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- Original Prompt
- let's do Charlie Morningstar from Hazbin hotel as a kitsune with one red tail with blond tip, and kitsune ears, ultra-high resolution, crystal-clear details, HD graphics, perfect hands, give her a hotel background, give her the battle style outfit also give her black thigh high stockings
- Mode
- ultra
- Size
- 736 x 736
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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character: charlie_morningstar, copyright: hazbin_hotel
1girl, solo, charlie morningstar, blonde hair, very long hair, long hair, red eyes, colored sclera, white skin, demon horns, fox ears, kitsune, one tail, red tail, blond-tipped tail, black thighhighs, thighhighs, battle outfit, fighting stance, clenched fist, from below, cowboy shot, dutch angle, looking at viewer, open mouth, grin, sharp teeth, confident smirk, hotel background, grand hotel lobby, chandelier, red carpet, marble floor, dramatic lighting, dynamic angle, ultra-detailed, sharp focus
From a low dutch angle tilted up across the diagonal, she dominates the frame in a cowboy shot cut just below the knee, weight sunk into her back right hip and braced wide on her front left foot, one fist cocked up at shoulder height while the other hand sweeps an open palm low across her hip as though mid-summon; her torso twists a quarter turn away from the lens while her head snaps back over her shoulder to face the viewer, chin down, one red eye catching the chandelier's glare, the other lost to shadow beneath a lifted brow. Her blonde hair flies in a long unravelled sweep behind her shoulder, the very long strands dragged sideways in the wake of the turn, and a pair of pointed fox ears stand tall out of that blond mass with red inner fur and dark tips, twitching. Above her brow sit her curved demon horns. A single broad red tail sweeps up behind her in a rising arc, thick and luxuriously furred, tapering to a blond tip that curves back toward the camera; every upward-facing band of its fur catches a thin hot rim of light while the underside stays deep crimson, and the tip's pale hairs separate into a soft fringe against the dark of the lobby. Her battle outfit is cut close and sharp for motion: a structured crimson-and-black fighting coat with a high collar and shoulder line, cinched hard at the waist over a hugging black bodice, long sleeves ending at the wrist, the tails of the coat flaring off behind her knee; the black thigh-high stockings sheathe both legs up to mid-thigh, their knit catching a faint sheen along the front of each leg, a bare sliver of pale skin visible between stocking band and coat hem, feet planted in dark heeled boots.
Behind and around her opens the hotel: a vast ornate lobby interpreting her theme, the whole composition dwarfed by its scale, with a crimson-carpeted double staircase curving up into darkness on either side, brass banisters and marbled columns receding in perspective, a great cut-glass chandelier suspended overhead and pouring down warm amber light from above-left so that it strikes her hair, her cheekbones, the fox ears and the raised arm while the marble floor pools the reflection far below; long velvety shadows drop toward the lower right corner from the dutch tilt, and the distant reception desk, framed paintings and lamps soften into blurred bokeh, with any lettering on the distant signage reduced to illegible texture. The chandelier is the dominant source: its crystals scatter hard bright sparks across the polished floor, each spark sharper and brighter at the source and softer, dimmer as it spreads. Palette locked to crimson, warm gold and black against her pale skin and blond hair, with the red of her tail and coat as the loudest note in the frame. Crisp high-resolution linework, clean cel-shaded gradients, every strand and fur edge razor-sharp, effortlessly fierce.
Ayano
a
character: charlie_morningstar, copyright: hazbin_hotel
1girl, solo, charlie morningstar, blonde hair, very long hair, long hair, red eyes, colored sclera, white skin, demon horns, fox ears, kitsune, one tail, red tail, blond-tipped tail, black thighhighs, thighhighs, battle outfit, fighting stance, clenched fist, from below, cowboy shot, dutch angle, looking at viewer, open mouth, grin, sharp teeth, confident smirk, hotel background, grand hotel lobby, chandelier, red carpet, marble floor, dramatic lighting, dynamic angle, ultra-detailed, sharp focus
From a low dutch angle tilted up across the diagonal, she dominates the frame in a cowboy shot cut just below the knee, weight sunk into her back right hip and braced wide on her front left foot, one fist cocked up at shoulder height while the other hand sweeps an open palm low across her hip as though mid-summon; her torso twists a quarter turn away from the lens while her head snaps back over her shoulder to face the viewer, chin down, one red eye catching the chandelier's glare, the other lost to shadow beneath a lifted brow. Her blonde hair flies in a long unravelled sweep behind her shoulder, the very long strands dragged sideways in the wake of the turn, and a pair of pointed fox ears stand tall out of that blond mass with red inner fur and dark tips, twitching. Above her brow sit her curved demon horns. A single broad red tail sweeps up behind her in a rising arc, thick and luxuriously furred, tapering to a blond tip that curves back toward the camera; every upward-facing band of its fur catches a thin hot rim of light while the underside stays deep crimson, and the tip's pale hairs separate into a soft fringe against the dark of the lobby. Her battle outfit is cut close and sharp for motion: a structured crimson-and-black fighting coat with a high collar and shoulder line, cinched hard at the waist over a hugging black bodice, long sleeves ending at the wrist, the tails of the coat flaring off behind her knee; the black thigh-high stockings sheathe both legs up to mid-thigh, their knit catching a faint sheen along the front of each leg, a bare sliver of pale skin visible between stocking band and coat hem, feet planted in dark heeled boots.
