, sharp stiletto heel point, minimalist studio backdrop, clean white void, soft graphite shadows, directional studio lighting, high contrast chiaroscuro, monochromatic grayscale palette, deep charcoal blacks, brilliant crisp whites, detailed academic pencil sketch style, visible graphite pencil stroke lines, rough hatching textures, smooth reflective patent leather sheen, tactile wool fabric weave, smudged charcoal shading, subtle cream-toned paper grain texture, centered vertical alignment, strong silhouette, avant-garde sophisticated daring mood, 35mm lens, f/8 aperture, Kodak Tri-X 400 film stock simulation, silver gelatin print aesthetic, high contrast color grading, micro-textures of graphite lead, macro-textures of heavy paper, composition inspired by Egon Schiele and fashion illustrations of the 1940s, stark minimalist void, high fashion editorial layout, architectural precision in clothing folds, psychological confidence, stark white-on-grey spatial depth.
Mode
flash
Size
1888 x 1056
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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1boy, solo, tall middle-aged man, mysterious French gentleman, full-body three-quarter view, slightly low angle, mid-stride, even gait, both legs moving normally, balanced posture, dark hair, heterochromia, black right eye, green left eye, black eyebrows, one eyebrow higher, clean-shaven, crooked mouth, parted lips, visible teeth, platinum crowns left side, gold crowns right side, expensive gray suit, imported gray shoes, gray beret tilted over one ear, left hand adjusting beret, right hand holding cane, black poodle-head knob. A full-body three-quarter view from a slightly low angle catches a tall, normally built Frenchman in his forties mid-stride, both legs carrying him evenly, his weight passing smoothly from one to the other. He has dark hair under a gray beret cocked jauntily over his left ear; his left hand is lifted to the brim, still adjusting it. His right hand carries a cane lightly by the shaft, its black knob carved as a poodle's head, the tip clear of the floor. His clean-shaven face holds a somewhat crooked half-smile, lips parted enough to show platinum crowns along the left side of his teeth and gold ones along the right. His right eye is black and his left eye green; his black eyebrows sit unevenly, one arched higher than the other. An expensive gray suit fits him cleanly, and his imported shoes match its gray tone. A plain neutral gray studio sweep surrounds him, lit by a soft key from the upper left that lays a restrained shadow beneath the advancing foot and the cane. The mood is mysterious and dapper.
Andrew Buivol
#Real Person Fiction

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