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Steve Still

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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character: carol_malus_dienheim, copyright: senki_zesshou_symphogear 1girl, solo, carol malus dienheim, blonde hair, long hair, braid, braided ponytail, blue eyes, mole under eye, small breasts, short girl, loli, doll girl, doll joints, visible ball joints at shoulders and wrists, porcelain skin, taking care of plants, greenhouse, watering can, holding watering can, leaning forward, tiptoes, potting bench, terracotta pots, seedlings, ferns, glass panes, sunlight through glass, dappled light, from below, cowboy shot, looking at object, light smile, half-closed eyes, focused expression, black gloves, elbow gloves, red dress, black thighhighs, wide shot background depth, The camera sits low in a narrow aisle of the greenhouse, looking up from knee height through the foliage so the glass roof opens above her. A short doll-jointed girl stands at a weathered potting bench on the left of frame, leaning her weight forward onto her right hip and rising onto her toes on the right foot to reach a tray of seedlings set back against the glass; her left hand grips the watering can by its handle, spout tilted down over a terracotta pot of fern, and a thin thread of water arcs from the spout into the dark soil, darkening a small circle of earth. Her right hand balances flat on the bench's near edge beside a scatter of empty pots and a spill of loose soil. Visible ball joints mark her shoulders above the black elbow-length gloves and her wrists where the gloves end, ring seams in porcelain-pale skin, and her blonde braid — a long braided ponytail bound at the nape — sweeps down over her right shoulder and hangs forward past her waist, its tip swaying toward the bench as she leans. Blue eyes are turned down and to the left, fixed on the fern's soil rather than on the viewer, lashes lowered in concentration, lips closed in a faint, absorbed smile; a small mole sits under her left eye. She wears a red dress that falls to mid-thigh and black thighhighs, the hem of the dress pulled slightly back by the reach of her shoulders. Around her, the greenhouse fills the background: iron glazing bars run up into a high ridge, glass panes in pale green, tiers of shelves crowded with ferns, ivy and stacked terracotta pots, the far end of the aisle falling soft and out of focus. Sunlight enters high behind her right shoulder through the roof glass and passes in broken patches across the bench, the leaves, and the side of her face, leaving her left cheek and the front of the red dress in cool green shade; the light scattered through the foliage casts small shifting lozenges of brightness on the soil, and where the water meets the pot's rim a bead runs down the terracotta and darkens the clay in a short vertical streak. Palette held to greenhouse green, terracotta orange, porcelain white, red, and black, with sun-warm gold in her hair. Quiet, absorbed, tender.
Hải Hoàng

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