Behind and around her opens the hotel: a vast ornate lobby interpreting her theme, the whole composition dwarfed by its scale, with a crimson-carpeted double staircase curving up into darkness on either side, brass banisters and marbled columns receding in perspective, a great cut-glass chandelier suspended overhead and pouring down warm amber light from above-left so that it strikes her hair, her cheekbones, the fox ears and the raised arm while the marble floor pools the reflection far below; long velvety shadows drop toward the lower right corner from the dutch tilt, and the distant reception desk, framed paintings and lamps soften into blurred bokeh, with any lettering on the distant signage reduced to illegible texture. The chandelier is the dominant source: its crystals scatter hard bright sparks across the polished floor, each spark sharper and brighter at the source and softer, dimmer as it spreads. Palette locked to crimson, warm gold and black against her pale skin and blond hair, with the red of her tail and coat as the loudest note in the frame. Crisp high-resolution linework, clean cel-shaded gradients, every strand and fur edge razor-sharp, effortlessly fierce.
Ayano
a
character: charlie_morningstar, copyright: hazbin_hotel
1girl, solo, charlie morningstar, blonde hair, very long hair, long hair, red eyes, colored sclera, white skin, demon horns, fox ears, kitsune, one tail, red tail, blond-tipped tail, black thighhighs, thighhighs, battle outfit, fighting stance, clenched fist, from below, cowboy shot, dutch angle, looking at viewer, open mouth, grin, sharp teeth, confident smirk, hotel background, grand hotel lobby, chandelier, red carpet, marble floor, dramatic lighting, dynamic angle, ultra-detailed, sharp focus
From a low dutch angle tilted up across the diagonal, she dominates the frame in a cowboy shot cut just below the knee, weight sunk into her back right hip and braced wide on her front left foot, one fist cocked up at shoulder height while the other hand sweeps an open palm low across her hip as though mid-summon; her torso twists a quarter turn away from the lens while her head snaps back over her shoulder to face the viewer, chin down, one red eye catching the chandelier's glare, the other lost to shadow beneath a lifted brow. Her blonde hair flies in a long unravelled sweep behind her shoulder, the very long strands dragged sideways in the wake of the turn, and a pair of pointed fox ears stand tall out of that blond mass with red inner fur and dark tips, twitching. Above her brow sit her curved demon horns. A single broad red tail sweeps up behind her in a rising arc, thick and luxuriously furred, tapering to a blond tip that curves back toward the camera; every upward-facing band of its fur catches a thin hot rim of light while the underside stays deep crimson, and the tip's pale hairs separate into a soft fringe against the dark of the lobby. Her battle outfit is cut close and sharp for motion: a structured crimson-and-black fighting coat with a high collar and shoulder line, cinched hard at the waist over a hugging black bodice, long sleeves ending at the wrist, the tails of the coat flaring off behind her knee; the black thigh-high stockings sheathe both legs up to mid-thigh, their knit catching a faint sheen along the front of each leg, a bare sliver of pale skin visible between stocking band and coat hem, feet planted in dark heeled boots.
Behind and around her opens the hotel: a vast ornate lobby interpreting her theme, the whole composition dwarfed by its scale, with a crimson-carpeted double staircase curving up into darkness on either side, brass banisters and marbled columns receding in perspective, a great cut-glass chandelier suspended overhead and pouring down warm amber light from above-left so that it strikes her hair, her cheekbones, the fox ears and the raised arm while the marble floor pools the reflection far below; long velvety shadows drop toward the lower right corner from the dutch tilt, and the distant reception desk, framed paintings and lamps soften into blurred bokeh, with any lettering on the distant signage reduced to illegible texture. The chandelier is the dominant source: its crystals scatter hard bright sparks across the polished floor, each spark sharper and brighter at the source and softer, dimmer as it spreads. Palette locked to crimson, warm gold and black against her pale skin and blond hair, with the red of her tail and coat as the loudest note in the frame. Crisp high-resolution linework, clean cel-shaded gradients, every strand and fur edge razor-sharp, effortlessly fierce.
Ayano
Charlie
will leow
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