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The Great Detective Duo: Conan & Sherlock
I absolutely love the dynamic between these two brilliant detectives! Seeing Conan and Sherlock Holmes together against the backdrop of a foggy London night is a dream crossover for any mystery fan. The atmosphere is so intense with the police tape and Big Ben, it really captures the thrill of a high-stakes investigation. Hope you guys enjoy this piece as much as I did making it—please leave a like and comment if you're a fan of the series!
Contest Entry
DC x FGO Crossover Contest#DC x FGO Crossover
Show Parameters
- Original Prompt
- masterpiece, best quality, highly detailed, anime style, Sherlock Holmes from Fate/Grand Order and Conan Edogawa from Detective Conan competing to investigate a case at a nighttime London crime scene. Sherlock Holmes: tall man with dark blue hair, sharp blue eyes, wearing a long elegant dark coat with blue accents, gold chains and blue gems, holding a golden cane, surrounded by floating mechanical orbs and lenses, standing confidently with a serious expression. Conan: small boy with brown hair, blue eyes, glasses, wearing a brown trench coat, green checkered deerstalker hat, white gloves, crouching on the cobblestone street and carefully examining the ground with a magnifying glass, focused expression. Background: Big Ben and London skyline at night, wet cobblestone street, street lamps, police tape "POLICE LINE DO NOT CROSS", scattered case files and papers, cool blue night atmosphere with warm lantern lighting, highly detailed, sharp focus, cinematic composition.
- Mode
- pro
- Size
- 1824 x 1104
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moreあき
character: edogawa_conan, sherlock_holmes_(fate)
2boys, back to back, sherlock holmes (fate), black hair, short hair, green eyes, long sleeves, gloves, black gloves, formal clothes, jacket, collared shirt, shirt, bowtie, edogawa conan, brown hair, short hair, hair between eyes, blue eyes, glasses, black-framed eyewear, red bowtie, red bow, blue jacket, white shirt, shorts, socks, sneakers, shoes, hat, blonde hair, long hair, necktie, london, big ben, misty city, from behind, over-shoulder composition, two-shot, back-to-back, tall stone tower with clock face, fog, overcast, wide shot, depth of field,
Two boys stand back to back on a wet chalk-grey pavement in London, the shot taken from a low three-quarter rear angle so the fog-dimmed gothic tower of Big Ben with its clock face rises in the midground between their shoulders. On the left stands the taller of the two, the dark-haired young man in a formal black jacket, his long sleeves dark, both hands gloved in black leather, one hand at his side with the fingers slightly curled, the other resting lightly at his jacket's open hem; his short black hair is disordered at the crown and a smaller lock falls between his brows; his torso is turned square away from the camera so his face lies in profile to the left edge of frame, and only the green edge of one eye, catching the diffuse grey light, shows past the curve of his cheek. His stance is a deliberate, upright set: the right boot planted, the left foot a half-step forward, the shoulder pressed flat against the other boy's own shoulder blade with the contact line running straight down between them. On the right, the smaller boy in the blue jacket over the white collared shirt, the red bowtie at an untidy tilt at his throat, shorts and socks and a pair of scuffed sneakers on the wet paving; his short brown hair shows a tuft standing over the brow, and the black-framed glasses slip slightly down his nose, their lenses fogging faintly from his breath. His small gloved hands are thrust deep into his blue jacket pockets, elbows out; his weight rides on his right hip, one knee bent, chin tipped up and to his left, so his blue eyes look up and away into the fog rather than toward the other, and the back of his head rests against the small of the standing man's back. Between them, at their feet, a single line of wet joins their two shadows into one soft dark smear that runs toward the viewer along the joint lines of the paving. The fog is the only source of drama: it swallows the tower's far edge, softens the row of chimney stacks and the iron lamp posts to right and left, and thins the shapes of distant pedestrians to silhouettes; small water droplets bead the dark hair, the black glasses frames, and the blue jacket's shoulders, heavier on the upward-facing surfaces than on the sides. The palette is a cold grey-green, the fog's flat white, and one warm note only: the red bowtie at the smaller boy's throat. Diffuse overcast light, no hard shadow, depth compressed by mist, quiet and thoroughly moody.
あき
Conan and Holmes meet
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